Teaching Thursday: Practicum Priorities

Once again, this semester I’m lucky enough to be allowed to teach a practicum in editing and publishing for my friends in the English Department. Since I’m not faculty in that department (and haven’t had an English class since high school, as this blog undoubtedly attests), it’s always a privilege to be able to teach there. 

This privilege comes at a bit of a cost, though, in that I need to plan something for the class, and this means establishing some priorities for students who will work on North Dakota Quarterly as well as some projects associated with The Digital Press at the University of North Dakota

This semester we have a range of projects and priorities that might appeal to the students who want to get some experience in both the editing and publishing aspects of “the industry.” Here’s what I proposed last semester. I think my priorities this semester are a bit more clear and well developed.

Some priorities are more pressing than others. 

1. NDQ 90.1/2. On March 1, NDQ 90.1/2 is due to our publisher. This means that we need to send essays, reviews, and poems to the copy editor. Collect the accepted fiction from the fiction editor. Identify cover art. And most importantly, put the issue in order. This latter step is as much of an art as a science and involves understanding which works we must publish in 90.1/2 (and which works can wait until 90.3/4) and how various works fit together to provide a well-considered experience for the reader.

2. NDQat90. This spring we also plan to start our celebrations of the 90th volume of NDQ. Last semester the practicum in editing and publishing prepared a manuscript for an innovative window into the Quarterly archive. This class produced reflections on a collection of 90 works from the last 90 issues of NDQ. This winter and spring our goal is to turn this into a digital and paper book that invites readers to return to the archive through a fresh set of eyes.

There are a couple of mid-range projects that need consistent attention.

3. The Blog. As part of our effort to increase readers, subscribers, and contributors to NDQ, we post weekly to the NDQ Blog. Usually after we publish an issue, we feature content from that issue on the blog. Now, for example, we’re featuring content from 89.3/4. This means that we need to identify content that might attract readers to the issue and reflects the kind of content that we want to encourage in NDQ submissions. This isn’t a lot of work, but is constant work. 

4. Prairie Voices. I had a crazy idea a few weeks ago to re-publish some early-20th century prairie poetry. I was motivated in part by reading Molly Rozum’s Grasslands Grown: Creating Place on the U.S. Northern Plains and Canadian Prairie (Nebraska 2021) and reading a bit of Clell Gannon’s poetry and, in particular, his Songs of the Bunch Grass Acres (1924) which entered the public domain this year. Maybe the students would be interested in republishing this book with some expanded content (say a biographic introduction and some critical commentary from someone versed in prairie poetry)?

5. Building Campus. This spring The Digital Press at the University of North Dakota will publish a book marking the renovation of Merrifield Hall. The book is almost complete, but will require a bit of copy editing, production, and marketing work. It would be fantastic to get the students involved in this book’s “end game,” in part because it emerged from another class that I taught for the English Department in the spring of 2022.

There are some longer-range projects that also would benefit from attention.

6. Tartar Utopia. Some time this semester, I should receive a manuscript that is the translation of Ismail Gaspıralı’s Darürrahat Müslümanlanı (Muslims of the Peaceful Country) by Ciğdem Pala Mull. It will include essays by a number of scholars exploring the potential of this text to invite new ways of utopian thinking some 100 years after its publication. You can read excerpts of it that appeared in NDQ 84.1/2 here. The plan is to desk review this book and then circulate it for peer review this spring.

7. The Archive. Last semester, we completed digitizing the back issues of NDQ and have made all but the last 5 years available in our archive. The issues live at both the HathiTrust and (gulp) WordPress. We certainly need to migrate all this content to our institutional repository. The downside of this is that our institutional repository does not allow us to link to a specific page within the PDF and because of various permission issues, we can’t separate out specific articles from their respective issues. We can do this with PDFs served via WordPress and HathiTrust. That said, we can at least separate out the issues from the scanned volumes in HathiTrust and upload those volumes to the NDQ pages in our institutional repository

This feels like a hectic semester for the practicum class and it is unlikely that all these things get completed, but it will give the students a sense for all the moving parts that involve editing and publishing even at a relatively small scale!

