The Bakken and Climate Change: Flows

Next week, I’m participating in a roundtable at the ASOR annual meeting. This roundtable is titled “Archaeology and Climate Change: New Challenges to Fieldwork in the Middle East” and it is convened by Ömür Harmanşah.

I’ve been thinking about ourr paper pretty non-stop this weekend. It’s titled “North Dakota and the Middle East: The Bakken Oil Patch in a Global Perspective.” 

I’ve come to the unsurprising conclusion that the Bakken is not in the Middle East (at least as it is conventionally understood). Fortunately, the current organization of the panel is for us to have only 8-10 minutes to discuss our work and then for the panel to become a more open conversation between the participants and the audience. I like this format, but I’ll have to think a bit carefully about how I frame my paper so that it can contribute to the all-star cast that Ömür has assembled whose work is decidedly more focused on the Middle East and more scientifically rigorous than our work in the Bakken. 

Over the next four days, I’m going to propose four different possible approaches to how we present our work in the Bakken in a global context. This not only reflects my own uncertainty about how to make our work relevant to this panel, but also reveals a bit about how academic knowledge is made. 

Four Approaches to The Bakken, Climate Change, and the Middle East:

Approach 1: assemblages
Approach 2: flows
Approach 3: fieldwork
Approach 4: history

Anyone who visited the Bakken oil patch in western North Dakota, especially at the peak of the its boom, would witness a region in constant motion. A grid of roads and railroads forms a defining feature of the landscape, and the constant flow of trucks and trains produced moving monuments to extractive industry. The “Big Muddy,” the Missouri River snakes it way through the heart of the oil patch, from the Montana border until the Garrison Dam pools its waters in Lake Sakakawea on the Fort Berthold Indian Reservation. The regular appearance of tank farms, natural gas compressor stations, and “processed water” disposal sites, hint at the role that “midstream” service providers play in bringing oil and gas to market and disposing of waste. 

For five years at the height of the Bakken oil boom, the North Dakota Man Camp project documented temporary workforce housing in the Bakken counties of western North Dakota. Initially we focused our attention on workforce housing sites especially those defined by the clusters of RVs, neatly arranged grids of carefully managed mobile housing units, or, especially during chaotic early years of the boom, impromptu camp sites in parking lots, shelter belts, rural farmyards, and abandoned townsites. Set against the timelessness of western North Dakota’s Ektachrome skies, the palpable ephemerality mutability of the so-called “man camps” stand out. In the first years of the project, the time spent traveling between our various study sites across the region was far greater than out time on site. In fact, our time sitting in our project trucks moving through the congested and occasionally terrifying Bakken traffic formed a rolling seminar of sorts where we formed typologies, hypotheses, and arguments for what we were seeing across the region. In other words, the encounter of motion in the Bakken was one that we initially felt and experienced as much as understood and analyzed.

In this context, the concept of flow and its key place within larger studies of the modern world was palpable. Indeed, the flow of oil from the Bakken and the flow of workers and other forms of capital into the Bakken allowed us to understand the landscape of western North Dakota as not only coterminous with the landscape of extractive industries elsewhere — whether on the North Slope of Alaska, the Permian basin, the Athabasca tar sands of Alberta, or the oil field of the Middle East — but also the confluence of flows that inscribe ever more deeply the scars of capitalist urgency on the landscape and advance the rate of anthropogenic climate change.

In an effort to document the complexity of these modern flows we adapted Tim Ingold’s concept of taskscapes in our effort to describe the confluence of movement in the Bakken. In an effort to narrate our encounters we presented our work in the form of a tourist guide. Tourism, or at least its modern variety, situated our work as both within and outside Charles Orser’s oft-recited “haunts” of historical archaeology: colonialism, Eurocentrism, capitalism, and modernity. The archaeologist as tourist naturally moves with the flow of capital, along paths established through colonial appropriation, outward, at least intellectually, from our European (rational, empirical, industrial, disciplinary, and racial) metropole, and with all the expectations and convenience of modernity. As Dean MacCannell taught us, the emergence of the middle-class tourist, as opposed to an upper class “traveler,” relied as much on the increase of surplus wealth available to the middle classes and their desire to define their class through behavior that intentionally evoked the habits of the wealthy as it did on the low cost of fossil fuels which made travel possible. If the ubiquity of transnational flows in capital allows us to make the Bakken coterminous with oil fields in the Middle East, then our fieldwork in the region mimicked a tourist’s itinerary where the wonders of modern industry passed by our windows in all their industrial glory.

The dual poles of “ecotourism” and “toxic tourism” reflect persistent modern (European, colonial, and capitalist) efforts to make visible the invisible world of ecosystems and pollution. Industrial tourism and “poorism” which brings well-heeled travelers to witness the poor communities, likewise, reflects an ironic desire to reconcile the power of capital to create and destroy. The tourist remains comfortably ensconced in a flow of experience that smooths the incommensurability between their position as witnesses, the world that they are encountering, and any potential alternatives.

Three Things Thursday: Fiction, Archaeology, and Reading

It’s a Thursday and just after the mid-point of the semester. Most years, the wheels start to come off about now, and I’m certainly feeling a greater sense of general urgency than I usually do. 

As a gesture to a rather frantic time, it feels right to do a little “Three Things Thursday” to clear the deck of wandering blog material that is bound to get caught up in the machinery of daily life and bring everything to a stop.

Thing The First

Last weekend, I read Don DeLillo’s new novel, The Silence. It’s short and like so much “Late DeLillo” atmospheric. It describes a world when all digital technology simply stops working and five people are forced to encounter life in a fundamentally different way. 

