More on Isthmia Data

My post today is mostly for data nerds (or want-to-be data nerds, in my case). For the last two months, I’ve been messing around with some databases from the Michigan State Excavations at Isthmia in Greece. I have any number of goals with doing this and most of them loosely coalesce around “figuring out how good this data is and whether I can do anything with it as it is now.” Recently, though, I’ve gotten tired of waiting to see if the data is good enough and started to tinker with it a bit as a way to see if I could build some hypothesis and find problems with the data through testing it. 

The biggest challenge with this data is folding together five different datasets and getting them to talk to one another.The first data set is the context pottery read at Isthmia over the years. This consists of pot sherds that aren’t special enough to be inventoried but can nevertheless be identified as from a particular class of vessel. The second dataset is the “lots” dataset. This is a list of lots – or stratigraphic units – excavated over the years at Isthmia. It’s hard to know whether it represents ALL the lots excavated or just some of them. Most of these lots also have locations (that is areas at the site) as well as trenches and many have been assigned dates. 

The other three data sets for my current experiment consist of inventoried pottery and lamps. Two are the Byzantine and Roman pottery deemed special enough to warrant formal cataloguing. Some of this material formed the basis for Jean Marty-Peppers 1979 Penn dissertation. There is also a database that lists the inventoried lamps which have recently been published by Birgitta Wohl. Part of the larger goal of my work is to make sure these datasets “talk” to the publications. More importantly, however, I worked to assign each of these 3000 or so artifacts to its appropriate lot (or stratigraphic context). This would ensure that these datasets could “talk to” the lots and context finds databases. This is work in progress because sometimes the lot isn’t very clear and I’ll have to dig into the notebooks at some point to make sure that these datasets talk to each other well as I can. 

I was able to kluge these datasets together with only a little bit of fuzziness between them (for example, some of the lamps come from deposits that may [or may not] be identified as lots). Some of our standardized vocabulary for artifacts (we have adapted a version of the chronotype naming system) isn’t quite tidied up yet as well. So there’s some more work to do.

I can however offer some very simply examples for how this work might be useful.

One of the first datasets that I wanted to explore involved our assemblage of Slavic pottery. Slavic pottery is a shorthand for hand or slow-wheel made cooking pots and beakers with geometric decorations. They may be associated with “Slavic” migrants to the Southern Balkans, but this remains a bit of an open question. Generally this material dates to the 7th or 8th centuries (or later).

We are now able to quantify our Slavic material in some mildly interesting ways. For example, we can now say that we have 132 contexts that contained some Slavic material. 28 of these contexts produced inventoried finds and the rest of the Slavic material came from context pottery. Slavic ware appeared in almost every context from across the site. Conventionally we’ve associated Slavic ware with depositions found in the area of the Roman bath, but, it turns out that a very narrow majority of Slavic sherds came from other locations around Isthmia (52.4%). We can also use the dates assigned to lots (based on?) to get a broad sense of the character of the contexts in which Slavic ware appears. 48% of it appears in Late Roman and Early Byzantine contexts (which appear to date from the 4th-8th century). 24% of it comes from later Medieval contexts (e.g. Middle and Late Byzantine contexts) and about 26% comes from mixed contexts. Of course, it is hardly surprising that most common location for Slavic pottery in in Early Byzantine and Late Roman contexts associated with the Roman Bath (29%), but the Early Byzantine and Late Roman as well as mixed deposits associated with the Northeast Gate produced not insignificant quantities of material. That over 20% of the Slavic material came from the Northeast Gate is interesting and I’m eager to dig a bit more into this.

It’s not a massive leap from this to a study of the larger assemblage associated with the Slavic material. Of course, for this to be meaningful, we also need to study the excavation context, but this is a future project. 

Working with Isthmia data has also allowed me to start to think about the distribution of material across the site in different ways. David Pettegrew and I have been thinking a bit about how we might compare the assemblages produced by excavation at Isthmia with those produced by the intensive pedestrian survey of the Eastern Korinthia. David has published the data from the latter which makes it a convenient dataset to explore.

For now, however, I was content to explore the data from the Isthmia datasets across the site. There are some provisos, of course. First, I have no real sense how complete this dataset it. On the one hand, I expect that if it is not complete, it is incomplete in an effectively random way. On the other hand, the dataset might be lacking non-stratified assemblages that might contain material from later or earlier periods. As a way to offset this, I decided, just as a little experiment to compare the distribution of common Roman fine wares at two areas of the site: The East Field and the Roman Bath.