NDQ Year in Review

I would guess that most readers of this blog know that I’ve long ago abandoned any pretense of focusing on the archaeology of the Mediterranean world either professionally or in this space. In fact, most people would probably accept that I was rather hopeless as an Mediterranean archaeologists anyway!

In any event, I spend a good bit of time working with NDQ and with the help of my editors and editorial board producing two, double issues per year. To celebrate this other side of my professional life, here’s a review of the last year at NDQ. I know it’s not archaeology, but I hope you find something here that you can enjoy! 


As 2022 comes to an end, subscribers should be receiving issue 89.3/4 of North Dakota Quarterly even as we speak (weather permitting of course!). Wrapping up the year and another issue is a nice opportunity to take a look back before starting to pull together the first issue of volume 90.

This year was an exciting year for NDQ! Not only did we produce a pair of double issues packed with poetry, essays, fiction, and reviews, but we also published our first novel in almost 40 years!

If you’re looking for something to read in the New Year or a last minute holiday gift, do consider getting a copy of Jurij Koch’s The Cherry Tree. Translated by John Cox. It’s available as a free download or in paperback! Or, if you’re looking for a gift that keeps on giving, consider getting a subscription to the Quarterly!

If you’re looking for something to read in the meantime, here are some of the more popular posts to the NDQ blog from the past year:

NDQ publishes a lot of poetry and we tend to think this is a good thing (although we have such a backlog now, we’re pressing pause on poetry submissions this spring and will resume them in the fall!). Over the past twelve months, we’ve been very happy to see that some of our poetry really resonates with you as readers. Check out some of our most popular poetry posts: A Haiku by Uchimura Kaho offers a gentle meditation, Robert Fillman reminds us of winter’s past, and, for those of us struggling to weather the wintertime, there’s always the promise of summer: On Believing and the Poetry of John Poff.

We’ve also really enjoyed making some fantastic essays available to our readers. I loved Sarah Beck’s “Ymir’s Blood,” which was one of the most read essays on our blog this past year. We were also thrilled to see the popularity of Serrana Laure’s “Teach a Girl to Make a Fire.” Finally, we were thrilled to see the publication of Taylor Brorby’s Boys and Oil: Growing Up Gay in a Fractured Land (Liveright 2022) and to celebrate this accomplishment, we published his compelling essay, “The Fracking of My Body” which originally appeared in NDQ 87.3/4

Of course, we haven’t neglected fiction! In addition to the publication of Jurij Koch’s novel, we also posted Tallia Deitsch’s haunting story “The Famous Patient” which offers a Gothic reflection on long-standing questions of identity and care.

You can also find more fiction in our special digital “pull out” on Literature in Translation. Check out “The Summer My Mother Had Green Eyes” by Tatiana Ţîbuleac and download the entire thing here.

Finally, NDQ would not be possible without the constant support and encouragement from the editorial board who juggle responsibilities with NDQ with their own teaching and writing. Hats off to our tireless poetry editor, Paul Worley, our non-fiction editor Shelia Liming (whose latest book Hanging Out: The Radical Power of Killing Time, is out next month!), our fiction editor, Gilad Elbom (whose latest book Textual Rivalries: Jesus, Midrash, and Kabbalah, appeared last year!), and our review editor, Sharon Carson, who not only offers a steady reservoir of advice and institutional knowledge about the Quarterly, but also contributes to the blog whenever she can. Our art editor Ryan Stander has made sure that we have enticing covers and engaging photo essays. No list of editors would be complete without mention of our contributing editor Gayatri Devi, who regularly produces some of the most popular contributions to NDQ both online and in print! Our copy editor, Andrea Herbst, has worked with NDQ for close to a decade and ensures that we produce as clean and error free text as possible. 