For archaeologists interested in issues of ontology, the book is short enough to be a “must read.”  As the five individuals lose their digital tools (and the digital tools that make the contemporary world possible), they lose part of themselves. The loss of their digital prosthetics leave them with phantom memories that bubble up through their consciousness suggesting that the disruption of digital technology is not enough to entirely divest ourselves of the imprint of our digital tools.

The book also engages with time in interesting ways (and here it seems to pick up where Point Omega, his 2010 novel leaves off. In Point Omega time alternately slows down and speeds up as the characters encounter existence through various modalities including the vastness of the desert, a slowed-down version of the film Psycho, and the structure of a haiku (which apparently give the novel its structure). In The Silence, time appears to stutter, lurch, and double back on itself. One character begins to recite Einstein, the other the fractured commentary on the Super Bowl, while another attempts to understand how they arrived in New York after crossing the Atlantic on a flight when all technology stopped. The staccato stratigraphy presented through DeLillo’s dialogue will be immediately recognizable to the archaeologist who is asked to make sense of the sequence of events (which are so often non-linear) as well as the definition of each object.

Thing the Second

I also enjoyed Anton Bonnier and Martin Finné’s recent article in Antiquity, “Climate variability and landscape dynamics in the Late Hellenistic and Roman north-eastern Peloponnese.” As readers of this blog know, I’ve become increasingly interested in historical climate change and they way in which changes in climate shaped past societies and their archaeological remains. Bonnier and Finné’s article consider climate proxies from three caves in the Peloponnesus and attempt to correlate this data with evidence from intensive pedestrian surveys in the Argolid and the Corinthia. Needless to say this is a messy project, but the results are suggestive.

They propose that a shift is visible away from land on hill slopes during the Late Hellenistic and Roman periods. They then suggest that there exist the political and economic explanations for this: the shift away from diversified agricultural strategies associated with the “family farm” toward less diverse practices associated with the supplying of urban centers with grain. They add to this explanation the possibility that the Late Hellenistic and Roman period was also notably drier than the Classical and Hellenistic era. As a result, more marginal fields on hill slopes with thinner soils that were less likely to retain moisture, for example, were abandoned for better and more erosionally stable fields on the valley bottoms. They make clear that climate change was not the primary driver of this putative shift, but could have been a contributing factor.   

Thing The Third

I’ve been thinking a bit about how we read in the 21st century. In my introductory level World History class, I’ve asked the students to engage in non-linear reading of the class’s open access history textbook. Instead of moving chapter to chapter, region to region, I’ve suggested that student use the search function and read across certain themes, ideas, phenomena, and situations. Searching for topics such as “joy,” “love,” and “anger” connects Confucius’s quip on the joys of a contemplative life, the joy of Buddhist nirvana, and the joy of a Classical Greek religious festival. Love brings together Chinese and ancient Egyptian love poetry. Anger connects the fate of kings, the wrath of deities, and daily life in the Levant. For me, this kind of reading is exciting and disorienting, but for my students, it’s frustrating. Without the coherence and context of narrative (preferably supported by a strong sense of progress!), history becomes a cacophony of unrelated events.

I spend far more time working as an editor and publisher these days than I do as a conventional researcher and writer. As a result, I often find my day defined by oddly juxtaposed texts. Snippets of emails, poetry, typeset text, and academic prose jostle with each other more attention. On some days, it’s deeply fatiguing mostly because like my students, I want to encounter some kind of pattern. I want to find that rhythm of meaning that comes from sustained reading of a single or related texts. In its place, I find jostling voices and snippets of conversation overheard at a crowded bar. On my best days, this feels more real than a tidy narrative or a scholarly argument. The orderly style, tone, and forensic detachment feel inadequate to represent the chaotic realities of everyday life. 

Walking

Last week, I finally got around to reading Michael Given’s recent article in Epoiesen titled “Walking from Dunning to the Common of Dunning.” Over the course of a 5 hour walk loosely following the 18th century cattle route through the Scottish countryside, Given records his walk using a GPS, a GoPro camera mounted on his backpack, still photography, and a notebook. His goal was to communicate his experience of being in this particular landscape by documenting the interaction between the sounds, sensations, features, wildlife, climate, and his moving body over the course of his walk. As he had been involved in fieldwork in this landscape for the past decade he also encountered a range of memories associated with his time in the field with students and colleagues. The article is vivid and compelling and also free. Go and check it out here.

I walk a good bit both in Grand Forks and in my summer job as an archaeologist (and I’ve blogged about it here, here, herehere, here, here, and here). Plus for the last four years, I’ve had the companionship of a pair of dogs who prefer to be walked separately and who have many clumps of grass the require sniffing. This year, in particular, I’ve gotten in the habit of going for 5 to 10 mile walks a few time a week punctuated by the occasional run and bike ride. Unlike Given’s walk, these are not purposeful walks from one place to another. I don’t document each walk them carefully or think intensely about the interaction between my body and its landscape. In fact, as often as not, the walks are circuits where I end up at the same place that I started. And on many days, I’m not especially attentive to the experience of my walk or my surroundings. A few times recently, I’ve even listened to music or a baseball game on my walk, effectively shutting out the local landscape entirely. 

