Doin Work

I’ve been pretty disappointed in my productivity since my return from fieldwork in late June.

Part of this is because I’m juggling quite a few little projects these days from working on The Digital Press to wrapping up some longer term writing projects to working on data from Pyla-Koutsopetria and finishing an already-accepted article. 

Part of this is because I’m starting to feel my age and simply do not have the ability to just hammer through projects like I once did. I need to be a bit more precious with my downtime and back off when I feel like pressing through a project is no longer productive.

Part of it may be because I’m in a rut.

As the start of the semester looms, I’m beginning to think about how I can change up my routine to get a bit more productivity back into my days and weeks. I was particularly inspired by Kate Ellenberger’s post “Intentional and Consistent Writing is Hard.” I will be the first to admit that I’ve never been very consistent in my writing, but I’ve tried to be intentional (or at least deliberate) in my daily and weekly work rhythms.

For the last decade, I’ve broken my day into working blocks: (1) blogging, (2) emails, (3) morning writing, <lunch>, (4) afternoon writing, (5) late afternoon reading. Teaching and meetings can swap into any block when necessary. For example, when I teach an afternoon class, it takes the place of (4) afternoon writing and preparing for my night class takes the spot of (5) late afternoon reading. Grading often occupies (3) morning writing. 

The challenge facing me now is that this routine feels pretty stale. I need to think about Kate’s post and figure out some ways to adjust my schedule so that I can find a new groove.

Pallets and Epoiesen

When I get overwhelmed with things to do or get stuck with a project that seems insurmountable, I start to think up new projects. In fact, over sabbatical, I got stuck and ended up writing a 35,000+ word little book. 

I’ve been pretty unproductive since I’ve been home and that’s pushed my mind to drift off to new projects that (like all projects on their first days) have more potential to produce something tangible (rather than the endless editing of an article or introduction that is almost ready for primetime, but can also endure constant tweaking as we search for the elusive edge!). So I decided to spend a few hours this morning working on a draft of an article to submit to Shawn Graham’s brilliant new project Epoiesen: A Journal for Creative Engagement and Archaeology. It has a ton of interesting features including a open comment and review through, open access licensing options, submissions in mark-up, an open and adventurous scope, and a great editorial board.

I have this idea that I want to publish a short (i.e. <5000 word) article in Epoiesen on my stalled “pallet project.” This spring I spent the better part of several NASCAR races coding photographs from my trips to the Bakken oil patch. I literally coded hundreds of pallets. Last summer, I did a research trip to a pallet reconditioning and redistribution center, collected some bibliography on pallets, the whitewood industry, and containerization, and took notes and photographs on the use of pallets in the Greek countryside.

What I’d like to do is offer pallets as a kind of physical analogue for a number of larger trends in the global economy. On the one hand, the ad hoc use of pallets (and their place in adhocism) evokes certain elements of the “sharing economy” (broadly construed) from the flow of pallets between individuals for a wide array of improvisation to the use of redistribution centers where used pallets  (also known as cores) are repaired and made available once again to manufactures and shippers. Pallets travel with bulk goods of various kinds from distribution or manufacturing centers and then build up at highly distributed locations where pallet recyclers collect them, repair them (if necessary), and re-sell them back to manufacturing or distribution centers. The system for the recirculation of pallets is highly decentralized and this has the occasional side effect of pallets ending up rural areas where there is little demand (and little infrastructure for them to re-enter the market), and the effort to privatize pallet pools by three large companies has strained the circulation of traditional whitewood pallets in different ways. The competition between closed pool pallet companies (who own their pallets, control their circulation, and look to stabilize supply) and the open pool whitewood pallet circulation provides an interesting analogy for the tensions between open and closed pools in almost any economic or cultural system (and manifests some of the same tensions that exist within the sharing economy).

The pooling of pallets in places in like the Bakken present the intersection of opportunity and circumstance. Temporary housing in the Bakken during the height of the oil boom constantly looked to improvise in low-cost ways; at the same time, whitewood pallets were ubiquitous in the region owing to the absence of a pallet recycling center in Williston or Minot contributed to the collecting of pallets in the Bakken. This coincidence of need and opportunity produced innovation in temporary Bakken housing and speaks – in some ways – to the productive potential of open pool systems as well as the adhocism present in Bakken building practices.

In a sense, my submission to Epoiesen will have an essayistic edge, but fully embrace the meaning of the term and the maker culture in which this new journal project will embrace. Now I just have to become more familiar with markup (and complete that Hesperia article, the Oxford Handbook of Early Christian Archaeology, my little corner of the final report for WARP, the article on the Atari excavations, and various other shining objects that come my way). 

Writing Wednesday

The first Wednesday after spring break is always the first Wednesday of the University of North Dakota Writers’ Conference. As usual, it has a cool poster.