If this isn’t quite enough to keep you busy, remember that we expanded our archive this fall and you can now read every issue of NDQ from its first days in 1910 to 2017 for free on our website!

Happy Holidays and All the Best in the New Year!

New Book Day: Jurij Koch’s The Cherry Tree (Translated by John K. Cox)

I’m very excited to announce the rare product of a crossing of the streams! North Dakota Quarterly and The Digital Press at the University of North Dakota have collaborated once again to publish the second volume in the NDQ supplement series: the first English translation of Jurij Koch’s novella The Cherry TreeYou can download the book here for free!

Advertisement: If you like it, consider buying a paperback copy of it. The proceeds from all sales go back into our efforts to publish interesting fiction, poetry, and essays both in North Dakota Quarterly and occasionally as stand alone books.

The Cherry Tree introduces the reader to a modern world that is only a thin veil covering a more magical past. In  Koch’s novella, Sieghart, an engineer, meets a beautiful woman and her mysterious family when he finds himself stranded in the countryside on a rainy night. This chance encounter draws Sieghart into an enchanted world laced with love, magic, and memory.

Cherry Tree Cover FINAL Single2

Jurij Koch is the most accomplished living Sorbian writer, and this short novel is the first major work of Sorbian literature to appear in English. The novel was originally published in East Germany in 1984. John K. Cox, Professor of History at NDSU translated the novel from German. He explains “This book is witness to the diversity and shared life of different ethnic groups in modern Germany and one of Germany’s best-kept secrets.”

Cox observes: “Koch’s light touch allows him to combine the environmental and the ethnographic, spirituality and modernization, and politics and pantheism, at the intersection of the Slavic and German worlds. The novella explores gendered approaches to the exploitation of coal and hydroelectric resources that endangered many Sorbian villages during the period of communism in East Germany.”

Koch’s style and story resists reducing complex situations into simple solutions and shows how the past, the present, the future are never fully distinct. The author reminds us: “Not everything in this world can be figured out.”

This novella is second volume in NDQ‘s modestly named “supplement” series. The first volume was Paul Worley’s translation of the experimental poetry workshop SnichimalVayuchil or Flowery Dream in bats’i k’op, or Tsotsil Maya which is available here.

The Cherry Tree is the first novel to be published by NDQ since Tom McGrath’s This Coffin Has No Handles which appeared in 1984, which is now also available as a free download.

NDQ has long straddled the line between academic and popular works. Cox’s translation of Koch’s The Cherry Tree is a great example of the kind of fertile ground that exists at this intersection. The novella is a serious work of literature deserving of critical appreciation, but also the kind of work that is accessible to a wider audience.

Like all publications from The Digital Press, the translation is available as a free, no strings attached, download. If you like it, though, we’d love for you to buy copy to support the continued effort of NDQ and The Digital Press to make more good books available in the future.

NDQuesday: Organizing the Issue

This weekend, I got to do one of my favorite parts of my job: setting up the final order of an issue of NDQ. This involves some annoying work of getting author agreements signed, making sure authors have submitted their bios and mailing addresses, and checking once again the final copies of their contributions for anything that will cause our publishing partners to stumble. 

Once that’s done, though, I review everything in the issue one last time and try to figure out how to set out the volume. This may seem like a little thing, but I’ve convinced myself that it’s not. In fact, the more I’ve worked on the Quarterly, the more I’ve become convinced that 70-80 contributions in each issue in a thoughtful and deliberate was is part of the “value add” that a editor brings to a project like this (of course, it may be as an editor, I’m thinking about how to justify my own work in the process). 

There are a few things that I try to keep in mind. First, I want to make sure that we avoid any problematic juxtapositions. For example, I would hate for an irreverent poem to follow a serene reflection on nature or for a heartfelt expression of grief to stand next to a bawdy and riotous short story. While it is not alway able to match the tones of works perfectly, I try to avoid any inappropriate or difficult shifts across the journal’s pages.

