Friday Quick Hits and Varia

It’s a sunny and almost summer-like Friday here in North Dakotaland. I’m a solid 75% ready to decamp for summer research leave and might even have time to fit in an afternoon jog today to try to mitigate some of the pre-travel anxiety.

2024-05-09 10.12.15.

Over the next few days, I’ll be traveling and have plans to keep my nose in a good book and recover a bit from what has turned out to be a hectic end of the semester. That means, regrettably that I’ll miss some of the more compelling games in the NBA playoffs and some decent fight cards over the next month or so. Alas, one of the many downsides of cramming my research time into a stretch of 8 weeks in the summer is that it is all I do for 8 weeks in the summer.

That said, I’m going to try to a better job of keeping up my blogging duty, even if my weekly pursuing of the web for quick hits and varia will have to take a bit of a back seat. (But you can always check out Pasts Imperfect for your varia hit or Joshua Nudell’s weekly quick hits.) 

Summer Reading List

I don’t want to say that I’m behind in my preparations for this summer, but I will concede that things are not as far along as they usually are.

One thing that I absolutely had to do is build my summer reading list. Each year for the last dozen years, I’ve posted what I planned to read over the summer: 2023, 2022, 2021202020192018, 20172016201520142013, and 2011.)

This summer feels particularly filled with left overs. Books that banged around my summer reading list for years now and I haven’t managed to read them. I had hoped this year to read the final installment in Arkady Martine’s science fiction “Teixcalaan” trilogy, Marlon James “The Dark Star” fantasy trilogy, or even the final book in William Gibson’s “Jackpot” series. Since none of these books have appeared, I feel like this is a good moment to try to get through some long simmering reading projects (with just a few new ones as well).

First, my major reading project is William Gaddis’s J R (1975). This part of this vaguely quixotic effort to read the major works of American post-modern fiction. I’m pretty nervous about taking on a 1000 page novel as it violates most of my rules about Big Books, but it’s been staring at me for a few years now and I feel like I need to at least TRY.

I figured I would leaven the sheer enormity of J R with some shorter books. For example, I’m keen to read more in James Sallis’s Lew Griffin series. I’m also excited to read Zadie Smith’s The Fraud (2023) after reading and enjoying On Beauty (2006). I’m several years behind in my other reading and still haven’t read Shehan Karunatilaka’s The Seven Moons of Maali Almeida (2022). That might be my book for my international flight. I also picked up Evelyn Waugh’s Helena (1950) on a lark. I continue to have a Gene Wolf’s Book of the New Sun trilogy and Iain M. Banks’ Use of Weapons on my Kindle.

There are some odds and ends that I’m reading. For example, I’m reading Amiri Baraka’s Blues People: Negro Music in White America (1962) and Fred Moten’s In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003). This is part of my larger project on Black Pseudoarchaeology.

I’m also eager to read Elizabeth Kryder-Reid and Sarah May’s edited volume, Toxic Heritage: Legacies, Futures, and Environmental Injustice which came out last summer and I still haven’t managed to read.

I’ll probably also throw the most recent issue of the Greensboro Review, Ploughshares, and Conjunctions in my bag to read when I get a chance. Since the most recent issue of Ploughshares was edited by Laila Lalami, I’ve now added to my pile of books her 2014 novel, The Moor’s Account.

In addition to these I have a few manuscripts to read for review. They’ll ride with me on my iPad!

Odds and Ends from the Publisher’s Desk

When I put together my list of tasks for my summer research leave yesterday, I realize that I hadn’t shared quite as much of my current work in publishing as I had hoped. 

The first one is a book of poetry which will appear as a collaboration between NDQ and The Digital Press. Songs of the Bunch Grass Acres is a collection of poems written by Clell Gannon and published in 1924. The goal of republishing this work is to recognize its centennial and to shine some attention on the work of this prairie poet. We also want to bring attention to “Midwestern Modernism” and show how regional voices, like NDQ, contributed to larger cultural currents. We have generous support from the Northern Plains Heritage Foundation to support cover design and copy editing. My Practicum in Editing and Publishing Class was responsible for elements of book design, some editing, and some elements of project management.

Monosnap Design_02.pdf 2024-05-08 05-15-49.

Monosnap Design_02.pdf 2024-05-08 05-16-10.