WCPoster 2017

It also gives me a chance to think explicitly about writing for a little while. It’s great to see writers talk about their ideas and how their creative processes work. This is something that happens all too infrequently on a college campus where most people (who aren’t devoting all of their time to worrying about the budget) are focused on doing work rather than talking about how they do their work. 

So, on my drive onto campus this morning, I got to thinking a bit about writerly things. Here is what I thought about:

1. Writing an Introduction. My buddy David Pettegrew and I are editing the Oxford Handbook of Early Christian Archaeology. As part of this project, we’re writing the introduction which both frames the 250,000+ word volume and the field of Early Christian archaeology for an audience that might not be familiar with this sub-field. After puttering around on the introduction for a few weeks, we decided just to write and see where things went. We produced over 25,000 words in about two months. This will become a draft of a small book on Early Christian archaeology (we hope) and we’ll compress it down into 8,000 words for an introduction.

When we adopted this strategy, we (or maybe just I thought): “How hard could this be?”

The answer is: really hard.

2. 90% Reading/10% Writing. In a little article for Forbes, Sarah Bond related that she had always been told to spend 90% of time reading and 10% of her time writing. This doesn’t seem like good advice (and I don’t want to suggest that Sarah was advocating for this). After all, as a working academic who might only spend half of their week (let’s pretend 20 hours) doing research, this would amount to a paltry 2 hours a week dedicated to writing. This seems hardly enough to develop the skills necessary to construct convincing (much less pleasing) argument. In fact, I would think that 2 hours a DAY might still be a bit on the short side to develop any serious writerly chops. I average about 15 hours per week writing and probably about the same reading (for research). It would seem to me that a 50/50 split is better.

3. Editing and Writing. As part of my graduate historiography course this semester, I’ve asked the students to produce some kind of manifesto or “statement” on studying history and as graduate students in history. I then hope to make it available for public comments. I largely let the students manage their own production of this document intending to contribute some comments when the text was largely set.

As sometimes happens, though, students did not entirely get along during the process and one student was offended by the way another student edited her work. This is normal, of course. I can vividly recall going back and forth with David Pettegrew over a few sentences in something that we wrote together. He’d change it one way, and I’d change it back, and then he’d change it back. After doing this 20 or 30 times, one of us gave in. I don’t really remember who.

Thinking about how to respond to this little conflict, I got to thinking about the role of the editor in writing. An editor can hear how your voice should sound, while the writer hears their voice as they want it to sound. Neither of these are “wrong,” but I can’t recall an editor ever making my work worse. To be a good editor, though, you have to communicate well. An offended writer will struggle to hear how their voice should sound and will sometimes become more stubbornly committed to how it sounds in their own head.

4. Citations. I really sucks at citations. I’m going through page proofs for an article now, and it appear that, when in doubt, I just wrote a random author’s name and a random date after it. It’s really remarkable that editors put up with stuff like that. What is the matter with me?

Ceramics from Koutsopetria

Over the last few weeks, I’ve been working on getting a preliminary draft completed for our publication of the excavations at Pyla-Koutsopetria on Cyprus. This work involved two campaigns in the 1990s by Maria Hadjicosti and her team and a single season of targeted excavation by a team from the Pyla-Koutsopetria Archaeological Project.

While the last two posts focused on the architecture and then the history of the site, the final part of this will focus on the ceramics. The only problem is that today is probably the last writing day of the great winter writing season, and I am not done writing that section yet.

And to make things more complicated, my partner in crime, David Pettegrew has started work on the introduction to our Oxford Handbook to Early Christian Archaeology. They’re having some kind of faculty write-in this week and he’s working away on that introduction. In solidarity, I’ll spend today writing the final parts of the first draft of our work at Koutsopetria. As a bit of motivation, I’ll post it when I’m done here!

So, stay tuned!

…. uh oh… still not done and it’s after 4 pm… maybe I can have a one day extension on this? 


As I spent the week working on grant applications and putting the final touches on a book, I’ve been thinking a good bit about words. 

This led me to ask Shawn Graham for a word cloud for The Digital Press’s soon to be released book, Mobilizing the Past:

Screen Shot 2016 10 10 at 4 54 00 PM

Dimitri Nakassis has produced a word cloud from the preliminary program of the Archaeological Institute of America’s annual meeting in January.


Lessons from the Bakken

For the last few weeks, I’ve been puttering about a little contribution to a Journal of Contemporary Archaeology Forum on undocumented migrants based on our work in the Bakken.

Here’s the abstract for the paper:

This article summarizes the recent work of the North Dakota Man Camp Project to understand the largely undocumented migrants arriving in the Bakken Oil Patch for work. It argues that efforts to document short-term labor in the Bakken exposes particular challenges facing the archaeology of the modern world ranging from the ephemerality of short-term settlements to the hyper-abundance of modern objects. The use of photography, video, interviews, and descriptions produced an abundant archive of archaeological ephemera that in some ways parallels the modern character of temporary workforce housing.  The final section of this article offers some perspectives on how work in the Bakken oil patch can inform policy, our understanding of material culture in the modern world, and the role of the discipline in forming a shared narrative.