Second, I think that part of what encourages a reader to engage with an issue and that means engaged with the authors represented in an issue is for the work to be arranged in way that entices a reader to keep reading. This often means finding way to tempt the reader to read just a bit deeper into an issue by tracing little themes that emerge over the course of the contributions. It also means juxtaposing shorter and longer contributions, balancing the interplay between genres (in our case, poems, stories, essays, and reviews) and inducing the reader to just stay a bit longer in our pages. Along these lines, I try to make sure that I post some of the last material to appear in an issue on our website first, to make sure that readers find it. When issues are as packed as some of the issues of NDQ, it is easy for material to get lost particularly toward the end.

Finally, I’ve started to think a bit more about highlighting certain kinds of work in our pages. For example, this fall’s issue will feature poetry by Dan Quisenberry which I’ll highlight as a special feature with its own short introduction. In the spring issue, we’ll include a special feature on translated works and translation ideally with its own introduction. I have this idea of making the translation section a free digital “pull out” (no not literally) to showcase some of the work in the issue.

For those of you interested in this other side of my professional identity, I would encourage you to check out the NDQ website and especially our weekly blog where I often post highlights from past and present issues. If you enjoy what you’ve read, do consider subscribing!

Two For Tuesday: North Dakota Quarterly and The Digital Press

Some weeks are a bit more hectic than others. And this is one of those more hectic weeks. So, for today, there are just two little things: one from North Dakota Quarterly and one from The Digital Press.

Like many people, as the semester starts, I begin to flail about trying to wrap up odds and ends from the summer. Fortunately, many of these remaining projects are too large to even think about starting, but a few of the small projects are perfect for sliding into otherwise hectic days.

North Dakota Quarterly 

In 2023, NDQ will publish its 90th volume. This milestone is made all more significant to me personally because it’ll be my fifth volume as editor and a bit of a survival story for the journal which was near the brink around volume 84 and volume 85

It also gives us an excuse to look back at the long history of NDQ and its changes over time. As part of that opportunity for retrospection, I’ve added links to almost all the content from a North Dakota Quarterly Reader prepared by Elizabeth Hampsten and Stephen Dilks in the mid-1990s and circulated as a bound photocopy. It would be going too far to say that this is some kind of definitive anthology of NDQ content, but it does highlight some of the better pieces that have appeared in the Quarterly over its 100+ years of existence. You can check it out here.

As part of the festivities surrounding the 90th volume, I think it would be fun to prepare a new version of a NDQ reader that draws more expansively from our back catalogue of volumes. I’ve pitched the idea that each member of our editorial board take a block of ten volumes and nominates, say, five contributions for the new NDQ reader and writes a bit of an explanatory note. So far enthusiasm for this idea has been a bit muted, but it’s also the start of the semester and there is a lot going on in the world. I’ll keep poking the fire and see if this catches…

The Digital Press

I’m working with my crack marketing team to do some updates to The Digital Press webpage. This is both in anticipation of a busy late fall and spring and because The Digital Press continues to evolve in good and positive ways.

The most recent addition is that I’ve now added DOIs to the catalogue and the individual book’s landing pages. These DOIs resolve to UND’s digital archive which serves as a key backdrop for The Digital Press by providing an institutional repository to ensure that the digital versions of all our books remain accessible in the future. 

Stay tuned for some updates from The Digital Press in the coming months and ongoing work to update our website!

Three Things Thursday: Blogging, Archaeology and Climate, and Poetry

I’ve reached the point of the summer when all my projects seem to melt together into chaotic ball of deadlines, half-met expectations, and long bikes rides. Needless to say, it has not been very productive.

At the same time, I am having fun thinking about things to blog about and then stretching my morning blogging time well into my second cup of coffee. So this morning, I have three things that might, someday, mature into full blog posts.