We’ve been trying to clean up the 1924 publication of the Gannon book and give it a bit more of a contemporary look without making it feel too current. The class identified a wonderful font to use for the text: LD Genzsch Antiqua. One of the students is cleaning up the line work (and more on that later in the summer) and that is giving us a bit more flexibility in our page design and a chance to to highlight Gannon’s art. You can see a few pages from the original below: 

Monosnap Songs_of_the_Bunch_Grass_Acres (1) (dragged).pdf 2024-05-08 05-28-32.

Monosnap Songs_of_the_Bunch_Grass_Acres (1) (dragged).pdf 2024-05-08 05-28-55.

Another project piece that has not appeared on this blog (as near as I can tell) is the cover for David Pettegrew’s epic Corinthian Countrysides: Linked Open Data and Analysis from the Eastern Korinthia Archaeological Survey. This, I think, is our final cover design:

EKAS Cover-Draft 02.

Summer Work

I’ve started to call my summer “research leave” to help my focus on doing what I need to do and to avoid getting complacent. This summer will he hectic, in a fun way, with a few different projects rubbing shoulders with one another and it help me develop a bit of stamina for what will likely be a busy fall and winter semesters.

For those of you who wonder how the average academic spends their research leave. Here’s what I’ll be up to.

1. “Teaching as a Response to a Campus Crisis”: This paper is due August 1, but I have a substantially complete draft of the text. I think I’ll send a draft of it to a couple buddies who have endured campus budget crises in their day and see what I can do to make it stronger and more useful. I don’t have a ton of time to work on this either this summer or when I get home. I’m hoping that I can be efficient.

2. “Mobilizing the Archaeological Report for the Future Interpretive Community: Linked Open Data, Analysis, and Publication”: This is a coauthored paper with David Pettegrew for the Journal of Field Archaeology. I think we’ll work a bit on it when we’re together this summer in Greece, but most of the work on this will have to wait until September. A manuscript for review will be due September 26th, I think. So we have some time!

3. Polis I: We’ve recently learned that we need to submit the first volume of our work at Polis on Cyprus to press by the end of December (so let’s say, December 1) or risk losing funding. This is adding a much needed injection of stress to our summer work on Cyprus, but it is what it is, and fortunately, we’re close to having our part of this volume complete. In fact, most of what we need to do is the fun stuff: re-read what we’ve written and give it a bit more polish and refinement. First thing is first, though, and that’s producing a proposal for the first two volume and getting them accepted.

4. PKAP II: ARRGGGHHH… this is our long simmering second PKAP volume which is 96% done. Seriously. 96%. It is so close to being done that we could reasonably send it out for review before the end of the summer, but it has gone from being the wolf closest to the sled to just another wolf in the forest. This is less than ideal from my perspective, since I invested a good bit of energy in this volume this fall and spring, but the risk of long simmering projects is that while they might produce the richest sauce in the end, they also risk being forgotten.

5. Larnaka Sewage System pottery: This is one of those OPP (Other People’s Pottery) projects that has a spring deadline for publication. We started the work this past summer and spent some time during the “non-research leave season” collecting bibliography and strategizing how to publish this salvage material in a meaningful and efficient way. We have two weeks in Larnaka to finish our work on this material and put together some kind of very rough draft of an article to submit in the spring. 

6. Slavic Pottery from Isthmia: Last summer, we started a project to study and contextualize the Slavic pottery from Isthmia. I think our first season was moderately productive. We not only studied the material from the Roman Bath (and framed some small additional research questions), but we also came to understand both the potential and challenges of working with Isthmia data and ceramics. This summer we plan to look beyond the Roman Bath, particularly to contexts associated with the Justinianic Fortress and use these to check our contexts and typologies developed from the material from the Roman Bath. My feeling is that we’re yet another season away from producing a significant publication of this material, but we should know more or less what we want to say by the end of this summer. 

7. Hexamilion Wall Exploration Project. This is a made up name for the work that David Pettegrew and I plan to do to document what might well be some new sections of the Hexamilion Wall. We received a permit to clear some vegetation and to do some documentation and we’ll just have to see what we find. I’m optimistic. What could be very interesting is if we can connect this work with the work we’re doing with the ceramics and stratigraphy at Isthmia.