Given’s article got me thinking a bit about the difference between habitual walks such as those that I make nearly every day and the carefully documented trek that Given recorded in his article. Obviously, denizens of the Dunning landscape would have made the walk more regularly than the archaeologist. I’d even guess that Given made parts, if not all, of this walk regularly during field work, but these walks were likely less remarkable and carefully documented than the walk described in this article. At the same time, these less remarkable walks undoubtedly informed his encounter with the landscape during his highly documented trek to the Dunning Commons. He makes just such a point by telling us about memories that he had of earlier times along the route during field work or even the lines of site between places made significant through their archaeological work. Like the time-lapse video embedded in his article, this well documented walk collapses the experience of many other walks, encounters, and activities into a single, 5-hour event event. 

Every now and I imagine teaching a class on the Grand Forks Greenway. The class would consider the various histories that intersect in this contemporary urban park. Most of the time, I think about this class during my walks along the Red River (of the North) and along the sunken remains of roads (and amid the foundations depressions of homes) that once defined out the Lincoln Park neighborhood. I don’t know the names of most of the trees – although some elms continue to help mark out the roads and cottonwoods run along the course of the river. I also don’t know the names of the animals, although grey and red squirrels, prairie dogs, foxes, deer, frogs, turtles, the occasional snake, a wide range of birds, and something that might be a beaver have occasionally popped out to say hello.

I’ve walked various paths through the Grand Forks Greenway all year around and traced the edge of “Lake Agassiz” during spring (and the occasional fall) floods when my paths are inundated. I’ve also waded through the snow, slipped across the ice, and walked delicately atop the packed snow of cross-country and snowshoe trails. I’ve even walked along the route of the froze Red River in the mid-winter when the ice is several feet thick. 

I keep thinking about writing an article on the Red River in Grand Forks that draws on these experiences and combines them somehow with perspectives gleaned from environmental history and archaeology. Given’s article offers a nice point of departure as my ideas begin to solidify. If you’re an observant walker, do check it out!   

Siteless Survey and Intensive Data Collection in an Artifact Rich Environment (15 Years Later)

It is hard to believe that my colleagues, David Pettegrew, Dimitri Nakassis, and I published “Siteless Survey and Intensive Data Collection in an Artifact Rich Environment: Case Studies from the Eastern Corinthia, Greece” in the Journal of Mediterranean Archaeology 19.1 (2006) almost 15 years ago. This article has become my most widely cited publication and, in many ways, represents a touchstone for my thinking about intensive pedestrian survey until this day.

In fact, this past week, we’ve been working on a pair of articles from the Western Argolid Regional Project. One will be a fairly conventional preliminary report with a brief methodology section. We plan to submit it to Hesperia next month. The other will be a more methodological piece that we hope to submit to the Journal of Mediterranean Archaeology before the end of the year. Both pieces are a bit challenging because they involve multiple authors and an effort to balance our desire to describe our work against an interest in providing some kind of larger analysis of our methods. Plus, there’s a pandemic which seems uniquely designed to unsettle even well thought out plans. 

The article that I’d like to see us prepare for the JMA would take our 2006 JMA article as a point of departure. It’s tempting to title our new piece ““Siteless Survey and Intensive Data Collection in an Artifact Poor Environment: Case Studies from the Western Argolid, Greece.” 

The main point of our new JMA piece could be that we’ve taken some of the lessons from the Eastern Korinthia Archaeological Survey (EKAS) that we outlined in the 2006 JMA article and applied them at scale to a rather different landscape in the Western Argolid. In particular, our survey in the Western Argolid demonstrated that applying intensive collection practices to low and moderate density scatters can unpack the complexities of artifact distribution across a landscape. This approach, while it might seem intuitive, runs counter to the traditions of site-based collection which approached the highest density places in the landscape through higher intensity collection strategies such as gridded or total collection. In this context, low density artifact scatters were often relegated to “off site” status and subjected both to less intensive collection regimes and generally mapped at a lower level of spatial resolution. 

In our 2006 JMA article, we argue that these practices tend to overlook evidence for short-term, season, or low-intensity activities in the countryside. We also argued that this approach obscures the fact that many high density consist of overlapping material from various periods which might extend in far lower densities into “off site” areas. Like a Venn diagram, then, the main area of artifact densities speaks less to the range and distribution of material at a single site either over time or from any particular period and more to the visible densities that their overlap creates. 

The main critique of the kind of rigorous, siteless approach employed by EKAS is that the intensity of this approach limited the area that we could survey. Our article recognized that the intensity of Mediterranean survey could be seen as leading to a kind of “Mediterranean Myopia” that treated surface assemblages like those produced by careful stratigraphic excavation where every sherd could be the type fossil that provides a terminus post quem for the level. While this attention is warranted in excavations, it limited the ability of survey to speak to regional issues because the scale of intensive survey projects remained limited.

WARP recognized these concerns and while many of the high-intensity siteless predecessors to WARP – namely the EKAS and PKAP, a large site survey on Cyprus – remained limited in spatial extent, WARP surveyed the majority of the 30 square kilometer area allowed by the Greek Ministry of Culture. While this is not nearly as expansive as the largest Near Eastern or North and Central American survey projects which could encompass hundreds of square kilometers, a survey that covered the majority of the territory allowed by the Greek state represented a much larger survey than the territory covered by EKAS or PKAP. Moreover, in the rugged landscape of the Western Argolid, the territory surveyed by WARP represented a topographically and historically plausible micro-region. In effect, we can propose that WARP managed to implement a highly intensive survey model in a way that responded to the historical geography of the Eastern Mediterranean and the Peloponnesus.

