From Cyprus to Greece (and an advertisement for myself)

Yesterday, I wrapped up the first of my of three little study seasons and traveled from Cyprus to Greece.

As a kind of poetic gesture, our long-gestating article on the South Basilica at Polis appeared yesterday in Hesperia 88 (2019). Here’s a link to it (and if you want an offprint and don’t get the Hesperia, drop me an email or a DM on the Twitter). 

The article offers an archaeological argument for the date of two phases of the South Basilica. The second phase will likely be of most interest to architectural historians for Early Byzantine Cyprus because it involves the conversion of the church from a wood roofed structure to a barrel vault. We also managed to phase, and date, the construction of the narthex and a portico that ran the length of the southern side of the basilica. Plus, there’s a massive “French drain” (and who doesn’t love Mr. French’s drains?) designed to help deal with the flow of water against the south wall of the church. 

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The weakest part of the article is our discussion of the urban context for the basilica, and, in fact, this is a work in progress for our understanding of the site of Polis and the arrangement of Early Christian churches in the changing urban landscape of Late Antique Cyprus more generally. If you’ve been reading this blog, you’ll undoubtedly know that this is something that I’ve been thinking about lately

We’re also happy that this article involved links to our publication of data from Pyla-Koutsopetria in Open Context. This summer, we’ve started to work a bit on the “digital backbone” for Polis in Open Context (as well as preparing the data from our excavations at Pyla-Koutsopetria and Pyla-Vigla). This involves making our notebooks available as well as our analysis of the context pottery. The inventoried finds from Polis are already available on Open Context in draft form, but they will acquire addition significance only when linked to descriptions of the excavations and other material from the trenches. This is a big job for the area of E.F2 (in the Princeton Polis grid) which includes the South Basilica, but we hope to produce a model for organizing the E.F2 data using the smaller and more manageable area of E.F1 over the next few months.

Thinking about digital publication and curation of archaeological data is always good thing! For the next week, my old buddy David Pettegrew and I will be working with Jon Frey and Tim Gregory with some Isthmia Excavation data and trying to wrangle and think about how best to organize, disseminate, and curate their data. More on that over the next week or so…  

Communities of Practice around the South Basilica at Polis

In the spirit of my “Sumertime Fragments,” I’ve been working on a little piece on the relationship between the church at E.F2 at Polis, which we call the South Basilica, and various communities. Unlike most of my sober and frankly archaeological (and architectural) approaches to this building and space, I tried to offer something that’s a bit more interpretative and free wheeling (if not straying necessarily too far from the basic evidence).

This is a fragment, though, with incomplete citations, half-baked ideas, and a more playful tone than usual, but maybe it’s of interest to some folks. If nothing else it represents what I was thinking about on my walks and jogs around the village of Polis over the past few weeks:

The district surrounding the South Basilica represents the adaptability of the local community over time.

The basilica’s distinctive location along the northern edge of the city of Arsinoe positioned the church along a major route from the coast to the city itself. During the Roman period, the district featured a paved, north-south and east-west road which intersected at a quadrafrons arch. This demonstrated that this route from the coast to the city was likely a major intersection where a road running through the northern part of the city joined a road that connected the city to its ancient port either along the coast immediately north of the city or at the site of the modern village of Latchi (Nicolaou 1966; Leonard 2005). The South Basilica stood near this intersection and its western entrance opened onto the north-south road. Later additions to the South Basilica further emphasized its relationship with the roads in this district. The construction of a narthex monumentalized the western entrance to the church. A porch running along the south side of the church presented a series of arches to anyone traveling along the east-west road to the south of the building. The Christian identity of the community greeted anyone entering the city from the coast. Moreover, the narthex and the porch provide shade for the traveler, and a contemporary apsidal wellhouse immediately across the road from the basilica entrance offered water.

The parallels between the architecture of the church at Polis with its southern porch and the acropolis church at Amathous hints that the church may have also stood as a monument on the westward progress of pilgrims across the island. In this way, the South Basilica represented the intersection between the larger Christian community in the Mediterranean and the church at Arsinoe. Victor Turner famously argued that pilgrimage was a liminal phenomenon for participants en route to holy sites (Turner 1966). The liminality of the pilgrimage experience produced the temporary suspension of social differences and created a space of communitas where new and more egalitarian social relationships emerged. The liminal location of the South Basilica at the north side of the city, its possible association with pilgrimage, and its offer of shade and water allowed the architectural, ritual, and social space of the church to merge. The result is a shared space between the community at Polis and the weary Christian pilgrim. The modifications to the church also included the transformation of the building from a wood-roofed to a barrel vaulted church. The techniques needed to install buttresses to help the thin basilica walls could support barrel vaulting, for example, likely required specialized knowledge. On the island, this practice was most common among churches on the Karpas peninsula and relatively rare in the western part of island (Stewart 2010; Megaw 1946). If we assume that the South Basilica contributed to pilgrims routes across the island which culminated at the eastern port of Salamis-Constantia, then the connection between builders in the neighborhood of Salamis and the church at Polis hints at a relationship between the two communities beyond just the pilgrims’ travels.

The rebuilding of the South Basilica was more than simply a redesign of the church, but a construction project that involved the construction of a massive rubble fill layer. This level of large cobble, building debris, and broken ceramics was over a meter deep and functioned as a French drain which a large reservoir for water flowing down the north slope of the city toward the vulnerable south wall of the church building. This adaptation appears to have been a local solution to the particularly local problem of the church’s situation across the route of a drainage. Roman and Hellenistic construction in the area featured a number of deep drains and various pipes designed, it would appear, to control the downslope flow of water in the area. The deep drains may have no longer functioned by the Late Roman period and the French drain constructed to the south of the basilica offered a unique solution to the longstanding problems of water at this site. Moreover, the construction of this feature involved a significant investment in human energy and commitment to rebuild and modifying the damaged church. In other words, the construction of the French drain, the south portico and narthex as well as the conversion of the church to barrel vaulting represented the intersection of local labor and regional practices and like the situation of the church on the main route to the coast, provided a meeting point for local and regional communities.