And here’s the most recent version of this paper (with photos!):

Bakken Man Camps and the Archaeology of Refugees

Over the last couple of weeks, I’ve been slowly (so slowly!) pecking away on a short article for a special forum in the Journal of Contemporary Archaeology that looks at the archaeology of forced and undocumented migration. Since much of the movement into the Bakken is literally undocumented and can speak to the kinds of short-term settlement change that is taking place on a global scale, I think the work of the North Dakota Man Camp Project can speak to these issues.

So here are some of my words:

Lessons from the Bakken Oil Patch

It is with some hesitation that we offer an archaeology of temporary labor in the Bakken oil patch as a contribution to a volume on forced migration and refugees. After all, it would be easy to categorize the experiences of economic migrants in the Bakken as a separate historical and even moral category from that of the migrants who have fled catastrophic military or political events. At the same time, we would gently content that our experience documenting the archaeology of workforce housing in the Bakken oil patch offers some useful lessons for archaeologies of the 21st century. Our work speaks to several issues that resonate across archaeology of contemporary world: the accelerated pace of the capital, the kaleidoscopic oscillations between cores and peripheries, the increasing fluidity of populations and places, and the fraught potential for the practice of archaeology to authorize the experience of displaced groups.

The North Dakota Man Camp Project has used both ethnographic and archaeological techniques to document the wide range of short-term workforce housing in the Bakken Oil Patch. Improvements in both drilling and fracking technology in the early 21st century and high oil prices re-opened the Bakken and Three Forks formation to large-scale exploitation. The global economic crisis begun in 2008 accelerated the arrival of workers from around the U.S. While some of these workers were brought to the region as employees of multinational corporations like Halliburton or Schlumberger and housed in mobile work force housing camps provided by global logistics companies like Target Logistics, many others moved to the area with the hope of finding employment in the oil patch. The small and historically remote communities of western North Dakota were unprepared for the influx of workers and many of the first wave of workers arriving in North Dakota squatted in public parks, lived in RVs in the Walmart parking lot, and negotiated unfavorable deals to park their RVs, rent bedrooms, or stay in local hotels.

If the absence of model projects for the politically and ethically productive engagement with refugee and force migrants has hindered our ability to produce new archaeologies of this phenomenon, it might be worthwhile to look at similar phenomenon in a global context. Saskia Sassens’ book Expulsions argues that the development of “advanced capitalism” has transformed both economic and social relationships on a global scale. As Arrendt and Agamben have recognized, the displacement of people is more than just the movement of people from one situation to another, but the displacement of an individual’s rights from the guarantees derived from status as citizens of a particular state to a new status dependent on a new set of political realities, definitions, and relationships. This situation does not deprive the refugee of all agency, of course, and Agamben has argued that the refugee has the potential to disrupt the political order of the nation-state by creating a space of for a kind of “pure human” to emerge in the gap between the individual as human and the individual as citizen.

If Agamben recognizes the transformative potential of the refugee as a “disquieting element” in the political order of the nation-state, the spaces of the western North Dakota Bakken Oil patch represent a different expression of the deterritorialization of the individual. The movement of individuals into the Bakken followed the global flow of capital which ignores national boundaries, demographics, and culture. Transnational companies contract with global logistics firms to import prefabricated crew camps which accommodate the largely male workforce involved in extractive industries. These “man camps” are set up to optimize access to work sites, leverage existing local infrastructure, and to allow for the rapid deployment of personnel to remote locations. Their modular design allows for them to be adapted to a range of environments and needs and generators, water treatment plants, cafeterias, laundries, security systems, and leisure spaces allow these camps to exist in self-contained and self-sustaining ways. For residents of these facilities, the space of the prefabricated crew camp seek to standardize the experience of temporary residence and to maximize the labor extracted from each individual. The space of the crew camp is a “non place” with no distinguishing features to complicate or disrupt the seamless deployment of local, human capital.

Even More Early Christian Cyprus

I keep slowly hacking away on my contribution to the Oxford Handbook of Early Christian Archaeology which surveys the archaeology of Cyprus in the Early Christian period. My approach to the first draft of this contribution is highly modular with sections on the history of Early Christian archaeology, the textual sources for the period, churches, baptisteries, burials, and various small finds.