The article, as we now have it, includes two case studies. One examines the Roman period from the end of the Hellenistic period to Late Antiquity and shows how low density scatters shed light on the activities in the Roman landscape of the survey area. At the same time, it argues that certain periods, such as the Middle Roman period, produce less diagnostic pottery that only becomes visible under more intensive collection regimes that go beyond the typical focus on diagnostic artifacts. While the chronotype system was originally designed as both a standardized method for recording ceramics and a sampling strategy for artifact rich environments. On EKAS and PKAP, field walkers only collected one of every unique kind of artifact according to fabric, decoration, vessel type, and part of vessel (i.e. rim, base, handle, body sherd). This helped the projects manage the potential processing and storage burden associated with the collection of massive numbers of duplicate artifacts. Various experiment conducted on PKAP (and reported here) demonstrated that chronotype sampling did, in fact, preserve the functional and chronological range of artifacts in high density units, but under represented the diversity of chronotypes present. For a periods like the Middle Roman with less diagnostic artifact types susceptible to being overlooked in collection and recording, a more intensive collection regime increases the potential that we would recognize this material.

The second case study evokes the analysis of Kromna in the 2006 JMA article by examining the multiperiod scatter that constitutes the high density “site” of Panayia-Trelo in the Western Argolid. Like Kromna in the Corinthia, this site represents a series of overlapping scatters. The focus of the case study will be on the Archaic to Hellenistic period during which time the region’s relationship with Argos underwent significant change. The goal of the case study is to show that regional level analysis is not only possible from projects that prioritize higher intensity collection and spatial resolution over extent, but also requires the higher level of intensity to produce nuanced historical analysis.

Today’s blog post is just a the gentlest of sketch of what this piece needs to do to be compelling and significant. The most daunting task will be to review the scholarship published between 2006 and today to see how Mediterranean survey projects have adapted their methods to accommodate varying artifact densities. Needless to say, there’s a ton of scholarship to navigate. Stay tuned. 

Roman Seas

Over the weekend, I read Justin Leidwanger’s new book, Roman Seas: A Maritime Archaeology of Eastern Mediterranean Economies (2020). It’s a pretty good book that brings ship wreck data to bear on long-standing questions of regional and inter-regional trade in the Eastern Mediterranean.

Leidwanger’s focus on the Cilician coast and Cyprus make the book particularly useful for my work on that island and it was gratifying to see the work that I did with David Pettegrew and Scott Moore cited in footnotes! While other can quibble with our interpretation of the site of Pyla-Koutsopetria, it’s harder to dismiss the data that our project produced and its contribution to the growing corpus of well-documented Late Roman sites in the Eastern Mediterranean and Levant. Leidwanger’s interest in similarly well-documented shipwrecks, including some that he documented himself, provides a offshore (or at very least near-shore) analog to expanding body of intensive survey data and well published (and quantifiable) excavation data from Cyprus, Cilicia, and the northeastern Levant. Whether this ever becomes “big data” of the kind that other social scientists have invested with such attention, remains hard to know especially considering the significant variation in methods and typologies across the region. That being said, there’s no doubt that evidence is piling up and almost begging for the kind of thoughtful interpretation offered in this book.

The book will reward some re-reading over the next few months and I try to come to terms with the scope of Leidwanger’s argument. For now, I’ll offer a few quick observations. 

The first few chapters of the book offers little new, but does provide a usual interpretative summary of the recent interest in regional analysis in the Eastern Mediterranean, the basic elements of Roman and Late Roman maritime technology, and the various ways in which terrestrial landscapes and maritime seascapes interact to produce distinct interpretative units. I have little doubt that these chapters will be see more than their share of citations among scholars interested in understanding the relationship between coastal sites, the sea, and connectivity. Leidwanger’s observations would be been very useful when I was muddling my way through my “Is Cyprus an Island?” paper last fall!

The heart of the book comes in the last 100 or so pages when Leidwanger introduces a corpus of 67 well documented shipwrecks from the Datça peninsula and the southern coast of Cyprus. These wrecks date to the Roman and Late Roman periods and appear to be representative of both a wider body of wrecks from well dated wrecks in the Eastern Mediterranean and present little to contradict trends in less carefully dated shipwreck sites in the same region.

This representative and relatively well documented assemblage of sites allows Leidwanger to produce a range of thoughtful arguments about regional and interregional connections. Leidwanger applies a two-level network analysis to these ships cargoes which largely consisted of amphora. One level of network analysis concentrates on the origins of the cargoes and the other incorporates the locations of the wrecks themselves. These two levels of analysis suggest shifts in the economic networks between the Romana and Late Roman period with the former centered on the Aegean and including greater connections to the Adriatic than the latter which centers on Cyprus and Cilicia and involves few ties to points further west. This coincides with Leidwangers interpretation of terrestrial finds from the central southern coast of Cyprus and the Datça peninsula in western Turkey and reinforces the idea that the links between the Eastern and Western Mediterranean weaken in the Late Roman period.

Leidwanger also contends that in the Late Roman period economic networks become more regional in general with smaller ships, smaller cargoes, and closer connections between ports. He argues that this reflects the increasingly “busy countryside” of Late Antiquity and the “gravitational pull” of larger regional centers and, in particular, the capital in Constantinople. The large-scale state influence over interregional exchange provided energy and connections to smaller-scale interregional exchange through processes that are not entirely clear.