It is worth noting, briefly, that the analysis of the ceramic material in the rubble level produced an assemblage that similarly reflected the intersection of regional and local preferences. The fine table wares at the site primarily derived from Rough Cilicia with small quantities of imports from North Africa and the Aegean. Some cooking pots originated in western Cyprus with the site of Dhiorios in approximately 100 km to the northeast (Catling 1972). Likewise certain forms of the ubiquitous Late Roman 1 amphora originated on the island while other utility wares manifest Aegean and Levantine origins. Comparing the assemblage from Polis to those elsewhere on the island suggests that access to particular types of pottery or the chronological ebb and flow of production do not alone explain the variation in types of pottery present in Cypriot assemblages (Caraher et al. 2019). For example, the assemblage of Late Roman fine ware associated with the smaller coastal site of Maroni-Petrera and the large urban site of Kourion produced a smaller percentage of African and Aegean imports than the inland village site of Kalavasos-Kopetra. The distinct character of the late-7th century assemblages at Polis as well as others from this period from across the island reflects certain traditions and practices in these communities that shaped their choice of table wares. The role of fine ware both in the performative aspects of domestic display and the practical aspects of food presentation and consumption means that the character and shape of these vessels speaks to personal and community identity (Vroom ????).

Over the last 20 years, the concept of communities of practice has emerged as a useful concept for understanding the emergence and structuring of educational and occupational communities (Wenger 1998). The term offers a useful way to articulate the how practice produces community, identity, and knowledge (Orr 1996). For the district around the South Basilica, evidence for practice in the Late Roman period range from habits of consumption, such as the preference for Cypriot Red Slip wares over other imported table wares, to those associated with the architectural modification of the church itself. In fact, the informal transmission of building knowledge that likely produced the buttressed walls of South Basilica reflected the existence of communities of knowledge in Late Roman Cyprus. In this context, then, the physical at the edge of the Late Roman city and its role in contact between the Christian community of Arsinoe and pilgrims paralleled the relationship between the adaptation of the church to meet the distinctive needs of the site through local bodies and itinerate builders.

The intersection of various communities at the South Basilica also extended from the living to the dead. At some point soon after the addition of the south portico, narthex, drain, and barrel vaults, the southern and eastern end of the church became an important cemetery for the Christian community at Arsinoe. A series of three well-appointed, built burials in the floor of the south aisle may have served as an initial impetus for the later graves in the area. Interestingly, the burial of a 17-25 year old male included a bronze cross which was likely reused from an earlier context. While the exact date of this burial remains unclear, it probably dated to the seventh or early eighth century and may have been associated with the addition of the south porch and narthex to the church. Moreover, the appearance of a cross in this burial appears to have anticipated the appearance of small pectoral crosses, often in picrolite, throughout the cemetery associated with the South Basilica. The growth of this cemetery and the use of pectoral crosses by the individuals buried around the South Basilica traces the reciprocal practices that defined the relationship between the church and the community. The formal burials in the south aisle of the church appear to have stimulated a wave of Christian burials around the church and expanded its function.

The changing character of the building may reflect the changing relationship of the church to the community at Polis.

Settlement in Byzantine Greece

As this semester is winding down, I’m drifting toward a kind of “read everything” mode that is as fun as it is rather unproductive and unfocused. First on the list was Athanasios Vionis, “Understanding Settlement in Byzantine Greece: New Data and Approaches for Boeotia, Sixth to Thirteenth Century,” DOP 71 (2017), 127-173. It’s massive and insightful and humbling to anyone who has thought about the historical Greek landscape in a diachronic way. 

Vionis tracks the change in settlement structure across in the Medieval period in Boeotia drawing largely on survey data, ceramic study, and GIS analysis produced over the course of the various surveys in Boeotia. In some ways, this work is an extension of his interest in using “central place theory” to understand the transformation of the Mediterranean landscape over the Longue Durée, and, in other ways, it demonstrates continuity with John Bintliff’s longstanding interest in structural change over time in the Greek landscape.

For the Late Roman period in Boeotia, Vionis described the transformation of the major urban centers and the emergence of a new, monumental landscape centered on newly-constructed churches in the 6th century. It’s interesting that in Boeotia, as elsewhere, these churches stood in prominent positions in the settlements and often disrupted or violated the existing urban grid. In Corinth, however, churches tended to stand around the periphery of the settlement despite the historical and institutional significance of the bishop of that city (although, to be fair, there might be a large church closer to the ancient city center which is obscured today by the modern village). Likewise, in Argos, which features numerous Early Christian basilicas, none appear to encroach on the core of the Roman city with its agora, theater, and bath, but several stand in the in close proximity and one stands atop the Aspis hill with its ancient sanctuary. These alternate examples are not meant to suggest that Vionis is wrong or overstates his observations, but wonder out loud at the variety of monumentalizing strategies undertaken by the institutional church and Christian communities in Greece.  

Vionis also adds new vocabulary to the analysis of the Late Roman landscape in Boeotia and describes the rise of rural “microtowns” at the end of antiquity (in the late 7th century) and the consolidation of “megavillages” in the Middle Byzantine period. These microtowns continued some basic civic functions of Late Roman cities, including the presence of bishops, commercial activity, and fortifications, and often stood on or near the sites of ancient cities. They were distinct from smaller, unfortified settlements in the countryside that stood as “secondary settlements” and depended in some way on regional microtowns. Thus, a new settlement hierarchy emerged in the early Middle Ages. By the middle Byzantine period, the megavillage served as the central place for communities distributed into smaller settlements and farms in the countryside. Once again, Vionis presents the organization of the Boeotian countryside in hierarchical terms with the central places representing religious, political, and economic nodes for the surrounding region. 