Thing the First

Years ago (let’s say 2008), I wrote a piece on the archaeology of blogging (and blogging archaeology) for Archaeology magazine’s website. I returned to some of the ideas in that article with a piece co-written by Andrew Reinhard for Internet Archaeology which considered the place of blogs in the academic ecosystem.

Lately, I’ve been thinking about how blogging has changed over the past five years. When I started blogging, I imagined an audience who would be interested in understanding how the [academic] sausage was made. Along those lines, my blog would serve as part idea box, part academic scratch pad, and part preview channel for my various research interests. At my most optimistic, I considered it to be living supplement to my academic CV (with occasional dog photo!) and as a way to move back the veil on how academics produce new knowledge. In any event, it may be that this was an optimistic program from the start, but I continue to think that it has relevance. I suspect that this is even more true for today as the general public has become increasingly invested in understanding how scientific knowledge forms the basis for public policy, authority, and expertise.

That said, I can completely understand how my blog is not to everyone’s taste. Indeed, it seems like public scholarship has two main areas of emphasis. One is works that approach historical problems with a journalistic flair for narrative, description, and analysis. Ed Watt’s recent book on the fall of the Roman Republic fits this category as do works by the likes of Eric Cline or my colleague Eric Burin. These works have the potential to attract the elusive crossover audience that includes both academics and the general public and have emerged as a revenue stream for publishers and scholars alike. This is important at a time when library purchasing power is in decline and faculty salaries have tended to stagnate.

The other major strain in public scholarship, and one that has particular prominence in the blogging community, is politically engaged outreach. This involves writing — often for blogs, but also in more established publications — on both academic issues that have an impact on contemporary society and in efforts to demonstrate how the contemporary political discourse has had an impact on what we do as researchers. I find the work of folks like Sarah Bond, Rebecca Futo-Kennedy, and the folks who blog at places like Everyday Orientalism (and previously Eidolon) compelling and important voices. At the same time, I recognize that this kind of public outreach often puts you in the crosshairs of the political outrage machine on social media. On the other hand, their work also attracts significant positive attention from readers within and outside the academy and if the goal of public outreach is actually reaching the public, then these authors have succeeded in spades. 

That said, it is a very different kind of blogging than what I envisioned when I started my blog and one wonders whether the changing political and cultural economy of academia has fundamentally transformed the character of outreach and public oriented scholarship? 

Thing the Second

I really enjoyed this article in the Journal of Field Archaeology by Karim Alizadeh, M. Rouhollah Mohammadi, Sepideh Maziar, and Mohmmad Feizkhah titled: “The Islamic Conquest or Flooding? Sasanian Settlements and Irrigation Systems Collapse in Mughan, Iranian Azerbaijan.” It is another in the recent gaggle of articles interested in considering the role of climate change in the transformation of settlement and activity in the ancient Mediterranean (broadly construed) landscape. Alizadeh and colleagues look at evidence for fortifications and irrigation systems in the Mughan Steppe region of the Azerbaijan-Iranian borderland.

They argue that the Sassanians constructed a complex network of irrigation canals throughout the region that only faltered as a result of two major flooding events in the 7th century. These floods cut down the Aras River bed making disrupting its relationship to the steppe’s irrigation network. These flooding events may well be connected to changes in climate and hydrology precipitated by the Late Antique Little Ice Age. The subsequent abandonment of settlement in the Mughan Steppe in the late 7th century, then, may not be related to the Muslim Conquests and the arrival of Muslim military forces in the world. Or, alternately, the faltering irrigation may have made the regional less resilient in the face of political and military challenges. 

This kind of work has had me thinking more carefully about the settlement change in Greece in the 7th century and the relationship between climate change, changes in economic structures, and the evident reorganization of Greek rural settlement. While the data that we have for the environmental conditions at the local level remains fragmentary and inconclusive, comparisons with other regions of the Mediterranean give us another reason to resist assuming that political and military events precipitated changes in the settlement and economy.   