I see no reason to disagree with Leidwanger’s arguments for Late Antique Cyprus. Indeed, the coastal site of Pyla-Koutsopetria seems to reached its peak economically during the 6th and early 7th century when imperial influence over large-scale exchange on Cyprus was at its peak. It is likewise intriguing to wonder whether the warehouses at the site of Dreamer’s Bay on the Akrotiri peninsula and at the site of Ay. Yiorgios-Peyias reflected the intensification of shorter distance regional trade or accommodations for longer distance interregional trade stimulated by the quaestura exercitus or the annona shipments to Constantinople. We argued that the massive quantity of Late Roman 1 amphora at Pyla-Koutsopetria may have reflected the use of this port as depot for the quaestura exercitus which did not necessarily flow through the major urban ports on Cyprus (e.g. Paphos, Salamis, or Kition). In our view, then, the long distance, administrative trade of the imperial command economy operated outside the typical routes of long-distance trade concentrated at major ports. This may reflect imperial efforts to develop unique infrastructure of warehouses and perhaps even agents and services designed to facilitate the movement of agricultural goods to the capital. 

This, of course, is all rather speculative on our part and does little to undermine Leidwanger’s broader observation that administrative trade on the interregional level shaped intraregional trade networks as ships acquired good at various ports on either their return journeys or as part of the process of moving good to regional entrepôts.

Leidwanger’s focus on transport amphora necessarily dictated his interest in agricultural goods. This undoubted constituted the bulk of ancient trade. It would be interesting, however, to compare, say, the distribution of Late Roman table wares in his case study regions. The persistence of African Red slip, for example, in certain areas of Cyprus well into Late Antiquity indicates that connections with the West were not entirely absent. It would have also been interesting to compare the relationship between economic zones and, say, ecclesiastic architecture to determine if the movement of bulk goods paralleled connections between construction crews, architects, or religious communities. If the connection between “microregions” often developed as forms of social insurance between communities whether other forms of social and cultural contact followed these routes and either made economic ties possible or reinforced them.

In short, Leidwanger’s book is a compelling body of evidence in support of a series of recent research questions focused on the relationships between Mediterranean “small places” over time. It’s a short, easy read that summarizes a good bit of specialized literature that might not be on every scholar’s regular reading list. It’s a good book and well worth the read.

Kephalari Blockhouse

I know that I’m not the first archaeologist to observe that without a field season this summer, we have theoretically more time to spend thinking carefully about our material and sites, tidying data, and preparing publications. This means, at least for me, trying to get some momentum on some lingering projects.

Two, in particular, are begging for attention. First, we have an almost complete draft of the publication of the area EF1 at Polis complete. In fact, I think we could have it ready for submission in two weeks.

More pressing at the moment, though, is a little article on the Late Roman finds from the Kephalari blockhouse in the Western Argolid. These finds were discovered in Corinth storerooms a few years ago and a group of us agreed to publish them. Of course, since that time lots of things have happened including WARP seasons, Polis stuff, a PKAP volume that’s not yet done, and The COVIDs. But this spring, the article received the ultimate motivating push: my colleague Scott Gallimore wrote up the catalogue and analysis of the finds.

So now it’s time that I do my part, which is writing up the “Discussion” section of the article. My goal is to offer a concise synthesis of 7th century settlement and rural insecurity in the northeastern Peloponnesus. It’s obviously a work in progress!

 

The assemblage from the Kephalari block house adds another small body of evidence to the increasingly complex mosaic of material from the later 6th, 7th, and early 8th century in the northeastern Peloponnesus. While the presence of material from the region’s significant urban centers, particularly Argos and Corinth, is well-known, archaeologists have only just begun to unpack and understand the situation in the countryside during these decades. The small number of excavated and well-published rural sites even in the well-studied northeastern Peloponnesus creates a particularly challenge for situating the reuse of the Kephalari blockhouse in its regional context. The growing number of stratified sequences, especially from Corinth, however, has made it increasingly possible to analyze the growing body of intensive survey data from this region from the end of antiquity. This, in turn, has offered new perspectives on a number of long-standing academic debates including changes in rural settlement patterns and urbanism, the character of the so-called “Slavic Invasions” of the late-6th century, and the presence of rural refuges such as the Andritsa cave.

Scholars have recognized that the reoccupation of rural sites, such as Pyrgouthi and the Kephalari block house appear to indicate significant investment in the adaptation of existing rural sites for reuse in the late 6th and 7th centuries. The appearance of window glass at Kephalari, for example, and the large-scale reconfiguration of the Pyrgouthi tower into a farmhouse with a courtyard suggests efforts to reoccupy these sites on a permanent basis. The evidence is less extensive from the other blockhouses and pyramids of the Argolid, but it appears that these sites were cleaned up with much of the material from earlier periods removed and the interior organization of the spaces modified with new walls and additions (Pettegrew 2006; Lord 1938; Scranton 1938).

Intensive survey has produced scatters of ceramics in the countryside that not only suggest that other Classical and Hellenistic sites experienced reoccupation in the Later Roman period, but that these sites were part of a larger reoccupation of the countryside. The site of Kastraki, for example, in the Inachos Valley, while unexcavated, may well be a similar site to Pyrgouthi or Kephalari in that it was a Classical or Hellenistic tower set atop a low rise in the valley bottom surrounded by a scatter of Late Roman material. The site of Any Vayia in the southeastern Corinthia likewise produced a low-density scatter suggesting a possible short-term reoccupation (Caraher et al. 2010) which found parallels elsewhere including on Euboea (Seifried and Parkinson 2014) and at the Vari House in Attica (Pettegrew 2006, p. 33).

Other smaller sites with material dating to the late-6th and 7th centuries exist throughout the Western Argolid survey area in the Inachos Valley and generally follow a pattern of settlement present in the 5th and 6th centuries. Athanasios Vionis and John Bintliff have argued for Late Antique Boeotia, urban and rural sites represent opposite sides of the same coin (Vionis 2017; Bintliff 2013). The persistence of sites in the countryside and even the expansion of activities into places like near coastal islands reflects the expansive use of diverse rural landscapes for agricultural purposes as well as nodes in regions and Mediterranean wide trade networks (Gregory 1984; 1995).