There are three things that give me a bit of pause in this article (and I’ve only scratched the surface of it with my idiosyncratic mini-review), and they probably reflect more of my own interests at present than any weakness in the article.

First, I wonder how our ability to control chronology and, by extension, time shapes the kind of landscapes that Vionis envisions. For example, there’s a tendency to see rural sites like farms or hamlets, which are often recognized and defined on the basis of rather small and limited assemblages of material, as being contemporary with one another. At the same time, because their ceramic assemblages are so limited, it is possible that, say, from a group of five rural sites datable to one or two centuries, only one existed at any given time or maybe all five did for just a very limited span or two of the five did for one 50-year span. On the one hand, we might say that this is an intractable problem because of the imprecision of archaeological dating practices and the variability of site discovery in the landscape. As a result, we make the assumption that all of the sites visible for a period existed simultaneously and that this might compensate for the vagaries of site recovery across the landscape. On the other hand, I do wonder whether this kind of methodological compromise makes the larger project of making settlement hierarchies less viable in general.

This leads me to my second observation. Myrtou Veikou’s work in Epirus which covered a similar period proposed the existence of an emerging kind of Byzantine “third space” during the period that Vionis’s studied. The concept of third space came from the post-colonial theories of Homi Bhabha and was applied to geography by the late Edward Soja. These spaces existed explicitly outside of the kinds of hierarchies that Vionis presents and represented all together less stable entities which resist classification. These places are more dynamic over time and do not map neatly onto either concepts like the rural or the urban or institutional structures like bishops, civic officials, or markets. The uncertainty and ambiguity of these places in the landscape resists our more structural efforts to define the function, scale, or relationship between settlements which can be demoralizing for scholars who work to understand Byzantine space at scale. At the same time, the notion of third-space also allows us to adapt our landscapes to the chronological ambiguity of archaeological data practically when it is collected through different methods and practices as well as at different scales and resolutions. The ambiguity of the Byzantine third space reflects the kind of data at our disposal and normalizes the fuzzy and sometimes contradictory results of our analysis.

These more dynamic spaces within the landscape also imply movement at various scales. Vionis’s work does a nice job at understanding the slow shift of settlements as they contract, reform, and reconceptualize across Boeotia. I’d be intrigued to understand how these shifts represent the flow of people, wealth, goods, and resources through the area. Vionis’s attention to walking distances from central places as a way to understand the scope of agricultural productive area in the vicinity of settlement is useful. It prompted me to think about the cultural, political, environmental, and economic variables that might shape these models for understanding movement in the countryside. For example, the decision to cultivate fields beyond a two or three hour walking distance from home or a settlement might represent the results of exogamous marriage, forms of risk management, environmental strategies, or even acts of religious piety or efforts to develop social capital. Moreover, a range of strategies in the countryside might also reflect the movement of individuals to local pilgrimage sites, visits to relatives who live in settlements that do not map onto the local hierarchical nodes, or even economic forays into new markets, new resources, or to take advantage of variability in the political landscape. Obviously it is impossible to anticipate all potential forms of fluidity in the Early and Middle Byzantine landscape, but it would be interesting to think about how the notion of settlement hierarchies intersects with Horden and Purcell’s more dynamic notion of microregions and connectivity as defining the Mediterranean world.

These comments should not be regarded as criticism of Vionis’s work, of course. It reflects both careful attention to the nature of evidence from Boeotia as well as a deep understanding of Byzantine social, political, economic, and ecclesiastical organization and history. His work, however, has prompted me to think about our efforts to understand the space and settlement of both the Western Argolid and on Cyprus during these same periods. It’s a good way to start looking ahead to my summer study seasons and some walks in the Greek and Cypriot landscape.

An Advertisement for Myself: Oxford Handbook of Early Christian Archaeology

This is a time of year that many people think about the historical origins of archaeology. The synoptic gospels, particularly Luke, are explicitly historical in the way that they frame the birth of Christ.  Within a few centuries of Christ’s birth and the Gospel narratives, proto-archaeologists started to search for material remains associated with these stories. Excavations in search of the “True Cross” conducted at the request of Helen, mother of Constantine, revealed both the cross of Christ and those fo the two others crucified by his side. In short, the history and archaeology of Early Christianity are almost as old as the narrative itself.

The confluence of history and faith during the Christmas season makes it an appropriate time for the release of the book that I edited with David Pettegrew and Tom Davis, The Oxford Handbook of Early Christian Archaeology.  The book ain’t cheap, but maybe if every major library in the world orders it, it’ll come out in paperback at a lower price. The goal of the book is provide an up-to-date over view of the archaeology of the Early Christian world to scholars and students of the period as well as to introduce the largely European field of Early Christian archaeology to an Anglo-American audience. 

OHECA

One thing that is nice is that the entire introduction is available on Google Books. This was one of the most entertaining and interesting writing experiences that I’ve ever experienced. David and I wrote an almost 30,000 word essay that we then trimmed, pruned, compressed, and coppiced down to about 12,000 words or so. While cutting and pruning is never easy, the opportunity to stretch out and write truly long form in our first draft was truly worth it. Maybe at some point we’ll release our full draft – which is pretty raw – just to share a bit of writing process. I think that the final published product is both good and, more importantly, useful. I hope everyone else finds it useful too and finds the entire Oxford Handbook a worthy addition to your local library. 

Merry Christmas and Happy Holidays! 

Thyrsos Basilica at Tegea

The folks on Western Argolid Regional Project are heading to the Tripoli museum and then to Tegea tomorrow while I stay back to take care of some editing and databasing. 

In anticipation of their trip, I looked up the section in my dissertation where I talk about the Early Christian basilica there that was excavated by Anastasios Orlandos and published in the 1970s. The calendar mosaic from the building is remarkable as is its metrical inscription.