8. Publishing Work: This summer is a summer of FIVE books, I think. The Corinthian Countryside, Wild Drawing: Street Art in Perspective, The Muslims of Darürrahat, Big Pandemic on the Prairie: The Spanish Flu in North Dakota, and Clell Gannon’s Songs of the Bunchgrass Acres. I’ve never had this many irons in the fire, but I’m very excited about this bumper crop of titles scheduled to appear this fall. I’m already beginning to think of ways to market this! 

EKAS Cover-Draft 02.

9. The Slow Cooker. This fall, I’ve agreed to give a paper on my “slow cooker” idea of “Black Pseudoarchaeology.” Fortunately it is only a 10 minute paper as part of a larger workshop on Pseudoarchaeology at the ASOR annual meeting. Hopefully this gets me back to work on my next book project which will be a short book on pseudoarchaeological ideas and Black culture with particular focus on Black spiritual traditions, music, and literature. It’ll offer an alternate view to the whitewashing of the pseudoarchaeological discourse and hopefully encourage archaeologists to tread a bit more lightly when they encounter pseudo-science and pseudoarchaeological ideas in the wild. 

10. The Deep Freeze. Finally, I have a few ideas that have been shunted into the deep freeze for now. These are mostly digital projects especially related to our work at Polis. I would love, for example, to build out a digital framework and standards for publishing the archaeological data from Polis. We got a start on it may years ago so this wouldn’t be de novo. 

Music Monday: Toshiko, Marion Brown, and Kamasi Washington

As the semester comes in for what I hope to be a gentle landing, I’m taking just a bit of extra time this morning to watch Australian Jason Moloney versus Yoshiki Takei and Naoya Inoue versus Luis Nery from Tokyo. In fact, the former is on in the background while I write this.

It seems reasonable, then, to start my music Monday with an album by Toshiko Akiyoshi. Better still, May 4th was Ron Carter’s 87th birthday making it all the more appropriate! Carter and on Toshiko At the Top of the Gate (1966) she is joined by Kenny Dorham, Lew Tabackin, and Mickey Roker. The album is pretty spendy on CD, so I purchased it as a (gasp) MP3. It’s a good album especially if you’re a Kenny Dorham fan (and honestly, who isn’t these days?) and is hardly deserving of the rather lukewarm reviews that it has received. Judge for yourself:

My other find over the past couple of weekends is a pair of early Marion Brown albums from 1966 and 1967. Readers of this blog know that I’m a big fan of Marion Brown especially his classic early-1970s albums. I hadn’t expected to be so charmed by these two early albums: Marion Brown Quartet (1966) and Juba-Lee (1967). I was enticed to listen to them because they featured trumpet player Alan Shorter whose work I didn’t really know well, but they also feature Brown and Shorter along with Bennie Maupin, and Ronny Boykins and Reggie Johnson (on bass). The Quartet date includes Rahied Ali on drums. Juba-Lee is a septet expanded with Graham Moncur III on trombone, Dave Burrell on piano, and Beaver Harris replacing Ali on drums. for Marion Brown Quartet was released on ESP’ Disk and despite that labels reputation for some pretty dense and challenging recordings, Brown’s date is pretty enjoyable. Juba-Lee is a bit tricky to find, but YouTube provides (and the Ezz-thetics label produced a single CD with two tracks from both Juba-Lee and The Marion Brown Quartet on it).  

You can, of course, find both on Youtube:

Finally, I am enjoying Kamasi Washington’s latest album: Fearless Momevement. I’m particularly loving the opening track “Lesanu” 

It came out just a week ago, so I’m not sure how much of it you’ll be able to hear on the YouTubes, but you can check out this playlist here:

Friday Varia and Quick Hits

A cool and damp week giving way to a warmer weekend feels like the opposite of most springs here on the Northern Plains where our famous seven-day oscillation typically produces warm week days and cool wet weekends. But, we’ll take it nevertheless.

My beloved Philadelphia 76ers lost last night and were eliminated from the playoffs. They fought bravely to the end, but aren’t quite ready to make the leap. I look forward to free agent magic this summer and another bite at the apple next year. Meanwhile the Phillies are quietly putting together a good start to their season and I look forward to watching them this week. I also will check out the Miami Formula 1 race and, of course, Canelo Alvarez’s annual Cinco de Mayo bout this year features the formidable Jaime Munguia atop a packed undercard of intriguing fights. 