The results are pretty boring, but could inspire some hypothesis building. For example, maybe it’s worth noting that the East Field and the Roman Bath produced roughly equal amounts of the long-lived and common African Red Slip ware (28%-30%), but the Bath produced more, later Phocean Red Slip (LRC) ware (16% to 3%). The East Field, in contrast, produced more Candarlı Ware (12%) than the Bath (8%). At first, I suspected that this was because the East Field less later material than the Bath which, if I recall, remained in use as an activity area later, but the Bath assemblage had a higher proportion of ESA/B wares (32% to 28%) which tend to have earlier Roman dates. Both areas produced a good bit of something called “Class H” pottery. In fact, it was the plurality of the assemblage from the East Field (34%) and consisted of 15% of the material from the Bath. I have no idea what this is and it is not mentioned in Jean Marty-Pepper’s dissertation or the recent Hayes and Slane volume of Roman pottery from Isthmia. In other words, its some kind of fine ware that is not included in the two most recent (if 1979 is indeed recent) and thorough catalogues of material from Isthmia, which is a bit odd.

As we continue to refine the data, it’ll become possible to perform other kinds of comparisons between material associated with various areas of the site sites. The kind of legacy data produced by Isthmia probably is not sufficiently robust to constitute “big data,” but my hope is that by slowly cleaning it up, it’ll help us at least make some new connections and pose some new questions.

Three Things Thursday: Campus, Corinthia, and Conferences

This week has become more hectic than I would have wished, but mostly it’s hectic with good things. I’m looking forward to heading to Fargo tomorrow for the Northern Great Plains History Conference and pleased that some of the work that I put into cleaning up data from the Michigan State Excavations at Isthmia is almost far enough along to sustain some basic hypothesis building. These two things, and the changing face of my institutions campus will be the topic of today’s “three things Thursday.”

Thing the First

UND’s campus is really changing. Over the last three or four years, the university has implemented a new campus master plan, built a number of new buildings, created elevated walkways between existing buildings, and introduced new landscaping to the campus quad that turned several roads into pedestrian only zones.

For the last decade or so the old Medical School’s “Science Building” has housed my Department of History and American Indian Studies. This has been completely renovated with new conference rooms, offices, and classrooms. It’s pretty nice and while I liked my massive office carved out of lab space, my new office feels clean, compact, and contemporary.

It also has a glass door, which is a bit odd, and the hallway outside the office is access only through door controlled by key cards (at least outside normal building hours). The hallway also has a number of cameras. The bathroom has no doors.

I get that we live in a society where control, access, and surveillance have become synonymous with power. And I also understand that privacy is not a right, but a privilege reserved for those who can afford the necessary protocols, treatments, and tactics. And, finally, I get that control over the commons (and a public state university is a kind of commons) is necessary to avoid the abuse of its limited resources.

That said, I am still bit a put off by the level of control and surveillance that exists in our new building.

Thing the Second

I’m so, so, so close to having some of the Michigan State Excavations at Isthmia data ready for some preliminary analysis. In fact, when I’m done a few odds and ends this morning, I plan to work on some of the last bits of data this morning. As I reported last week, most of what I’m doing at this stage is recoding information originally recorded on paper inventory cards and keyed to notebook pages to more standardized formats appropriate for digital databases and keyed to stratigraphic unit (which, in turn, can be connected to particular pages in the notebooks).

While I have some long term goals with this project — including preparing the data for publication — but in the short-term, I want to be able to do some basic analysis of our assemblages that allow us to hypothesis build. For example, it will be possible to analyze the material from various parts of Isthmia as one might analyze a survey assemblage. We’ve been doing this some with the data from Polis where we’ve been able to consider both the presence or absence of certain forms of fine and utility wares across the site. For Isthmia, the plan might be to pull together all the material from, say, the East Field or the Roman Bath and use it as a window into what classes of artifact are present in the region at various times and perhaps even in what proportion to other contemporary artifacts.

Of course, this won’t be the last word in our analysis of the material from Isthmia, but it should offer the first word and an opportunity to understand the character of the Isthmia assemblage in a more systematic, if also more superficial, way.

Thing the Third

If you’re planning on going to the Northern Great Plains History Conference this week, do consider stopping by my panel tomorrow morning. I’ll be talking about the state of North Dakota Quarterly in session 34: The State of State Journals: Past, Present, and Future with editors of South Dakota History, North Dakota History, and Minnesota History.