Another scrappier inscription seems to evoke the sanctus and might be one of the few inscription from Early Christian Greece that preserves a clear liturgical utterance that has significance in the Christological controversies of Late Antiquity. Here’s a link to something I wrote a while back.

Here’s what I said 15 years ago in my dissertation.

The Thyrsos basilica at Tegea is quite remarkable. [82] The main nave is decorated with a grid of 16 panels containing personifications of the 12 months and at its eastern and western end the four rivers of paradise (figs. 75-82). Seven of the panels are well preserved and demonstrate careful workmanship. Each month is dressed appropriately for the season and is depicted performing some seasonally characteristic activity, except November whose activities are unclear (fig. 80). In the apse, a panel which is now destroyed showed two youths, identified as the “Kaloi Karoi”, carrying baskets of fruit and rushing toward a central figure of a man. At the western end, two putti hold a metrical inscription praising the Bishop Thyrsos, discussed in more detail in the next chapter (fig. 83). The presence of a tomb in the northern bay of the narthex hints at a possible funerary function for this church.

Mosaics depicting the months were very popular in Greece during Late Antiquity. Additional examples exist from The Villa of the Falconer at Argos, a Christian building at Thebes (figs. 32-35), and Loutro Hypatis. Perhaps the most famous of these is in conjunction with a falcon hunt mosaic from the Villa of the Falconer in Argos (figs. 21- 26). The presence of mosaics depicting the months in such a variety of locations emphasized that this motif had a meaning appropriate to a wide variety of contexts.

While Äkerström-Hougen’s thorough study of the mosaics from the Villa of the Falconer outside of Argos, stressed the relationship between the calendar mosaic there and illustrated Late Roman calendars, she also found this mosaic generally consistent with the calendars at Tegea, the preserved panels from Thebes, and the mosaic at Delphi even though the architectural context for these panels varied considerably. For example, at least one traditional festival is expressed in the calendars of the Tegea and Argos despite the fact that they derive from a “Christian” and “secular” setting respectively. In Argos, for the month of May, the mosaics depict a man with a basket of roses, a wreath of flowers, and a floral crown (fig. 23). At Tegea, the personification of May is shown with a basket of flowers and a floral crown (fig. 76). This mosaic at Argos makes a clear allusion to the rosaria or rosalia, initially a festival to honor the dead, but by the fourth century a feast to celebrate the arrival of summer. [83] A similar depiction of this feast is found on the Calendar of 354, which was prepared for an aristocratic Christian patron.84 Salzman, in her study of this important Late Roman calendar, emphasized the significance of this festival in both religious and economic terms. In religious terms she associated the importance of the Rose Festival, which was celebrated with games, to the rise in interest in astrological and seasonal celebrations during the fourth century. [85] While there is insufficient evidence to argue that the depiction of a May on the Tegea floor was a direct allusion to a pagan festival as it appears to be at Argos or in the Calendar of 354, the continued use of the iconography at Tegea reflects a preference for traditional symbolism over personifications of an explicitly non-pagan nature. The clear allusion to the Rose Festival in the mosaic in nearby Argos which appears roughly contemporary, places the Tegea mosaic in a discourse which operated to a considerable degree outside the specific religious context of the building. It seems, then, reasonable to consider that the floor at Tegea, like the floor at Argos, served to show the prosperity found within the cycle of rural life and linked this ideal to the patron, individual, or institution most closely associated with the floor. [86] This adds an additional level of meaning to H. Maguire’s already rich reading of this floor as a depiction of earth and ocean. [87] Now the earth and its prosperity is not only the domain of man, but also a world constituted in aristocratic terms and linked to the authority of the clergy through their privileged access to the central nave and the liturgical procession. 

82. The mosaic found at the so-called basilica of Thyrsos at Tegea has evoked considerable debate over the 100 years since its discovery. The building itself was originally reported as a single naved, oriented, apsidal structure. Spiro, suggested that the building was perhaps a secular audience hall on account of the inscription at the west entrance to the building which she considered to be of “the kind of inscription one would expect to find in the more secularised atmosphere of an audience hall in which “the most holy Thyrsos” held court.”(Spiro, Critical Corpus, 181.) She further argued against this building having a liturgical function because of the lack of any evidence for such basic liturgical furnishings as the foundation of an ambo or chancel screens. The east end of the church, including the mosaics in the apse there, is very poorly preserved leaving open the very real possibility that these features did actually exist. Orlandos in his general discussion of the Christian monuments in Tegea, considered this building as a three-aisled basilica on account of the presence of a narthex to the east of the paved nave and the discovery of several cross-inscribed ionic impost capitals, which as I have shown are rare outside a liturgical context (Orlandos, ABME 12 (1973), 66-69.). Furthermore he mentioned in his general survey of Early Christian architecture in Greece that he was aware of an unpublished sigma table excavated from the Thyrsos basilica suggesting some liturgical activity in that place, although not necessarily confirming the building as having a primarily liturgical function since such tables have been found in a wide array of contexts, including villas such as in Athens (Orlandos, Hē xylostegos palaiochristianikē basilikē (1956), 485). A tomb arranged parallel to the north wall of the western antechamber further suggested the presence of a narthex. This, along with evidence for the use of several ionic impost capitals points to this being a three-aisled basilica (Orlandos, AMBE 12 (1973), 12-19, 22-81). Avramea, quite recently, has argued unconvincingly that this building was a martyrium to the bishop Thyrsos and that the tomb found to the north of the narthex chamber belonged to the esteemed bishop (A. Avramea, DXAE (1999), 35-40; cf. D. Feissel, BE (2000), 797.). To the north of the central nave there exists another series of inscribed mosaic panels whose relationship to the main nave is unclear. Orlandos has suggested that this room was a parecclesia, but examples of this feature are rare in Greece. The mosaic inscription which separates the two badly damaged panels runs, “Holy, Holy, Holy, Holy, Lord God with the Son and the Holy Spirit,” and this could allude to a liturgical utterance, and thus suggests a liturgical function for the room. The published reports and studies are quite inadequate making it unlikely ever to determine the form and function of this building. The presence of a tomb mitigates against it being a reception hall, and the reference to a bishop in the inscription makes the most likely identification of this building as a church or a very large private chapel.