Otherwise, this weekend will be full of grading and putting my life in order before I decamp for my annual research leave in the Mediterranean. In the meantime, please enjoy this rather short list of quick hits and varia:

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Three Teaching Things Thursday

Today is the last day of the spring semester and I’m starting to both look ahead to my summer research leave and look back at my classes over the past year. For readers of this blog, I’m not going to say anything new, but I feel like my experiences this semester continued a trajectory started about a decade ago toward a more learning centered approach to teaching.

Thing the First

I have one more semester of regularly teaching our department’s methods class. I’ve been teaching the course every semester for over a decade now. I’m disappointed that I’ll have to give it up, but I’ve come to terms with the idea that my colleagues are probably better at discerning when it’s my time to move on than I would be. 

This semester, I changed the class up a good bit, but still came back around to the idea that learning to be a historian is partly method (and process) and partly craft. The former speaks to the influence of the social sciences and even the long shadow of scientific epistemologies on the discipline. By foregrounding methods we locate history within the bosom of the contemporary university with its predilection toward industrial modes of production. For a long time, students struggled to understand how they could be both the consumer and the product, but as they have become more accustomed to the workings of the digital economy, this paradox (if that’s the right word for it) has come to make more sense. After all, when we visit Amazon on a product web page we’re both expecting a satisfactory customer experience, but also know that our views are often being repackaged and commodified.

The other part of learning history is craft. For students who have become accustomed to learning by following a clear and stable method, this course is a bit frustrating. After all, it is impossible to tell a student how to research any possible topic in history. Instead, one has to encourage a student to embrace the craft of history. This means supporting the idea that history (and the humanities more broadly, I’d contend) has to be learned by doing.

Thing the Second

The problem with supporting craft is that this requires students to be self-motivated. There’s no way to learn how to do things unless you’re willing to put in the time. A more method driven learning experience, however, is well suited for students who might lack a bit of the personal discipline that craft learning requires.

This regularly drew me to consider how much our students’ “studenting” skills prepare them for success in my classroom. By “studenting” I’m referring to the ability of students to see the connection between the little things (e.g. showing up regularly for class, doing work on time and to spec, taking time to do the reading well, and so on) and the bigger things (e.g. reading for understanding, going beyond the letter of the assignment, engaging consistently in the classroom, finding links between classes, and so on). The better students understand that this is where a good bit of learning takes place especially in college and simply doing the assignments and getting the grades is the minimum of what is necessary to succeed.   

This always leaves me in quandary. The more structured a class become the more it levels the playing field toward students who are still developing “studenting” skills. It also shifts that class away from the idea that doing history is not only a series of procedures followed in a particular order, but also a series of often frustrating encounters with texts, other people’s ideas, and the capacity to bring order to the shadowy hints of reality that one encounters in the past.

I continue to struggle to balance these priorities. For example, I prefer to have very fluid due dates that allow students to engage material at their own pace (and as much as possible turn in what they want to turn in when they want to turn it in). This certainly contributes to the idea that despite the industrial model of the university, craft methods are possible, but this also doesn’t always suit students who struggle with time management, priorities, and motivate—in short the key elements of “studenting.”

Thing the Third

I was chatting to a colleague the other day and used a boxing reference. (I find in my middle-aged, dotage, sports and particularly boxing metaphors have become central in understanding my daily life.) At this point in the semester, I find myself doing the little dance that boxing refs often perform when they look into one competitor’s eyes and say, almost implore: “You’ve gotta show me something!” It’s particularly touching (and a very intimate part of the sport) when the ref uses the boxer’s name. The ref knows that his job is to stop the fight if the boxer can’t compete or respond. It’s that time of the semester now. If a student can’t continue, it is my responsibility to help them end the fight with dignity. 

At this point of the semester, I find myself looking my students in the eye more and asking them to show me something.  

Concluding My Chapter on Teaching as a Response to a Campus Crisis

This morning I finally wrote a draft of a conclusion to the paper that I’ve been writing on teaching as a response to a campus crisis. As readers of this blog know, this paper is destined for an edited volume on campus crises. Yesterday, I shared the basic outline of the paper with links to the previous sections on the blog.