Urban sites continued to provide markets for rural agriculture, points of contact with larger imperial command economy, centers for manufacturing, and ecclesiastical and a certain amount of political authority. While the Finleyan concept of the “consumer city” should be laid to rest, work at Corinth (Sanders; Rothaus; Brown), Athens (Hayes), and Argos (Oikonomou-Laniado 2003) and in Boeotia (Bintliff, Vionis) have demonstrated that urban areas in Late Antiquity continued to serve as key places in Greece into the 7th century with continued investment in monumental architecture, urban amenities, and public spaces fortified in part by the growing spiritual, political, and economic role of urban bishops and the persistent reach of the imperial government.

This is not to suggest that the 7th century was not a period of significant disruption in southern Greece. Urban areas clearly experienced contraction and settlement in rural areas and this is visible in the larger WARP survey area as well as in urban surveys in Boeotia. The changes in rural settlement, including the emergence of fortified settlements in the countryside, seem to accompany continued economic activity in rural areas. While the evidence for such sites in the Argolid remains limited — the site of Kastro near the village of Tsiristra being a possible exception — the reoccupation of places like the Kephalari block house may well represent the need for both additional security and as well as continued economic viability in the countryside (Vionis 155-157). The reoccupation of fortifiable, if not necessarily fortified, sites in the Argolid may also shed light on the status of sites like the Andritsa Cave. If continued occupation of the countryside indicated the continued viability of markets and networks open to agricultural production and the fortified sites not only in Greece but across the wider Eastern Mediterranean reflects larger insecurity in the region, then places like the Andritsa Cave may well reflect the local realities of both rural wealth and instability. The so-called isles of refuge first recognized by Sinclair Hood and critiqued by Tim Gregory in the 1980s and 1990s, may also reflect the same effort to reconcile economic potential with the need for added security during unstable times.

More on Chris Witmore’s Old Lands

I finished Christopher Witmore’s  Old Lands: a chorography of the Eastern Peloponnese (2020) this weekend and thoroughly enjoyed it. As I said last week, it was a great way to kick off my summer reading and a useful tonic for a summer without fieldwork.

This is the kind of book that will likely resist any kind of useful, formal review. It’s easy enough to note places where Witmore overlooked scholarship relevant to his larger arguments (e.g. Kostis Kourelis’s important 2007 Hesperia article, “Byzantium and the Avant-Garde” would have fit nicely into Witmore’s treatment of Corinth, for example, or Evi Karouzou’s 2014 monograph,  Les jardins de la Méditerranée: agriculture et société dans la Grèce du sud, 1860-1910, would have complemented and expanded his considerations of the agricultural history of the Corinthia and Argolid, or, finally, David Pettegrew’s observations on Kromna on the Isthmus of Corinth would have complicated Witmore’s analysis of that site). Likewise, it will also be convenient for a reviewer to observe that the routes Witmore took through the Northeast Peloponnesus overlooked certain areas like the Southeastern Corinthia, the Western Argolid, or the Inachos Valley. As a result, he overlooked the delicious abundance of souvlaki stands at the intersection of the old national road and old Peloponnesian narrow-gauge railway in the village of Myloi. There are, of course, little factual slips from time to time: the Athos canning plant near Nauplio (referred to in Route 18) is probably the former Kyknos canning plant.

None of this really matters, however, because the book is not meant to be an exhaustive history of the landscape of the Argolid and Corinthia. Instead, the book represents an unapologetically personal look at the region. This approach reflects Witmore’s commitment to the tradition of chorography which he offers as both a kind of critical commentary on the ancient writings of Strabo and Pausanias, the Ottoman period in the writings of Evlyia Celebi, the early modern works of Jacob Spon and George Wheler and the Expédition scientifique de Morée, and the modern period with the travels of Martin Leake, Edward Dodwell, and Gertrude Bell. Contemporary scholars, John Cherry, Alex Knodell, join Witmore from time to time as do various other Greeks, American students, and family members. At the center of the book, however, is Witmore and his interests, relationships, and restless feet guide carry the reader through the Greek countryside.

Chorography, if I understand it, challenges views of the landscape dominated by cartography, geography, and modern landscape archaeology which serves to create the homogeneous spaces of the modern map. If the lines and points of the modern scholar serves to measure and rectify space into some form of universally recognized pattern, the routes of the chorographer are embedded in the landscape itself and follow the contours of the land, the rhythm of the fields, and the often abrupt discontinuities between the present and a visible past. While archaeologists have often seen Witmore’s work elsewhere as overly (and maybe even oppressively?) theoretical, Old Lands serves as a critical and important corrective. Witmore’s goals are not to use the eastern Peloponnesus as at the basis for some kind of theoretical exegesis, but to offer this landscape as a kind of anti-theory (echoing, in some ways, the work of Peter Sloterdijk who appears frequently in his footnotes). For example, the landscape is not a text to be decoded or deconstructed. It is not a place to be unpacked, analyzed, compared, or abstracted. Instead, it’s a space to be experienced and encountered.  