83 G. Äkerström-Hougen, The Calendar and Hunting Mosaics, 80.

84 M.R. Salzman, On Roman Time: The Codex-Calendar of 354 and the Rhythms of Urban Life in Antiquity. (Berkeley 1990), 96-99.

85 Salzman, On Roman Time, 129, 183.

86 Parrish, Season Mosaics of Roman North Africa. (Rome 1984), 13. “In an imperial context, this term [felicitas temporum] had a propagandistic meaning, referring to the Emperor’s beneficent rule and the promised return of the golden age. But in a private house, the seasons had more generalized associations with prosperity and good fortune, and lacked any direct political overtones.”

87 Maguire, Earth and Ocean, 21-28.

Assemblages and the 8th Century

One of the things heard among archaeologists of the Eastern Mediterranean is that the 7th century is the new 6th century. We’re living in an era during which the “Long Late Antiquity” is becoming even longer. 

In the Western Argolid in Greece, I’ve been lucky enough to work with a few Late Roman sites and assemblages both from our survey and in well-known sites in the area. My colleague Scott Gallimore and I can legitimately talk about a 7th century landscape that appears quite distinctive from earlier centuries but also shows significant signs of continuity.

At Polis Chrysochous on Cyprus, Scott Moore and I have worked on two 7th century assemblages: one from the South Basilica that we’ll publish this winter in Hesperia, and this summer we worked on a little site called EF1

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The intriguing thing about the site of EF1 is not in its architecture or even its archaeology, but that a burial with a lead sealing and a clear abandonment deposit with another lead sealing dates the destruction or abandonment of this site to sometime in the very early 8th century. The assemblage of material from the site, however, lacked many of the late-7th century artifacts that we saw across the street at the site of the South Basilica. The missing artifacts included the well-known Cypriot Red Slip “Well Form,” (dated to after 630 in a context in Anemurium) Dhiorios wares, or the last in the sequence of Late Roman Amphora (like LR13). 

We have dated the assemblage at the South Basilica to the end of the 7th century and this assemblage dates a major modification to the building’s structure. Now, however, we’re wondering whether this is really an early 8th century assemblage. The argument might go like this. Both the South Basilica assemblage and the various assemblages present at EF1 derive from secondary contexts – floor packing, construction fills, and various other levels that do not reflect use. The processes that account for the development of these assemblage took place over rather long periods of time and, as a result, the assemblages tend to have numerous examples of residual artifacts that represent a wide range of cultural and natural processes leading to their appearance in an archaeological context. In general, it appears that the material in the neighborhood of EF1 and the South Basilica derived from the nearby cite of Arsinoe (ancient Polis) and localized industrial activities. It seems reasonable to assume that the northern area of Late Antique Arsinoe saw burials, industrial activity (which took advantage of the downslope flow of water in the area), and other installations that tended to be situated on the outskirts of a Late Roman urban area.

The difference in the two assemblages in similar nearby secondary context got me thinking about both how these two groups of pottery formed over time. I had rather naively assumed that the date of the contexts was probably a couple or three decades after the latest material in the fills. This would allow for a significant enough signature of pottery to enter a particular context for it to become archaeologically visible. As I think about the South Basilica assemble, it has occurred to me that if our typical late-7th century material does not appear at EF1 where we have a pretty good date marking the abandonment of the building at this. Maybe that means that the modifications to the South Basilica has an early- to mid-8th century date?

Maybe in a few years, the 8th will be the new 7th century and on we’ll go!

Old and New Perspectives on Church Building in Cyprus

I was pretty excited to read  Marietta Horster, Doria Nicolaou, Sabine Rogge’s edited volume, Church Building in Cyprus (4th – 7th century): A Mirror of Intercultural Contacts in the Eastern Mediterranean (Waxmann 2018). I’ve been working on Early Christian Cyprus for about 10 years now and have been struck by the lack of book-length “standard work” on the topic despite the massive number of Early Christian monuments on the island. This book does not really fill that gap entirely — it is an edited volume rather than a monograph or survey — but it goes a long way to present the dynamic range of recent research on churches and church building on Cyprus.

I won’t go into a detailed review, in part because I’m still digesting the book, and in part because it’s hard enough to review a monograph much less a series of articles, but the book deserves a spot on the bookshelf of any serious scholar of Cyprus or Eastern Mediterranean. 

Here are my observations:

1. Remember Liturgy! Years ago, when I was toiling away on my dissertation, I became fascinated by the complex interplay of architecture and liturgy in Greece. It was never easy or tidy to map liturgy onto architecture owing as much to the vagaries of regional liturgical practice over time as the persistence of certain architectural forms outside of the context of ritual. In other words, architecture and liturgy were deeply intertwined, but it was always very messy, as a result, there has been a bit of ambivalence toward the place of liturgy in understanding Early Christian architecture. Several of the articles in this book return to those problems which are made all the more complicated by the place of Cyprus between major liturgical traditions in Cilicia, Syria, and the Aegean basin and makes an effort to wring meaning from how traditions of architecture and liturgy intersect.

2. Churches, Saints, and Contexts. One of the biggest disappointments in my own work over the last 20 years is that I’ve never managed to do a very good job locating churches in their landscapes. In other words, my churches – whether in the Corinthia or on Cyprus – tend to float a bit in their urban or rural landscapes. As someone who has spent most of his career wandering around the countryside and thinking about how the wider geographical context works, this is hardly excusable.