You can download a copy of the conference program here.

You can read a copy of what I plan to say here.

Lecture this Fall: Late Antiquity at Polis: Recent Research

I’m spinning my wheels a bit this fall and trying to get traction after a long and somewhat exhausting summer of research and other work. Fortunately, several projects have become a bit more insistent lately and some new projects have popped up to fill the void.

Among the projects that I have appeared from the ether to structure my semester is a talk that I was invited to give at the University of Cyprus’s Archaeological Research Unit.

Here’s the abstract that I submitted: 

Starting in 1984, the Princeton Cyprus Expedition excavated areas around the village of Polis-tis-Chrysochous in northwestern Cyprus. These excavations revealed a wide range of buildings and contexts dating from the Late Antique period including two Early Christian basilica style churches surrounded by various buildings that appear to stretch along the northern edge of the city. At some point in Late Antiquity, most of this area appears to have become a massive cemetery, presumably centered on the two churches. Recent research has revealed that the buildings along the northern edge of the city underwent continuous renovation and reconfiguration even as burials encroached.

Along with a few photos:

IMG 7550

South Basilica POT

IMG 3911

My current plan for the talk is to start the talk with a broad overview of Late Antique Polis and then focus on four or five issues that have emerged from our work. These issues will start with the most “settled” (and even published) and move onto some more speculative ideas about the city of Arsinoe in Late Antiquity.

1. Untangling Legacy Data. The first thing I’ll discuss is the challenges of working with “legacy data” at a project that flirted with the dawn of the digital age while still adhering to analogue practices. This will be a nice way to introduce the audience to the archaeological contexts for my paper’s analysis.

2. The Phases of the South Basilica. In some ways, this section will confirm that the methods we employed to combine legacy data with new analysis have the potential to produce meaningful results. It will largely summarize conclusions published a few years ago in Hesperia

3. Regionalism and Trade on Cyprus. This section will start to take our research into more speculative areas by demonstrative the value of publishing larger ceramic datasets and showing how they can contribute to understanding connectivity within a broader regional context. Some of our conclusions here have appeared in various publications, but they’re very much still tentative because of the changing chronologies associated with Late Roman ceramics in the Eastern Mediterranean more broadly.

4. Creating Some Late Roman Horizons. As a follow up to the last point, I will introduce our efforts to construct some Late Roman “horizons” at Polis that have the potential to be starting point for both refining ceramic chronologies on the island and proposing new dates for the transformation of the built environment on the island from the 6th to 8th centuries.

5. Fragments, Features, and Functions in the Late Roman Cityscape. Finally, the paper will conclude with some observations on how excavations along the northern edge of Late Antique Arsinoe revealed by the Princeton Cyprus Expedition can offer a fragmentary, but suggestive view of the changing character of the city. In this way, we hope that the work at our site can contribute to our emerging understanding of Late Roman urbanism elsewhere on Cyprus.  


The lecture will occur, I think, on November 28th and delivered via The Zooms, so I should, hopefully, have a link to share with people closer to the date. I’ll also share the text of my paper once I get around to putting words on the page. 

Three Things Thursday: Data, Books, Teaching

This semester feels very odd to me. Not only did I start the semester a bit more tired than I expected to be, but I also didn’t have a clear set of goals and deadline ahead of me. After I submitted my revised book manuscript at the end of August, my fall semester seemed oddly under scheduled. It’s taken me a while to recognize that this is probably a good thing and more of a feature than a bug at this point in my career. 

This sense of being under-committed this fall has given me the space to work on a number of other projects in a less frantic way than I have in the past and today’s Three Things Thursday is about that.

Thing the First

Earlier this week, I posted about my work with the Isthmia data and my effort to corral and clean up various datasets produced by the Isthmia excavations over the past 50 odd years. My primary goal has been to work on Roman and Post-Roman material from the excavation and to focus particularly on Byzantine and Roman pottery. Earlier in the week I finished recoding the inventoried Roman and the Byzantine pottery so that it can be integrated with the stratigraphic data and context material from the site.

Then I moved on the the lamps from the site, figuring that most of the lamps found in the Ohio State and Michigan State excavations at Isthmia were Roman and later. Fortunately, Birgitta Wohl has just published a volume analyzing the lamps from these excavations, but her substantial catalogue identifies the lamps according to the inventory number and the area where they were found, but not their stratigraphic context or even trench. This is annoying, but perhaps not too unusual. 