I have to admit that writing this paper against the backdrop of increasing violence toward students on college campuses across the US has been a challenge. In particular, I’ve been struck by the lack of empathy toward the students (even if one doesn’t agree with their political positions). One wonders whether this is an indicative of how professionalization across the institution compromises how groups understand the range of commitments present across the campus community. My paper, of course, doesn’t really engage with the current events, but it felt necessary to at least acknowledge them in my conclusion. 

Conclusion 

The students in these courses channeled their frustrations surrounding the UND budget into academically and intellectually productive activities. The publication of books, the coordinating of events, and the engagement with the larger campus community created opportunities for students to develop a more sophisticated and nuance understanding of the budget and bridge the knowledge and professional gap between students, faculty, and the administration. The impact of the course beyond the semester remains unclear. Administrators who received copies of the students’ work, were not particularly inclined to engage with it. One expressed some disappointment in the the students’ conclusions, but did not explain why. Faculty who received copies of the book generally viewed them as tokens or even novelties rather than significant intellectual interventions in an ongoing campus crisis. While students planned to circulate the book among their own social networks, these remained largely closed off to me as a faculty member. There is some evidence, however, that the students took their experiences in these classes with them after they graduated from UND. Wyatt Atchley, for example, made Wesley College the topic of his M.A. in Public History at North Dakota State University and has collaborated with me in subsequent publications on both the budget crisis and our efforts to document the now-destroyed buildings. While the continued interest of one student is suggestive, larger impact of these classes remains unclear. 

In some ways, this was unsurprising. On our campus, student activism is rare. Moreover faculty (and student) workloads ensure that outrage often offers a more convenient outlet than the kind of understanding needed to bridge the divide between professional administrators and the faculty rank and file in a productive way (although note Zerr and Gjellstad 2018). That said, interventions like these classes may offer faculty and students firmer ground from which to critique administrative processes and the structures that produce them. 

As I write this conclusion, campus protests over the Israeli invasion of Gaza have turned violent evoking the fraught campus politics that inspired the teach-in movement and inspired a generation of campus activists. Amid this crisis, divisions across the campus community have created situations which have taxed our collective capacity for empathy and understanding. Divisions without our institutions, forged by a half-century of professionalization, specialization, and competition on campuses has compromised our ability to respond to campus crises, by assuming adversarial or, at very least, incommensurate perspectives across the institution. I grounded my contribution to this volume on the assumption that these divisions require subversive practices which will allow students and faculty to critique and even participate more thoughtfully in the decision making process. Perhaps this hoped for outcome misses the mark. Maybe creating spaces for cross-campus dialogue during crises are more important for creating institutional (or even community wide) reserves of empathy and compassion during fraught times. In the end, despite the anxiety that our budget crisis created among students and faculty alike, the stakes were comparatively low. The current campus violence, however, reminds us that the next crisis may not be. Understanding the diverse positions and responsibilities across campus and recognizing the potential of teaching as a space for cross campus dialogue may help us develop alternatives to violence when the next crisis occurs.

A Load of Links Related to the UND Budget Crisis Class in 2018

As readers of this blog know, I’ve been working on a paper for a volume on campus crises. This week, the volume feels all the more relevant (if not, to use everyone’s favorite academic term “urgent”).

I’m putting the final touches on the first draft of my chapter which will focus on how the budget 2016-2018 budget crisis at UND shaped what I did in the classroom. Here’s the rough outline of my paper:

Introduction
Teaching as Activism (here, here)
The Anatomy of the UND Budget Crisis
Teaching a Class on the University Budget
The Wesley College Documentation Project
Conclusion

With any luck, the conclusion will be done by the end of the week!

I came to realize that my writing about the UND budget crisis drew upon on a pretty interesting group of documents that my classes both produced and used upon. I know that I’ve shared a few of them here in the past, but now seems to be an appropriate time to share all of them.

First, here is the syllabus for my class on the UND Budget. 