Several articles in this book locate churches within the sacred and secular landscapes of Cyprus. They reflect on change in the Cypriot countryside, church politics, the role of saints in the religious life of the island, and the location of churches to create a richer ecclesiastical and social landscape. This is challenging, fraught, and important work. The last three decades of archaeological work on Cyprus has illuminated the Late Roman, Early Byzantine, and Early Christian period in significant ways. We know more about village life, the countryside, and the transformations of Late Roman urbanism at the end of antiquity than ever before. Mapping churches onto this dynamic landscape makes how we understand architecture and the Late Antiquity richer.

The folding in of landscapes shaped by saints lives and other texts goes even further in presenting Cyprus as a relatively distinct Christian landscape in the 4th to 7th centuries in which ecclesiastical authorities (through their surrogates the Bishop Saint) south to project a particular kind of power over the island. 

4. Arches, Vaults, and Domes. One of the most interesting aspects of Cypriot churches in the range of masses, forms, and techniques used to create the spaces of within and around churches. At the south basilica, our building both used a series of arches running along the south and west side of the building that parallels a courtyard to the south and a road to the west. These arches were built at the same time as the transformation of the church from being wood roofed to vaulted and practically announce the newly vaulted interior.

The evidence for such interior vaults, domes, half-domes, wooden roofs, and various arches are difficult to discern especially for buildings that preserve so little of their walls and roofs and that underwent so many transformations. The contributors generally assessed these architectural developments in a technical way or in the context of Cypriot architecture rather than as evidence for the influence of one or another neighboring region or imperial center. It was refreshing to see the traditional preoccupation with a linear progression of Early Christian architecture give way. The myriad of influences and styles present on Cyprus makes the island an ideal place for this kind of critique. 

5. Stratigraphy and Dates. If there was an area that I’d love to understand better, it is how changes in ceramic chronologies, the introduction of more rigorous stratigraphic practices, and the architecture is slowly transforming how we understand the history of Early Christian building on the island. This book is long on architectural detail, which is welcome, but at times a bit short on the nitty-gritty of how archaeologists establish the dates for buildings, how they work out architectural sequences, and how the buildings relate architecturally to their built environments.

If you’re into the archaeology of churches in the Eastern Mediterranean, this book is definitely worth a read. The contributors mark a pretty clear trajectory for the field which embraces both the traditions of Early Christian architectural history and moves tentatively forward toward incorporating new perspectives while discarded more tired and unproductive approaches. 

Ay. Lazaros and Panagia Angelokisti

Ay. Lazaros is one of the most visible monuments in Larnaka, Cyprus and among the most significant churches on the island. I’ve wandered around this beautiful church frequently over my years of working on Cyprus and staying in Larnaka.

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Ironically, very little is known about this building. Historically associated with the relics of Lazaros who is said to have come to Cyprus and to have become Bishop of Kition after his resurrection, this church was constructed sometime in the Medieval period. In its present form, it stands as a series of cross-in-square churches terminating in a three apses. It has a later porch that extends along its south side and much later campanile. The church endured a significant fire in the 18th century when its domes collapsed. The church has seen relatively little archaeological study and despite some useful guides to its history and architecture, has not received comprehensive study.   

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Last week, I was pretty excited to receive the monumental tome that is the Report of the Department of Antiquities of Cyprus from 2011-2012. It’s late, but that’s ok, because it remains a curio cabinet of archaeological knowledge about the island. It includes a fascinating article on the architecture of Ay. Lazaros, the Angeloktisti at Kiti and Ayios Antonios in Kellia west of Cyprus by a group of students from the University of Padova in Italy, Lucia Scudellaro, Isabella Zamboni, Alessia De Paoli, Monica Gamba, Michela Modena and Morena Tramonti under the supervision of Gian Pietro Brogiolo (RDAC 2011-2012, 821-853).

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(Another story for another time involves my toying with the idea of journal on the archaeology of Cyprus with a few colleagues. Fortunately some smarter people intervened gently to discourage us from starting such a thing, but I do admit to occasionally thinking about it still. Anyway, I’m glad the RDAC is back.)

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Their study of this important monument was hardly comprehensive, but it does hint at the potential of studying the standing walls of the church stratigraphically. They were able to identify at least four pre-modern phases including the tantalizing early phase that not only indicates that the church had always existed, more or less, in its current plan. The dating of this building, of course, remains unresolved, and it will remain perhaps the most significant, undated monument on the island. The possibility that it dates from the so-called “condominium period” (and here I’m speculating freely and irresponsibly) is intriguing. The building’s distinctive architecture, its association with Ay. Lazaros, and its role in constructing the apostolic landscape of Cyprus makes it a particular tempting object for future study. Some needs to sort this building out. 

The University of Padova team also studied the well-known Angelokisti at Kiti which appears in every survey of Early Christian art for its pre-iconoclastic apse mosaics. They’re amazing and worth seeing, but they’ve also always confounded me because the architecture of the church is clearly much later (probably 11th century or later) than the 6th or 7th century apse mosaic (dated on stylistic grounds). How do you preserve an apse while losing the church?

The Padova team carefully documented the various styles of construction and their relationships to show how the key phases in shoring up the inner apse and its mosaic stand with only the most ambiguous relationships to later phases. In other words, the fabric of the building, at least for now, offers little in the way of definitive chronology (relative or absolute) for dating the major reconstruction of the Angeloktisti and preserving the apse itself.

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Like the Ay. Lazaros, one of the most significant churches on the island remains a mystery in certain key ways, but the work from the Padova team provides plenty of incentive for these two buildings to see greater scrutiny. As the 7th-9th century on Cyprus has seen renewed interest and significant reconsiderations in the last decade, there is an additional opportunity for new fieldwork at these buildings to provide important insights into the history of the eastern part of the island at the end of antiquity. That relatively little is known about the Early Christian and Early Medieval history of Larnaka and Larnaka district adds local importance to this work and any future work that it might inspire.