More vexing is that I don’t have a table that includes all the lamps in Wohl’s catalogue. Instead, I have a partial table that I excavated from an Access database whose creator and purpose is unknown and I’ve spent about four or five hours now transforming Birgitta’s catalogue into data. This, of course, is both absurd and a completely normal part of archaeology as early-20th century practices and late-20th century digital tools continue to find opportunities for incompatibility. 

Thing the Second

This summer, I spent a good bit of time fretting about the number of projects I had wending their way through The Digital Press at the University of North Dakota. In particular, I was worried about a collaboration that I had hatched with our sister project, North Dakota Quarterly. This project involved the publication of a translation of Jurij Koch’s novella, The Cherry Tree, which would be the second book in our emerging NDQ supplement series.

Cherry Tree Cover FINAL

Our current plan is to release this title on October 11th. In fact, we don’t even have a landin page for the book yet, but the translator convinced us to accelerate the timeline so he could take some copies with him to Croatia next week. Because my fall is under scheduled, we were able to make this happen and while the book has not officially dropped yet, you can, if you know where to look, find a copy from a major online retailer

Thing the Third

Finally, I continue to think about whether being under scheduled is a privilege or something that university faculty should aspire to, and this has started to impact how I teach. In some ways, the current “syllabus as contract” driven environment creates an expectation that the schedule on the syllabus represents an accurate summary of student work during a semester. Because faculty (and students) recognize that under representing the quantity of material creates problems with student expectations, we tend to over represent the amount of material (or at least represent the maximum amount of material) that we hope to cover in a semester. This tends to compound a sense among students (and even among faculty) of being over extended or scheduled “to the max.” 

This doesn’t feel very healthy to me.

Isthmia Data

This past summer, I started a small pilot project at the first site where I ever worked: the Panhellenic Sanctuary at Isthmia in the Corinthia. The project brings together some colleagues from my work on Cyprus – including Scott Moore – with some colleagues from the Bakken days – Richard Rothaus and Kostis Kourelis – and my friend David Pettegew, who is an old Corinthia hand. 

Our main interest for this pilot project is some kind of publication of the Slavic pottery from Isthmia. This is material that my advisor Tim Gregory has been studying before his health had started to decline and a class of pottery of significance to folks looking to understand the 7th and 8th century in Greece. As readers of this blog know, the “long late antiquity” is a particular interest of mine both on Cyprus and in the northeastern Peloponnesus. Gregory published a preliminary study of the assemblage of Slavic pottery from Isthmia many years ago and more recently, John Hayes and Kathleen Slane has published Slavic pottery associated with some parts of the sanctuary at Isthmia in a new Isthmia volume. Our work on the Slavic pottery from the rest of the sanctuary aims to both complement and expand this existing work.

First thing, however, is always first and right after the pottery comes the data. Isthmia is a project that has material dating to 1950s excavations and they have long worked to make this data available in digital form. The ARCS project at Michigan State now provides a fairly complete digital collection of digital artifacts associated with Isthmia and this includes inventory cards for inventoried finds and scanned notebooks. Over a few seasons, the most recent being 2022, we also worked to excavate various datasets located at Isthmia and to produce various reports that sought to describe and understand these datasets and how they served to describe the material at Isthmia. This fall, I started to work on recoding, when necessary, and connecting these datasets in ways that will allow us to place various classes of pottery in their archaeological context.

The main challenge here is extracting context data from the inventory cards which will allow us to connect various inventoried artifacts to particular archaeological contexts (ideally, but not always, stratigraphic contexts). This will also allow us to connect the inventoried pottery to the “context pottery” from Isthmia which the ceramicist generally assigned to a particular stratigraphic or, at very least, excavated context. This, in turn, will allow us to produce more robust and comprehensive assemblages of material.

Historically, research at Isthmia proceeded from the notebooks where inventoried finds appeared in relation to particular archaeological contexts. A reader of a notebook could see the inventoried coins, pottery, lamps, architectural material and so on associated with a level and cross reference these with inventory cards organized by year and inventory number. This approach made it unnecessary to record inventoried material on the basis of “lot,” “basket,” or “box” (which are just Isthmia terms for stratigraphic or excavation context) because it was assumed that someone starting with the notebook would know the context for the object.