Thing the Third

Do go and check out the North Dakota Quarterly blog today. I’ve posted a poem by John Walser titled “Chronoscope 181: And that spot.” It’s a great example of how poetry (and music!) can do things with time that we struggle to accomplish in the more linear world of academic prose. Plus, it’s a perfect poem to read heading into midsummer and thinking about how long days can slow down time and make even the chaotic disorganization of summer feel like something significant… 

NDQuesday: A New Issue’s Cover

I don’t remember whether NDQuesday is a thing or not, but it does appear as a category for this blog and, so, it’ll be a thing for at least one more week.

Yesterday, we received page proofs from our publishing partners at the University of Nebraska Press and this included three options for the cover. The cover art is based on a series of prints by our art editor Ryan Stander called “Pursue _______________:” The sentiments on the panels were crowd-sourced and printed using a letterpress.

With a little big of luck, the issue should be out in early May, just in time for summer reading!

Here are the cover design options:

1.NDQ 88 1 2 cover 1

2.NDQ 88 1 2 cover 2

3.NDQ 88 1 2 cover 3

4.NDQ 88 1 2 cover 4

Do you have a preference? Let me know in the comments!


It was wonderful to see the excitement surrounding Amanda Gorman’s remarkable poetry during yesterday’s inauguration. I wonder whether this will spur people to read more poetry – especially contemporary poetry – and support its publication?

Over the last few years, I’ve been reading much more poetry than ever before both for myself and as the editor of North Dakota Quarterly. I’m convinced that poetry speaks in unique ways to our contemporary situation. I has the capacity to be ambiguous, elusive, and shifting while also speaking significant and, at its best, profound truths to the world. It reminds me that being true shouldn’t be a watchword for a kind of desiccated empiricism or descriptive practices that value reportage over judgement, interpretation, and understanding. Despite recent calls to embrace “truth,” poetry makes clear that being true doesn’t mean being tidy or straightforward. Truth is messy and, in most cases, unclear.

Anyway, maybe we’re living in an age where poetry matters.

My colleagues and I post poetry regularly at the NDQ blog. You can check it out here.

If you like what you read in NDQit would be really great if you subscribed. Poets need venues for poetry to thrive and one way to make sure that the next generation of poets have places to publish, to be read, and to be discovered.

This week, I’ve be reading my way through the latest issue of Rattle, a poetry journal with an impressive circulation, some remarkable poetry, and an enviable track record. Check them out here.

I’m always excited to get a copy of the Beloit Poetry Journal and read through the remarkable collection of poets that it assembles each quarter. NDQ’s stablemate at the University of Nebraska Press is the wonderful Hotel Amerika, which always features provocative and new poetry.

Lately, I’ve been enjoying the poetry of Sun Ra (here’s a nice little essay on what they can be like) and I’m looking forward to getting a copy of Amiri Baraka and Larry Neal collection of Black poets published in 1968: Black Fire: An Anthology of Afro American Writing, which is currently published by a Black owned press, Black Classic Press. You can get a copy here. It’s worth remembering that Alain Locke’s classic anthology of African American literature, The New Negro: An Interpretation, that sought to capture the spirit of the Harlem Renaissance just as Baraka and Neal captured the anger and frustration of Blacks in New York though the Black Arts Movement.

In any event, I’m not trying to convince you to read any particular poetry or to subscribe or purchase any particular journal or collection. At the same time, I AM trying to encourage you to channel your admiration for Amanda Gorman into supporting poets and poetry more broadly. So please, at very least click on one of the links and maybe you’ll find something amazing to read. 

Public Domain Day NDQ Style

This year’s Public Domain Day was pretty exciting. It featured, among other things, F. Scott Fitzgerald’s The Great Gatsby which was published in 1925 and therefore entered the public domain on January 1. Hemingway’s In Our Time, John Dos Passos’s Manhattan Transfer and Edith Wharton’s The Writing of Fiction join a rather distinguished slate of new books. Jennifer Jenkins provides an expansive list here.