At times (and as an avowedly selfish reader), I wondered how Witmore’s chorography relates to our modern and perhaps contemporary experience of tourism. His effort to defamiliarize a landscape well-known to archaeologists and scholars evokes the modern promise of the tourists gaze which seeks to bridge the gap between the everyday and the exotic. Witmore makes romantic a walk through an olive grove which represents one of the most banal and unremarkable experiences of time in the northeast Peloponnesus. Fishfarms, irrigation systems, terrace walls, dirt and paved roads, goat tracks, maquis, and even the annoying hillsides of Jerusalem sage take on a wondrous quality in Witmore’s work. But is this because these experiences are wondrous or because, in Witmore’s able hands, he is creating a wondrous experience for the reader in much the same way an able tour guide brings a landscape or encounter alive and something as banal as “Mexican Coke” becomes an invitation to an unfamiliar world. (This relates, of course, to my own work along similar lines here.)

Witmore’s work also nudged me to think a bit more about my idea of a “slow archaeology.” While most of my work has focused on “slow” as a challenge to our technologically mediated encounters with archaeological work, Witmore’s chorography with its attention to the details of experience and encounter feels like it occupies a similar space. The absence of any technology in Witmore’s work (other than the maps which he includes at the end) and the emphasis on the individual rather than the team of archaeologists, the procedures of data collection, and the methods of analysis, creates a view of archaeological practice that differs from the almost-automated routines of the intensive pedestrian surveys or of systematic excavation that so defined the archaeological landscapes of the northeastern Peloponnesus.

In this way, Old Lands offers a critique of contemporary archaeological practices, but doesn’t reject them. It also offers a new way to think about the field of Mediterranean archaeology. In recent years, Mediterranean archaeologists have pushed more archaeological practices that align more closely with our peers in “world archaeology.” This frequently involves more specialized training in scientific methods, the use of digital tools, and systematic approaches grounded in the literature of anthropological archaeology. Witmore doesn’t contest this, but by grounding his approach in chorography, he proposes an alternative that is no less grounded in the latest technologically mediated approach to the past, but is also explicitly aware of the experience of being in the landscape. 

Old Lands: Nostalgia, Archaeology, and a Summer without Fieldwork

This weekend, I started to read Chris Witmore’s Old Lands: a chorography of the Eastern Peloponnese (2020). Witmore is perhaps best known among archaeologists as a theory guy whose work on thingness, symmetrical archaeology, and agency has contributed to the larger “thing turn” or “material turn” in the field. 

This book certainly draws upon his formidably grasp of archaeological theory, but much of it is not explicitly theoretical. Instead, it offers a series of “segments” between points win the northeastern Peloponnesus that provide an opportunity for Witmore to dilate on various topics ranging from fish farming to tourism, antiquity, archaeology, history and agriculture. The thread connecting these largely self-contained segments, each of which gets its own bibliography is the heterogeneity of space and place. By following the things “on the ground” rather than the discursive pathways established by our disciplinary training and knowledge, Witmore offers a literary simulation of the typical archaeological encounter. This encounter, at least in my experience, almost always begins with the question: “what the hell is that?” And proceeds from there.

I haven’t finished the book yet, so I can’t offer more than a superficial reaction, and I’ll probably write a more formal review sometime next week when I’ve had more of a chance to digest it. I will offer three observations now, though:

First, this book couldn’t appear at a better time. Like many academic archaeologists, I’m still coming to grips with the idea that there will be no fieldwork or study this summer. While I have plenty of writing and reading to do and have no projects that required fieldwork this summer, it’ll still be strange to be at home rather than living out of a suitcase in Cyprus and Greece and attending to the needs of objects, landscapes, buildings, and places (as well as maps and databases). I do have some fieldwork in town here and a plan for some work in August in Idaho that might still happen, but even that seems unlikely right now.

More than that, I’m worried that without being in Greece and Cyprus and without spending time in the landscape, village, storerooms, and survey area, my reservoir of encounters will diminish. It’ll be harder for me to ask “what the hell is that?” and to follow these encounters in new directions and toward new hypotheses. 

As an aside, I had long wondered what this odd building was south of Kiveri near where the Western Argolid Regional Project was based in Myloi. Apparently it was a pumping station designed to tap a fresh water spring beneath the saltwater Argolidic Gulf. So there you go.

Second, I’ve been thinking a good bit about nostalgia lately. I’m partly blaming this on Don DeLillo’s Underworld (1997), and partly on a new, small-scale research project into the history of the suburbs, and partly on being an old white male. When I was younger, I spent a good bit of each summer hiking around the landscape of the Eastern Corinthia, looking for and at sites, wondering about things, and talking with guys like Tim Gregory, David Pettegrew, and Dimitri Nakassis. More recently, I spent time walking the Western Argolid with Dimitri, Grace Erny, Machal Gardoz, Joey Frankel, Melanie Gadsey, and Alyssa Friedman. While in most cases, we were mapping survey units, it also afforded me the opportunity to become more familiar with the Inachos valley and surrounding landscape.   

Old Lands is set in the olive grooves, orange orchards, dirt roads, “not paths, but routes” hills, valleys, ravines, seaside towns, inland villages, and cities of the northeast Peloponnesus. This is where I’ve learned to be an archaeologist (and continue to learn from both my colleagues and the landscape). Feeling nostalgic for the long days in the field may be no more than just the idylls of a privileged white male, but thinking about those days and weeks walking in the countryside push me to recognize this privileged perspective and reflect on the tension between my own encounters, my memories, and these rugged and difficult landscapes.

Finally, so far, Witmore’s book has reminded me how much my understanding of the Greek countryside is anchored in place. In other words, so much of what I know about Greece is based on my encounters with buildings, landscapes, and relationships rather than predefined academic problems. Whatever one thinks of the theoretical perspectives offered through symmetrical archaeology (e.g. here), Witmore’s book does a good job (again, so far) connecting how archaeologists make knowledge to the landscape itself and then introducing the secondary literature. Witmore’s process of describing the situation with detail and nuance, however literary it is in presentation here, mimics the process of engaging the landscape and starting with the question “what the hell is that?”