Being a survey archaeologist and in artifact level analysis, this approach to understanding the Isthmia ceramic assemblage was insufficient. In other words, I needed to recode the inventoried pottery so that I could more easily link it to context pottery and build assemblages from the artifact up (rather from the notebook down, if that metaphor makes sense). To be clear, this doesn’t mean that we will ignore the information contained the notebooks, but it allows us to work both from the artifact side to the notebooks and from the notebooks to the artifact side with greater ease.

First, it’ll allow us to identify similar classes of material across the entire site and then work back to their respective contexts. Ideally, we can then query the notebooks to determine the character of the contexts where the artifacts appears. This would allow us to determine, for example, whether the material came from use, sealed, or secondary contexts. These context could, in turn, be situated in stratigraphic relationships to other levels and situations across the site.   

It will also allow us to locate inventoried artifacts in particular trenches (and even potentially levels) on the GIS maps that Jon Frey, Isthmia Director, is preparing.

This kind of fussy data work will also allow us to develop an assemblage that we can, in turn, compare to assemblages from Corinth and, more importantly, from the Eastern Korinthia Archaeological Survey (EKAS) as well as other published assemblages of material from the northeastern Peloponnesus.

Finally, it moves us a step closer to being able to publish the Isthmia material and notebooks online in a more formal and stable way, which will allow more scholars to access and interpret this important site and its artifacts, architecture, and history.

Digital Archaeology in Review

Over the weekend, I got a chance to read Colleen Morgan’s thoughtful review of digital archaeology published in the Annual Review of Archaeology this past month. The piece surveys recent trends in digital archaeology and, more important, urges the discipline forward toward a more reflective, ethical, and meaningful directions.

Unlike many approaches to digital practice in archaeology that trace the emergence and advantages associated with particular technologies, Morgan’s article steps back and focuses on how technology and practices produce new forms of knowledge (and new ethical problems and perspectives) for archaeologists to consider. To do this she focuses on four areas: (1) craft and embodiment, (2) materiality, (3) the uncanny, and (4) ethics, politics and accessibility, which she develops sequentially across the article.

The first two areas were pretty relevant to how I think. Her review of recent work that considered craft and embodiment, for example, makes clear how the changing skill sets associated with archaeological practice create new forms of archaeological knowledge. While my work, especially as associated with slow archaeology, has tended to view certain forms of technological change which shape our bodies in new ways and produced new forms of knowledge. On the one hand, this asks us to consider matters of commensurability between knowledge produced today and knowledge produced using older techniques and technologies. Morgan pushes this further to ask how contemporary digital approaches complicate our ability to empathize with people in the past and the present. The former are almost always the object of archaeological inquiry and the latter should be a concern of anyone working in archaeology especially as labor conditions in both academic and commercial archaeology have become a growing concern for the discipline.

I also very much appreciated her consideration of the materiality of digital practice. Not only does this force us as archaeologists to reflect upon the increasingly disposable character of the technologies that we use, but also the human costs of the networks of production and discard that make this technology possible. Here Morgan’s work intersects with both media archaeology and archaeology of the contemporary world. Her call for us to reflect on climate impact of digital archaeology is important. This not only involves the literal climate but also the social conditions necessary to produce the technologies (in their material and immaterial forms) that digital practices require.

The penultimate consideration of the article is perhaps the most provocative. Morgan considers the capacity of digital practices for creating uncanny encounters with the past. These uncanny encounters – manifest in their most simple forms as certain kinds of immersive digital environments and in more complicated ways as “deep fakes” – have the capacity to evoke emotional responses that range from the unsettling to the playful. How digital archaeology develops this heightened capacity for the uncanny will almost certainly exert a powerful influence over the future of the discipline.

Finally, Morgan explores the ethical and political landscape of digital practices. This is a complex matter, of course, that will invariably continue to exert a massively formative influence over discussions of digital archaeology for years to come. The gender make up of the field, our obligations to communities who don’t have access to the same technologies and skills, and the fate of digital data in both archives and online reflect the emergence of a new series of significant political commitments in the field. The capacity for digital archaeology to create “interventions” that allow indigenous communities to communicate their heritage and traditions expands on the potential for digital archaeology to produce politically meaningful knowledge. 

This article is short, but its utility and significance should be long. There is a tendency to see the landscape of digital archaeology to be a changing one and contributions to the field as ephemeral as the next technological leap. While the references in this article will not stand the test of time, I do suspect that Morgan’s framing of the debate will influence future discussions of digital practice for some time to come.