More on the Historiography of Late Roman Cyprus or Writing up the Pyla-Koutsopetria Excavations (part 2).

Over the last couple of weeks, I’ve been trying to pull into shape a conclusion for the second volume from the Pyla-Koutsopetria Archaeological Project. I posted part of that conclusion a couple of weeks back, here’s some more (with a bit of overlap!):

Recent work on Cyprus has looked to recontextualizing the archaeology of the island in three basic ways. First, archaeologists have sought to continue the long-standing effort to locate Cyprus within the larger Roman, Late Roman, and Byzantine worlds. G. Hill’s and T. Mitford’s argument that Cyprus was a quiet backwater of the Roman East, based largely on historical sources, has been fundamentally challenges by the work of Dimitri Michaelides (e.g. 1996), John Hayes’s publication of the ceramics from the House of Dionysios at Paphos (1991), and the work of John Lund (2003; 2006; 2015). These scholars and their younger contemporaries (e.g. Leonard 2005, Gordon 2012) have demonstrated that during the first seven centuries AD, Cyprus was deeply embedded in the economic life of the Roman East, traded extensively with their neighbors, reflected wider trends across the empire, and exploited their natural and agricultural resources for both public and private expressions of power and wealth. In the 21st century, recent work on connectivity, globalization, revised ideas of insularity, and hybridized culture have shaped our view of Roman Cyprus as a sphere for distinct forms of cultural and economic interaction that extends far beyond monumental architecture. The quantitative analysis of imported and local ceramics, evidence from shipwrecks and ceramic production sites (Leidwanger 2013; Demesticha 2013; Demesticha and Michaelides 2001), and survey and excavation at small harbors, emporia, villages, and non-monumental buildings have all contributed to a view of Cyprus that is deeply embedded in the Roman and Late Roman world. Moreover, by embracing theoretically rich concepts like globalization, insularity, and hybridity, they local the study of Roman and Late Roman Cyprus within a larger conversation about the island that extends from the Bronze Age (e.g. Knapp 2008) across most of antiquity (e.g. Counts 2008).

The long tradition intensive and extensive survey archaeology on Cyprus has contributed to recent efforts to expand the scope of our understanding of Roman period on the island into the non-urban, ex-urban and suburban settlement. This complements a large trend toward rejecting the Finleyean conception of the ancient “consumer” city that merely drew resources from the countryside. In its place, scholars like Horden and Purcell (2000) have proposed a world of densely connected microregions that include both urban and rural spaces. This upset the tidy binary of producer and consumer spaces, and even in urban and rural (Viekou 2009; 2010) in the Roman countryside and offered new contexts to make sense of rural sites. Cyprus, despite its deserved reputation for dense urbanism, had a bustling or “busy” countryside. Hector Catling directed the Cyprus Survey Project in the 1950s and documented the Kornos cave (Catling 1970) and the Dhiorios settlement and ceramic works on the Kormakiti peninsula (Catling 1972). Both of these sites were rural and offered substantial assemblages of both local and regional Late Antique ceramics including kilns for the production of cooking ware vessels at Dhiorios. Excavations in the 1990s by Charalambos Bakirtzis revealed the massive ex-urban site of Ay. Georgios-Peyias with three basilicas, a bath, warehouses and other structure dating, it would appear, to Late Antiquity (Bakirtzis 1995). The initial excavations at Kousopetria by Maria Hadjicosti, at Kopetra, by Marcus Rautman (2003), at Alassa by Pavlos Florentzos (1996), and at Maroni-Petrera by S. Manning (2002) represented a watershed decade in the archaeology of non-urban Cyprus. The excavations at Kopetra and Maroni Petrera emerged from intensive pedestrian survey projects which likewise expanded our knowledge of Roman and Late Roman countryside. Recent work in the Troodos mountains by the Troodos Areas Environmental Survey Project (Given et al. 2013), for example, has demonstrated that the Troodos mountains continued to be exploited for iron into the Roman period and a number of other survey projects have produced a “busy countryside” of sites ranging from villages to isolated farmsteads (Rautman 2003), production sites, and even monumental Christian architecture (Procopiou 2013). While the excavation of these sites often added to the catalogue of Christian churches, more importantly, they also expanded our knowledge of the fabric of non-urban places and the productive landscape of the island and demonstrated the connections between non-urban spaces and the wider region. The Cyprus that emerged from this research was less a series of dots along the coast of the island, and more a tapestry of interconnected regions that includes places both on the island and in the wider Mediterranean.

Finally, Scholars of Late Roman and Early Byzantine Cyprus, like so much of the Eastern Mediterranean, have increasingly placed the island chronologically within “the long Late Antiquity” which recognizes fundamental continuity between the 5th and 8th or even 9th centuries in the Eastern Mediterranean. For Cyprus, “long Late Antiquity” is complicated and punctuated by at least two Arab raids on the island that disrupted political and social life on the island and left their marks in both the architecture and archaeology. These raids, however, rather than being points of discontinuity in Late Antiquity, marked the start of the famous, if controversial, condominium period on the island that embodied aspects of both continuity and discontinuity in the island’s political arrangement and relationship with neighboring regions. Andreas Dikigoropoulos’s 1962 dissertation defined 7th to 10th century Cyprus in the famous phrase of the 8 th century pilgrim Willabald as “betwixt Greeks and Saracens.” His attention to the architecture of these centuries built upon A.H.M. Megaw’s studies of the vaulted churches of Cyprus (Megaw 1946), and, more recently, C. Stewart (2008, 2010) has continued to study the architecture of this period as a key to the island’s social, economic, religious and political status during these centuries. D. Metcalf (2004, 2009) and L. Zavagno (2011; 2011-12; 2017) have collated evidence from coins and seals to track continued ties between the economic and political ties between Cyprus, the Arab Caliphate to the east and Byzantine state in Anatolia and the Aegean. Important work has also focused on understanding the chronology of Late Roman ceramics both on Cyprus and across the region. P. Reynolds (2014; 2010), J. Vroom (2004; 2005; 2007), A. Vionis (2009), and P. Armstrong (2009), among many others, have pushed some common ceramics types, namely forms of widely traded Late Roman red slips and common transport amphoras, from the 5th and 6th century into the 7th and even 8th centuries. This work, in turn, has challenged the dating of buildings and sites on Cyprus by pushing destruction levels later than the Arab raids and demonstrating the urban areas continued to be economically connected and vital into the later 7th or even 8th centuries.

