Back-to-back weeks with Three Things Thursday! How crazy can it be here at the Archaeology of the Mediterranean World?
With the semester looming and outstanding project piling up, I wanted to write some shorter things over the next few week, but when I sat down to
Thing The First
Here’s a little piece that I wrote for NDQ’s blog that darts and dodges between the past and the present:
Yesterday, I sent the last pieces for issue 87.3/4 out for copy editing ahead to get a bit of a jump on what will likely be a hectic fall semester here in North Dakota Quarterly-land.
To celebrate, I had planned to make a short announcement that we would be observing the great European tradition of taking some time off in August to recharge and enjoy the last of the “frog days” of summer. Instead, I found myself reading back issue of North Dakota Quarterly and writing up a short blog post.
Last fall, we were really happy to publish a piece by Jim Sallis not only because it was a good story, but also because Sallis was a long-time contributor to NDQ from the early 1980s and had returned to the journal’s pages after over a decade away. We posted his story here with links to his other pieces in NDQ.
Issue 87.3/4 will include another such contributor, Priscilla Long. We’ve just accepted her short essay “Holy Shit!” and I can’t wait to share it with our readers in a few months. In the meantime, check out these past contributions by Long to the Quarterly starting in the mid-1980s.
Her works not only touched me personally, but they also are more than just a little prescient. The first piece she published in NDQ 55.1 (1987). It’s listed in the table of contents as a story, but it clearly draws deeply on Long’s childhood on Maryland’s Eastern Shore. It’s called: “Snapshots: The Eastern Shore of Maryland. Having grown up in Delaware, the Eastern Shore has always fascinated me. It was so rural compared to the suburban bustle of northern Delaware and so remote, but it also seemed so close. It was a reminder, maybe, that our past wasn’t really that far away. She alludes again to her childhood on an Eastern Shore farm in a 2002 essay from NDQ 69.1 (2002) titled “Writing as Farming” and, it’s hard to escape Long’s interest in character in her own work as motivating her essay in NDQ 59.3 (1991). Here she critiques Mavis Gallant’s “Overhead in a Balloon” through the lens of Chekhov’s “The Darling.”
In issue 56.1 (1986), she published a poem titled “The Return,” which could serve as an epigram to this post. The opening lines are lovely:
This sleep will wash me back
to where I used to dream
In issue, 57.3 (1989), she published an essay (or maybe a story) called “Solitude” which speaks so obviously to our current condition that I’ll simply link to it. And in the next issue, published a story called “Old Man.”
When an author returns to the Quarterly, it reminds me that people submit multiple pieces to the same journal over time (and with each piece endure the risk of rejection) because they feel a connection. And this makes literary journals more than just little magazines. At their best, journals like NDQ create a sense of community (or maybe even family) among their contributors and readers through a shared past that shapes a common present.
As Long wrote in “The Return”:
So I wait to wake
I hardly feel the coldness
of the deep. This night is not
as long as childhood was
As then, so now,
the earth is dreaming darkness
towards the blazing sun.
Thing The Second
I’ve never been a huge Truman Capote fan, but I can’t deny that he represents one of the most fascinating individuals of the 20th century literary scene and he is a key instigator of our 21st-century interest in true crime stories, podcasts, and television.
Capote appeared at the 1976 UND Writers Conference and read from his then recent work, but the long shadow of In Cold Blood still followed Capote and he inevitable responded to questions concerning its influence and morality.
The great thing is that you can watch Capote’s reading and his response to the audience in this digitized and newly released video from the UND Writers Conference archives.
Check it out here.
And special credit goes to current UND Writers Conference director, Crystal Alberts, who managed to get these videos digitized and, more importantly, did the footwork needed to get permission to release these videos. I can only imagine how much energy and persistence is necessary to get an author’s estate to approve the release of material like this.
Thing The Third
Over the last week, I’ve been working on some design and layout for book scheduled to appear this fall titled Visualizing Votive Practice edited by Derek Counts, Erin Averett, and Kevin Garstki. It is the first book from The Digital Press at the University of North Dakota that emphasizes “The Digital” over the traditional form of publishing and will bring together text and 3D images in a fairly convention PDF package that is nevertheless linked extensively to open data from around the web.
A key component (and partner) of this project is Open Context who integrated the ability to view and manipulate 3D images into their linked open data publishing platform. Linking to individual records in Open Context allowed the authors to have stable and persistent URLs for each artifact that they discuss in the book. Check it out here.
Individuals seeking to reference these artifacts will be able to cite either the rather more conventional catalogue entry in the book or the stable URI provided by Open Context. It will also allow the reader to move from the linear presentation and arguments offered in the book to a more non-linear movement through the data through integrated hyperlinks.
Stay tuned for more on this project over the next few months!