Polis Work

A bit of a hiccup the first day in the Polis storerooms gave us a chance to do some data work yesterday. This season will be split between doing work on physical material from the area of E.F1 on the Polis grid and preparing the data for publication. For readers new to the blog, Polis is a village in western Cyprus that gives its name to the site of ancient Marion and Arsinoe. We’re studying the Roman and Late Roman periods at the site with particular attention to the area called E.F1 in the grid of the original Princeton excavators.

Yesterday, I wrangled data. Among the priorities this summer is connecting pages from the scanned notebooks to data associated with inventoried finds and our larger collection of identified context pottery. Making databases talk to scanned notebook pages is a bit of a challenge because a scanned notebook page from the Princeton Cyprus Expedition are not only data rich, but also unstructured.

The scanned notebook page below is a good example:


The recto includes four descriptions of excavation units defined by level and pass. While levels or passes do not correspond neatly to archaeological stratigraphy, they are the basic units of archaeological documentation at Polis. They represent the basic context for all finds from the site and so it is important that anyone studying material from Polis have access to the basic descriptions of levels and passes.

The verso provides the spatial information not only for the levels described on the recto but also for other levels and passes described elsewhere in the notebook. This includes features uncovered during excavations and described to varying degrees on the recto. More importantly, since excavators only occasionally and inconsistently recognize and describe the stratigraphic relationships between levels (and passes), the plans become one of the main ways to understand whether one layer is “above” or “under” or even occasionally “cut into” another layer. The plans become the key source for developing informal “Harris Matrices” (or as well call them Franco Harris Matrices in honor of their sometimes miraculous relationships between various contexts).


These matrices, in turn, demonstrate how messy and at times uncertain the combination of the excavation methods and the distinctive stratigraphy make the site. This makes it even more important to create a way for researchers to “drill down” from any interpretation into the “data” itself and to assess as transparently as possible the interpretative leaps taken to make particular conclusions.

The challenge to this, of course, determining just how much scaffolding a user needs to follow ones interpretations back to the sources. Over the next week, I’m going to experiment a bit with how much it is realistic, but also necessary to provide to allow someone using the archaeological data a useful window into our analysis.

Polis Projects

This summer, I’ll be once again in the field meaning that my regularly scheduled blogging might become a bit more intermittent. I’m not doing field work, but it’s a study season which will focus primarily on the site of Polis on Cyprus (with a brief side trip to Isthmia in Greece). 

As readers of this blog know, Polis is the modern name for the city of Marion/Arsinoe on Cyprus. Excavations in the city have produced evidence for almost every period from the Bronze Age to the Present and I work with a team of scholars tasked with publishing the Hellenistic to Medieval periods at the site. Our work thus far has focused on two areas. The neighborhood of the South Basilica and the area called EF1 and this summer we’re going to wrap up our work at EF1 in anticipation of submitting a volume dedicated to this site and the history of the archaeology at Polis sometime next year.

To get this done, we have to finish the analysis of the stratigraphy, the ceramics, and the architecture of the site which we started in 2019. This should only take us a few days.

We also need to prepare brief descriptions of each stratigraphic unit which also shows their relationship to other strata at the site and finds. This will become part of both the traditional EF1 publication as well as the digital backbone for EF1 on Open Context. The hope is that this can also become model for documenting more thoroughly the stratigraphic of the South Basilica area which is not only a more complex (and is the  history of excavation of excavation there) as well as more spatially extensive. 

This work will also involve linking the stratigraphic descriptions to the inventoried finds, the analyzed, non-inventoried pottery (also known as “the sherds” or “context pottery”), and the scanned notebook pages. Thus each stratigraphic description will also have a series of “one to many” links that will allow future archaeologists to query and critique our analysis.

While we’re working on this, I have to finish a couple of other Cyprus-related outstanding projects:  

First, I need to finish revising a paper that I submitted in the fall on Cyprus in the Long Late Antiquity. The editors of the volume (which you can check out here) made some good suggestions for revisions.

Second, I need to grab a few photographs of baptisteries on Cyprus for a long lingering project on Greek and Cypriot baptisteries being patiently shepherded through the publication process by Robin Jensen and her team. This means trips to Kourion and Ay. Georgios-Peyas over the next month (and invariably food at fish taverns with good views of the sea!).