Writing up the Excavations at Pyla-Koutsopetria on Cyprus, Part 1.

A few weeks ago, I boldly complained (in my head) that this is the February of Pyla-Koutsopetria. Since then, my colleagues and I have been working frantically to get the second volume of our work at the site of Pyla-Koutsopetria on Cyprus completed and ready for submission. The second volume documents our three seasons of excavation and a couple of seasons of early excavation at the site by the Department of Antiquities on Cyprus.

I was tasked with wrapping up the conclusion while I have most of the basic summary work done, I’m working this week on the historiographic components of the conclusion that frame my more summary remarks. I’m arguing that contemporary archaeology of Roman, Late Roman, and Byzantine Cyprus is primarily concerned with three things: first, it continues the tradition of placing Cyprus within the economic and political context of the Roman East; second, it has expanded from being a largely urban archaeology (with a few notable exceptions) to an archaeology invested as much in the landscape and countryside as in the monumental urban centers; and finally, work on Cyprus has contributed to the growing interest in the “long Late Antiquity” in the Eastern Mediterranean that argues from continuities between the 5th and 8th or even 9th centuries there.

This is how I started this section today (and please excuse the incomplete and, perhaps, inaccurate citations!):

Historically, urban archaeology has dominated the study of Roman, Late Roman, and Byzantine Cyprus. The impressive urban sites of Paphos, Kourion, Salamis, Soloi, Amathus, and even Polis-Arsinoe have received the majority of archaeological attention. This has largely followed long-standing interests in the Iron Age kingdoms of the island and the island’s reputation as one of the most urban landscapes of the Eastern Mediterranean. For Late Antiquity, this attention to urban contexts produced a bumper crop of monumental Early Christian basilicas and excavations at Paphos, Amathus, Kourion, and Salamis revealed multiple examples of elaborate Christian buildings. The emphasis on urban sites and Christian buildings contributed to argument for long-term continuity of settlement on the island from the Iron Age into the Roman and Late Roman periods. Moreover, it provided archaeological evidence for the antiquity of these urban episcopal sees that represented the famously autonomous Cypriot church in antiquity and demonstrated ecclesiastical continuity into the modern period. The archaeological attention received by monumental Christian architecture exerted a formative influence over the trajectory of Late Roman and Byzantine archaeology on the island. Church plans, architectural typologies, and less frequently decorative techniques, particularly mosaic and wall painting, formed the basis for interpreting the place of Cyprus in the both the history of Late Roman and Byzantine architecture, and in the Eastern Mediterranean. From G. A. Soteriou’s ambitious arguments for the central role of Cypriot churches in the development of Byzantine architecture more broadly (1935; see Davis and Stewart 2014) to A.H.M. Megaw’s famous article that asked whether Byzantine architecture on Cyprus was metropolitan or provincial (1974) and Slobadon Curcic’s 2000 reformulation of that question as provincial or regional, architecture, floor plans in particular, provided evidence for the relationship between Cyprus and the rest of the Mediterranean world. Unfortunately, in many cases, these urban churches remain little known beyond their plans (and their impressive remains) with few receiving careful publications and only two, the Episcopal Basilica at Kourion and the South Basilica at Polis, resting on a thorough study of stratigraphy supported by the analysis of small finds and context pottery. As a result, these buildings remain difficult to date archaeologically. Moreover, in many cases, these buildings remain detached from their larger urban contexts as excavators either focused their attention on monumental architecture or chose primarily to publish the results from this work. There are obvious exceptions to this, of course, at Salamis, Paphos, Kourion, and Polis, but the overall unevenness of both publication and excavation has made it difficult to contextualize Cypriot architecture and urbanism within the larger Roman and Late Roman world.

Recent work on Cyprus has looked to recontextualizing the archaeology of in three basic ways. First, archaeologists have sought to continue the long-standing effort to locate Cyprus within the larger Roman, Late Roman, and Byzantine worlds. G. Hill’s and T. Mitford’s argument that Cyprus was a quiet backwater of the Roman East, based largely on historical sources, has been fundamentally challenges by the work of Dimitri Michaelides (e.g. 1996), John Hayes’s publication of the ceramics from the House of Dionysios at Paphos (1991), and the work of John Lund (xxxx). These scholars and their younger contemporaries (Leonard xxxx, Gordon 2012, xxxxxx) have demonstrated that during the first seven centuries AD, that Cyprus was deeply embedded in the economic life of the Roman East, trading extensively with their neighbors, reflecting wider trends across the empire, and exploiting their natural and agricultural resources for both public and private expressions of power and wealth. In the 21st century, recent work on connectivity, globalization, revised ideas of insularity, and hybridized culture have shaped our view of Roman Cyprus as a sphere for distinct forms of cultural and economic interaction that extend far beyond monumental architecture. The quantitative analysis of imported and local ceramics, evidence from shipwrecks and ceramic production sites, and survey and excavation at small harbors, emporia, villages, and non-monumental buildings have all contributed to a view of Cyprus that is deeply embedded in the Roman and Late Roman world.