As I said, this is my impression based on the first 350 or so pages. I’ll prepare a more careful review sometime in the next week or so.

Three Things Thursday: Survey Archaeology, Western Literature, and Poetry from a Former Student

My body is gallantly fighting off a cold the week, so I don’t quite have the energy for a long involved post. So, instead, I’ll offer a little “Three Thing Thursday” as I try to keep the balls in the area down the stretch run of the week.

First Thing.

A colleague shared this article with me over the weekend: Kimberly Bowes et al. “Peasant agricultural strategies in southern Tuscany: Convertible agriculture and the importance of pasture” from The Economic Integration of Rural Italy. Rural Communities in a Globalizing World, ed. G. Tol and T. de Haas. (Brill 2017): 165-194. The article uses examples from her Roman Peasant Project to explore the interplay rural land use and the interplay between pastoralism and more settled agriculture. This team of scholars excavates five sites known from intensive survey archaeology from small ceramic scatters. Two were small seasonal or short-duration “work huts” and combining the modest architecture with botanical, palynological, and faunal material collected from the excavations, they were able to suggest that these structures served land that was likely used as pasture. Pasture plays a key role in strategies associated with ley agriculture which allowed fields to go fallow for years in order to restore the soil and stabilize yields. These small structures (and the small ceramic scatters), then, which a survey might have suggested represented the intensification of conventional agriculture, may, in fact, represent a less intensive strategy associated with ley farming.

Among the more interesting observations from this article are a two sites identified by low-density artifact scatters which produced no structures, but did reveal field drains dating to antiquity and probably the Roman period. These field drains consisted of cobble filled trenches. This is exciting to me both because I was unaware that field drains were used in the Roman period, but more importantly, there is relatively few publications that discuss drain building practices in the Roman period. The use of cobbles to slow the flow of water and to prevent the drains from carving deep channels in the fields offers some evidence for why the builders of the “South Basilica” at Polis may have created a “French drain” on the uphill, south side of the church to keep the rush of water down a natural drainage from undercutting the south wall of the basilica. It’s not a perfect analogy but suggests that my argument may not be entirely wrong.

Second Thing.

I’ve been reading John Beck’s Dirty Wars: Landscape, Power, and Waste in Western American Literature (Nebraska 2009). I really like the book. Whatever it’s academic merits (and I’m not really qualified to judge that), it has intrigued me. Beck uses literature to explore the character of the post-war, Cold War Western landscape through an emphasis on Japanese internment, the militarization of the landscape (and the Mexican border), the use of the west as a dumping ground for toxic, nuclear, and otherwise unpleasant waste, and the almost simultaneous emergence of the suburban ideal (cf. J.B. Jackson’s “The Westward Moving House”). Beck makes clear that works like Cormack McCarthy’s Blood Meridian while situated in the past (in this case, the mid-19th century) nevertheless speak to the present situation in a Western landscape shaped by Cold War militarism and its consequences. Elsewhere he weaves together the critiques of Rebecca Solnit, Ellen Meloy, and Terry Tempest Williams which emphasize the role of industry in the refashioning of the Western landscape. While I am embarrassed not to know these works well, I can’t help but wondering whether they influenced somehow my own effort at a similar critique in my The Bakken: An Archaeology of An Industrial Landscape. Don’t be surprised to see these works appear in the ole bloggeroo over the next few weeks. Solnit and Meloy remain priorities for my weekend reading list.

One of the reasons that Beck has excited me so much is that he has pushed me from thinking about archaeology of the contemporary world as a historical and social scientific window onto the contemporary American experience, toward thinking about the archaeology of the contemporary world as a distinctly cultural engagement with late-20th and early-21st century American life. This isn’t meant to deprecate the important work done by people like Jason DeLeon or Shannon Lee Dowdy or Bill Rathje, but to reframe their interventions as much as part of a much larger current of cultural critique. Instead of archaeology treating the contemporary experience as the object of study, archaeology of the contemporary world is (or at, very least, represents) the American experience. If we prioritize the notion of contemporaneity and suggest that it subverts the most common forms of disciplinary and historical detachment, then it makes sense that we can’t study or locate archaeology outside of American culture in the present. This, of course, remains a work in progress.

Third Thing.

I’m very excited to redirect your attention to the North Dakota Quarterly blog this morning. The blog features a poem from Amalia Dillin. Our hardworking poetry editor, Paul Worley, selected this poem for publication without knowing that Amalia was one of my former students at UND where she majored, I think, in Classics but also took history classes. She’s put those classes (and a bunch of her own hard work) to good use as a writer. You can check out her stuff here (although it’s very different from her poem)!

Go read the poem, it’s pretty great and I think summarizes neatly the anxiety that many of use feel in our media saturated lives. 

Landscapes of the Western Argolid

It’s taken me about five years to wrap my head around the landscapes of the Western Argolid. It feel like one of those crazy Möbius strips where space bends back onto itself and opposite points end up being on the same plane.

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Part of the challenge is that I’ve spent so much time looking down or wending my way through hillside maquis that I overlooked the larger topography of the region. Fortunately, this summer, I’ve spent a good bit of time looking at maps, analyzing viewsheds, and then ground truthing them in the field. Not only has that helped me make better sense of the landscape, but it has also given me a greater appreciation for where I’ve worked for the last five years.

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