Finally, I want to read and comment on Catherine Keane’s very recent Munich dissertation on Early Christian ecclesiastical complexes in Cyprus.

It’s going to be pretty great getting back into doing archaeology on site this summer (rather than at a 6000 mile remove). Stay tuned for some updates and “Foto Friday”! 

Three Things Thursday: Plagiarism, Laptops, and the End of Antiquity

I submitted grades, my summer plans are coming into focus, and I’m almost ready to decamp for the Mediterranean for the first time in two years. I feel like everything is going on at once, and this is more or less a good thing and it feels like a solid backdrop for a Three Things Thursday.

Thing the First

Earlier this week, there was a moderately interesting long Twitter thread in response to an incident of plagiarism in academia. The situation was discovered at the peer review stage and other than a bit of outrage, the harm seems to have been minimal. That said, whenever someone talks about plagiarism in academia, they tend to complain about the crime rather than the underlying system that makes plagiarism both unethical and problematic. To be clear, I’m not condoning plagiarism and I realize that I’m writing from a position of privilege. At the same time, I wonder whether our tendency to become outraged at incidents of plagiarism serves to reinforce a system that is fundamentally toxic. Stoking outrage at incidents of plagiarism in academia reinforces as system that seeks to commodify knowledge and connect the public good that might come from new ideas, processes, and products to private gain.

Of course, we all like it when a colleague recognizes our contribution to our field and citation, in its simplest form, represents a kind of acknowledgement. Unfortunately, over the past seventy years, institutions and the market has weaponized this gesture of collegiality and turned it into a way of measuring and even quantifying impact, reach, and significance. As is so often the case, publishers and institutions have found ways to leverage our desire for collegiality and recognition to support a system designed to generate profits and prestige. The rise of i10 scores, h-indices, and journal rankings that leverage citations to track impact and influence is yet another effort to sort and rank academic labor and to find new ways to profit from both the media through which scholars gain influence and the tools that measure such influence and reach. Plagiarism in this context is as much an economic crime as a breach of scholarly decorum.

By sounding off about plagiarism, then, we both reinforce an age old system of academic recognition, which is not necessarily a bad thing, but also bolster system that allows individuals and institutions to profit from the working of scholarly networks. To my mind, over the last 30 years, the tail has come increasingly to wag the dog with the desire for measurable accomplishments increasingly shaping the landscape of academic work. At the same time, academics celebrate the call to be “against cop shit” in our classrooms and finding ways to subvert the status quo. We also have brought critical attention to the way that the COVID pandemic has exacerbated existing inequalities in the world. Maybe it’s this recent willingness to consider burning it all down that has made social media outrage over plagiarism ring a bit hollow or at least leave a bad taste in my mouth.

Thing the Second

You might not be able to tell, but I’m writing this post on a Dell laptop rather than my trusty MacBook Pro. For better or for worse, I’ve been an Apple guy for the last 15 or so years and have appreciated the tidy integration between my phone (and especially its camera) and my laptops. Each summer, though, I switch over the my PC which I need to run Microsoft Access and ESRI’s ArcGIS which don’t have native Mac implementation. Usually, I bring along a MacBook Air when I go to the Mediterranean and use it for writing and blogging and to access my Apple ecosystem more easily and natively. My MacBook Air is pretty long in the tooth these days and while it can do what I would like it to do, it’s battery is no longer what it was, its pre-Retina screen is pretty underwhelming, and it’s tiny hard drive makes it more like an early-21st century netbook than a modern laptop. I just wonder whether this year is the year that taking my PC and using it for my writing.

This is a bit nerve wracking because I can’t help but feel that abandoning my Mac will make some part of my work more difficult, even if I’m not entirely sure what part of my work it will negatively impact. I suspect this reflects the success of the Apple ecosystem in making us feel dependent (or at very least comfortable) in their world. What is the most remarkable thing to me is how it descends to the gestural level. My years of working on Macs has shaped how I interact with the keyboard, touchpad, and applications and these habits are profoundly hard to break!

Thing the Third

Yesterday, I posted my annual “Summer Reading List” post and a number of friends reached out and said, in various ways, “whoa! so little ancient history!” This was mostly an oversight. I have considered reading Jack Davis’s new book: A Greek State in Formation: The Origins of Civilization in Mycenaean Pylos (2022) which is available Open Access from the University of California Press. I also want to read Alex Knodell’s newish book: Societies in Transition in Early Greece: An Archaeological History (2021). If I had all the time and energy in the world (and just a modicum of discipline), I would certainly read Nathan Arrington’s latest: Athens at the Margins: Pottery and People in the Early Mediterranean World (2021) from Princeton.