This annual injection of new material into the public domain impacts North Dakota Quarterly which produced four issues in 1925 that are now free from any copyright restrictions. This is particularly significant for the Quarterly because we don’t have individual author agreements dating to those years so have only been able to release the material via rather more restrictive “no derivatives” licenses for entire volumes.

In the 1920s, NDQ was edited by E.T. Towne who was dean of the business school at the University of North Dakota. The magazine mostly featured UND faculty contributions, but nevertheless took on issues of both regional and national interests. Most of the articles are non-fiction or reviews, but there was occasional poetry and fiction.

A quick scan of the 1925 issues reveals some interesting contributions.

The January 1925 (15.2) issue featured a survey of American magazines by UND librarian Alfred D. Keator. It is revealing how much the publishing landscape has changed, but also, in some odd ways, remained the same. While we’ve lost most of the high-volume, popular periodicals and lower volume “little magazines” such as NDQ always experienced significant turn over, it would seem that many of the mid-range, quality periodicals have held on over the last century.

The April 1925 (15.3) issue features a group of articles close to my own interest relating to the religious history of the state of North Dakota. Prominent among them is a piece by Edward P. Robertson which offers a retrospect on 20 years of the unique relationship between UND and Wesley College. Robertson was the president of Wesley College and together with Webster Merrifield negotiated the landmark agreement between the two institutions. If you want to learn more about my interest in this arrangement, check out this article that I just submitted. Another article with a disarmingly contemporary feel is the physicist Karl H. Fussler’s piece titled “The Oneness of Nature,” which was delivered as a convocation address at the University of Manitoba. Fussler departs UND several years later for the University of North Carolina. The Wikipedias tells me what his son, Herman H. Fussler, was a pathbreaking librarian primarily at the University of Chicago.

The May 1925 (15.4) issue includes at article by Lauriz Vold titled “The Supreme Court, Congress, and the Constitution” which sounds like it could appear in any number of quality publications these days. E.D. Schonberger’s poem “Fortitude,” written amid the Agricultural Depression of the 1920s, likewise resonates with our current situation. Since it’s in the public domain, I can publish it here without fear of legal action by Schonberger’s heirs or his ghost.

The Quarterly journal  University of North Dakota  v 15 1924 1925  Full View | HathiTrust Digital Library | HathiTrust D 2021 01 05 07 49 57

The final issue of 1925 is 16.1, which appeared in the November of that year. Like the previous years, there are quite a few articles the feel contemporary. For example H.E. French, Dean of the UND Medical School, wrote on “The Number and Distribution of Physicians in North Dakota.” His colleague John Sinclair, who taught anatomy, wrote on “Evolution—Fact or Theory” which must have had some significant currency in the aftermath of Scopes Trial. Finally, the issue included a short travelogue penned by Orin G. Libby who joined the “The Upper Missouri Historical Expedition of 1925” sponsored by the “Great Northern Railroad” (sic) and visited historical landmarks across the state.

North Dakota Quarterly 87.3/4 is out!

Over the last three years, I’ve been editor of the literary journal North Dakota Quarterly. Needless to say this work has nudged me well beyond my conventional comfort zone. I’ve had to try to wrap my head around not only the intricacies of managing an editorial board and expert genre editors but also develop a workflow with our publishing partners at the University of Nebraska Press.

In any event, this weekend I received my copies of issue 87.3/4. This is the last issue of the third volume that I have edited. It brings together over 300 pages of poetry, reviews, fiction, and essays, and I’m pretty happy with it. 

If you want a copy, you can subscribe here or buy a single copy. If you think you might want a copy, but aren’t quite sure check out our last issue which is available for free here or drop me an email and I’m happy enough to send (very quietly) along a digital version  for you to peruse (as long as you promise to at least consider supporting NDQ!)   IMG 5816