History of North Dakota: Women’s Hockey, Higher Ed & the UND Budget

That class and the gradate reading seminar that I ran in the Fall of 2017 produced a pair of short, free, downloadable books:

Defendinghistorycover 011.Defending History: The Graduates Manifesto

 

Hawks, Hockey, and the Budget at the University of North Dakota

The class relied upon a document reader that was the product of a small graduate seminar. Joe Kalka, who was a student in that seminar (and the course that produced produced it. It remains a useful archival record of the budget situation on UND’s campus. We tried to stabilize the hyperlinks using the Internet Archive, but a number of the links don’t work. It nevertheless provides a basic survey of the sources that students in the UND budget class could use to  

Higher Education and Budgets Course Document Reader

We shared the first chapter of Andrew Larson’s thesis with the class as a general survey of the recent history of higher education grounded in some of the classic works on the field, but with an  

Andrew F. Larson, “Not Your Advisor’s Doctorate: The Doctor Of Arts And The Modernization Of Higher Education 1945-1970.” Unpublished D.A. Thesis, University of North Dakota, 2020. 

We also benefited from a couple of other documents:

William Caraher, “History at the University of North Dakota 1885-1970,” Unpublished 2009.

Louis G. Geiger, University of the Northern Plains: a History of the University of North Dakota, 1883-1958. UND Press, 1958

Of course, there have been several publications, both formal and more casual, out of our broader work on the UND budget:

Letters of Edward Robertson President Emeritus, Wesley College, From 1935.

Wyatt Atchley, “Images of Austerity,NDQ 85 (2018), 124-125.

Melissa Gjellstad and Ryan Zerr, “Faculty Navigating the Age of Austerity: Affirming Roles and Renewing Alliances,NDQ 85 (2018), 162-180.

William Caraher, “Humanities in the Age of Austerity: A Case Study from the University of North Dakota,NDQ 85 (2018), 208-221.

William Caraher , Michael Wittgraf , Wyatt Atchley, “Hearing Corwin Hall: The Archaeology of Anxiety on an American University Campus,Epoiesen (2021).

Wyatt Atchley, “Wesley College: Progressive Era Education in North Dakota.” Unpublished MA Thesis, NDSU, 2023.

William Caraher, “Documenting Wesley College: A Mildly Anarchist Teaching Encounter,” in Teaching and Learning the Archaeology of the Contemporary Era. Gabe Moshenska ed. London: Bloomsbury, 2024. (You can download a pre-print of this article here).

Music Monday: Vampire Weekend, Charles Lloyd, and Ava Mendoza

I’ve had the latest Vampire Weekend album, Only God Was Above Us, on heavy rotation over the last few weeks. At first, I’ll admit that I didn’t get it. I found it too sonically confusing and even gratuitously distorted to appreciate, but I persisted. I’m not sure why I persisted other than out of a kind of lazy (and honestly distracted) commitment to the latest thing.

After about a half-dozen listens, something started to click for me and without spoiling the album for someone who hasn’t heard it (or enforcing my read on the album as normative), I’d encourage anyone who likes power pop (or catch alternative or whatever one wants to call it) to check it out. To my ears, I feel like it is paean to the Millennial experience (which is known to me primarily through my experience with college students). In some ways, it feels like a sequel to Arcade Fire’s The Suburbs which in some ways is a Gen X album. 

Check out two cuts from Side A:

Capricorn: 

https://youtu.be/8lCmyFCj580?si=35cIOQs-PlmMcolj

Too old for dying young, to young to live alone.

And, “Prep-School Gangster”:

For reasons that aren’t entirely clear, I was sucked into a strange Kool & The Gang vortex over the weekend. I caught the very end of an unfamiliar version of Charles Lloyd’s “Sombrero Sam” on the radio and discovered that it was, in fact, Kool & The Gang playing it in 1971 and releasing it on their album of the same year, Live at P.J.’s

Lloyd released what I consider to be the classic version of this song on his 1966 Quartet date Dream Weaver:

He has returned to this song from time to time, and I particularly enjoy his 2016 recording with the Marvels from I Long to See You.

Finally, I’ve been enjoying the newest from guitarist Ava Mendoza and saxophonist Dave Swenson album, Of It But Not Is It on Mahakala Music (whose releases almost always excite me)! It’s bluesy, dirty, improvised and edgy. It’s my kind of music (and features two William Parker songs). Mendoza’s guitar and Swenson’s sax are plenty to create rhythm and drive.