California has also continued its long tradition of publishing novel and significant works in the study of Late Antiquity and Early Christianity. Since it’s open access, I’d be keen to check out Mary Farag’s What Makes a Church Sacred: Legal and Ritual Perspectives from Late Antiquity (2021).

I also have a copy of Michele Salzman’s The Falls of Rome: Crises, Resilience, and Resurgence in Late Antiquity (2021) from Cambridge which is not open access, but would help me think about my class for next spring on Late Antiquity.

A Memorial for a Digital Friend: Diana Gilliland Wright

Yesterday, I learned that Diana Gilliland Wright had died earlier this month. I didn’t know her very well and, in fact, I can’t exactly remember if I had ever met her. I knew her mostly via email, comments on my blog, and her own voluminous blogging output.

Over the last decade, as my research interest shifted toward the Argolid, she and I corresponded a bit more regularly as she offered us the occasional insight based on her years of work on the city of Nafplion and its environs. From what I can gather she wrote her dissertation on a 15th century Venetian administrator at Nafplion, Bartolomeo Minio. I’m embarrassed to say that I’ve never read it. Nor have I read any of her formal scholarship. What I did read, quite regularly, were her blogs.

Year ago, when blogging was still fresh and exciting and filled bloggers with hope, we envisioned a world where bloggers read each others’ work and reached out to one another and commented and shared each others’ work through hyperlinks and blogrolls and ultimately forged relationships across networks of blogs. Diana Wright did all that and was a regularly commenter on my blog from its earliest days (on Typepad!). And even as the promise of blogs as a corresponding medium faded a bit, she continued to reach out via email to offer comments and ask for publications. I remember sending her a few copies of North Dakota Quarterly at some point as well and hoping that she found the poetry and fiction in those pages interesting.

From what I can piece together she ran two blogs. The blog that I knew best was called “Surprised by Time” and it largely focused on the Medieval Morea (or Peloponnesus). Her interests were wide ranging and did much to make transparent murky waters separating the Medieval and Early Modern worlds. The scions of Byzantine elite families rubbed shoulders with Venetian administrators, on assignment, Ottoman officials, and Mediterranean diplomats, literati, and ne’er-do-wells. Palaiologoi cross paths with Italian merchants and Ottoman travelers, Pashas, and poets. Each of the over 200 entries, offered a startling glimpse into a world often overlooked by scholars preoccupied by tidier narratives of rise and decline of empire and neglectful of the messier interface of daily life among those most effected by political and cultural change. To Dr. Wright’s particular credit, the blog exists under a CC-By-SA license meaning that anyone can share her work as long as they credit her and make their work available under an open license. The blog appears to be fairly well archived by the internet archive, but I would be keen to entertain ways to preserve it more formally. 

For many years, she also maintained a landing page of sorts called “” where she offered an index of her work and the work of her partner Pierre MacKay which featured regularly on her blog. It also featured links to many scans of hard to find primary sources some of which were translated on Surprised by Time. This site is no longer working and hadn’t been updated in many years, but it is preserved on the Internet Archive.

[By coincidence, I’m teaching Evliya Çelebi this week and using Pierre MacKay’s translation of Evliya’s visit to Corinth in my class. Diana Wright posted bits and pieces of Pierre’s translation and the story of his discovery of Evliya’s manuscript on her blog.]

Her other blog, Firesteel is an anthology of poetry gleaned from ancient and modern sources and from Greek, Ottoman, Arab, Italian, French and English language poets. I don’t know whether the poetry posted here and her more academic content crossed paths in some kind of formal way, but it really is an amazing collection of work (which I suspect violates all sort of copyrights, but I get the sense that Diana Wright just didn’t really care). 


As a small, digital memorial to Diana Gilliland Wright’s passing, I would encourage you spend a moment looking at her online legacy and recognizing it as a gesture of a kind of digital kinship that could connect individuals who had never met. For whatever reason, her profile included a link to John Coltrane’s 1957 recording of “While My Lady Sleeps.” It feels like an appropriate soundtrack for a visit to her digital world. 

. . . a little wine for remembrance . . . a little water for the dust.