The modular approach to writing has allowed me to chip away at the project without the commitment to composing a single, complex, sustained argument. From a technical perspective, I suspect modular approaches to composition have contributed to the popularity of applications like Scrivener and, most recently, Manuscripts which break the long blank document of the traditional word processor into sections. Each section can have independent word counts and style sheet, and sections can move around easily in a document. For those of us who write reports as much as traditional scholarly articles, the value of software designed to accommodate documents composed in sections is a huge boon. For those of us who struggle to find time to write 2000 or 3000 words in a sitting or who tend to write articles that cohere through thematic unity rather than linear argument, this software facilitates this approach to composition.

Thematically, our chapter will consider the tension between local development of a Christianity material culture and influences from outside the island. Not only is this a useful way of understanding Cyprus as a “crossroads” in the Eastern Mediterranean, but it is also consistent with a generation of scholarship that sought to understand Cypriot culture as either a pale imitation of the capital or a thriving, generative (if provincial) center. Neither of these paradigms is completely satisfying; after all, culture – even material culture – does not have neatly defined limits and cannot be mapped like a genetic code from one variation to the next. (At the same time, I should note that individual objects, buildings, or even sites do not exist as discrete entities bounded spatially or physically, but produce meaning through their interaction with other places and objects). 

Here’s how some of these ideas play out in the section on Early Christian ceramics from Cyprus:


Cyprus imported red-slipped table wares from across the Mediterranean with African Red Slip, Phocaean Ware (or LRC), and Cyprus Red Slip (or LRD) wares being the most common. John Hayes monumental efforts to develop a typology for these later Roman red-slipped, wares offers a convenient template for discussing and understanding the distribution and chronology of these common tablewares. These vessels were widely distributed on the island and appeared at both urban and rural sites suggesting that these red-slipped, fine fabric wares had a place on a wide range of tables in settlements and communities across the island. Certain forms of these vessels feature stamped cross decorations on the base of shallow bowls and dishes. These stamps do not, of course, indicate the the individuals who purchased, used, or discarded the plates were Christian or that they served a particular Christian function. At the same time, we can understand the appearance of table ware with Christian symbols as a broad indicator of the rise in a Christian culture on the island and the emergence of a Christianized material culture.

The earliest tableware vessels with Christian symbols appear in the fifth-century, on Form 2 of Late Roman D ware, also called Cypriot Red Slip. H. Meyza argues that these early LRD stamps which included a small cross inscribed in a circle, imitated those found on widely distributed African Red Slip vessels, although few examples of inscribed, fifth-century ARS vessels appear on the island. Hayes has tended to date LRD ware slightly than Meyza, but by the sixth and seventh-century inscribed variants of LRD wares had become rather more common appearing at Kopetra, Paphos, Kourion, Polis and the Kornos cave. later Recent excavations near the site of Gebiz in southern Asia Minor has revealed a kiln responsible for the production of LRD wares, numbers wasters and fragments of standard forms, and a tool designed to impress a cross stamp on the unbaked clay. This indicates that at least some LRD ware with cross stamps came onto the island from Asia Minor. Imported cross-stamped table ware likely represented one of the most common ways for Christian imagery to enter the home and the material culture of the island.

A Theoretical Epilogue to the Tourist Guide to the Bakken

Over the last couple of weeks, I’ve been working pretty intensively on revising my Tourist Guide to the Bakken Oil Patch for publication. The section that needed the most work was the final chapter which was probably both half-baked and somewhat unaccessible to the average reader. This is probably not the final draft of this section, but it is a major step closer to making it more fluid and more accessible. Here’s a link to the original draft.

I attempt to weave together four related concepts: 

1. Tourism as a product of and as a producer of modernity. In a post last week, I presented my first efforts to emphasize more explicitly the role of oil in both the creation of the middle class and tourism.

2. Landscapes and Taskscapes. In this section, I argue that the remarkable dynamism of the Bakken has produced particular ephemeral traces of movement in the landscape. The concept of taskscape provides a useful way to understand dense network of traces left across the Bakken landscape.

3. Industrial Tourism offers a model to understand taskscapes shaped by industrial activities and brings together the experience of the tourist and the worker in a single space. The recent trend toward more subversive forms of tourism (toxic tourism, abandonment porn, urban infiltrations, “poorism”) that explore industrial sites in either critical or illegal ways demonstrates how contemporary industrial tourists could twist the goals of industrial to consider the complex legacy of industrial practices. 

4. Industrial Archaeology and Heritage. Finally, industrial archaeology has contributed to the rise of industrial heritage which has both celebrated a shared, modern industrial past, as well as offered an opportunity for historical reflection and critique. 

Any and all comments would be greatly appreciated.

Oil, Industry, and Tourism: Another Draft

As readers of this blog know, I’ve been churning away on a revised version of the final chapter of my Tourist Guide to the Bakken. These revisions have two goals. One is to make it more accessible to non-academics and the other is to reflect on the particular role of oil in the creation both of tourism and the industrial world.

Below is the first part of this concluding section. Enjoy:

BOO! I had to take down this content at request of the publisher!