Images from Polis

I’ve been working on the last few figures for an article on our work around the South Basilica at Polis-Chrysochous on Cyprus. For various reasons we do not have a digital site plan, so I’ve been building one piece meal from the excellent hand drawn plans made over the past three decades. My goal was to combine the two so that I didn’t have to redraw the entire site map and so I could preserve some element of the original plans while highlighting certain features.

Figure 2

Figure 6

Figure 7

Plans Hesperia2016 Figure9

Plans Hesperia2016 Figure10

ASOR Wrap Up

My apologies for missing a few days on the old blog last week, but I was pretty busy at the annual meeting of the American Schools of Oriental Research. Unfortunately, I was not able to make it to as many panels as I would have liked, but it was a productive meeting none the less.

So here are five things that happened (to me; after all, it’s my blog!) at ASOR:

1. Object Biography. The final workshop in a three year series of panels on object biography was a hoot (or as one of the panel’s organizers said “a bag of worms”), even if my paper was cautiously received. The papers were fun and the conversation was pleasantly edgy. Whatever the utility of object biography, the panels demonstrated an overwhelming desire for some kind of authentic engagement with things. It may be that object biography is flawed because most of us don’t think of objects as having life. At the same time, one wonders whether the recent interest in object agency especially among archaeologists, reflects our experiences struggling with objects that appear to have greater and greater autonomy from our wishes, desires, and intentions. In other words, maybe the idea of an object having a biography – a birth, a youth, an adulthood, and a death – is simply a matter of degrees from the idea that objects are agents. The former, however, seems contrived not because as we expand our notions of agency from individuals to things we are simultaneously diluting the very concept of being alive.

2. Welcoming our new digital overlords. I was amazed by the number of variety of panels on digital tools in archaeology at this year’s ASOR. Maybe it’s been like this for the last few years, but our fascination with the potential of digital archaeology was on full display starting with the plenary address by Sarah Parcak and continuing through many of the posters and papers. I was particularly pleased that the most recent book from The Digital Press at the University of North Dakota, Mobilizing the Past for a Digital Future, received a share of the attention. In fact, co-editor Jody Gordon recorded his paper and answered some questions for ASOR and this will likely be posted in the next week or so. I’ll put up a link to his paper and the interviews when they become available. 

3. CAARI has a new director. I am a member of the board of trustee of the Cyprus American Archaeological Research Institute and after almost 7 years of dedicated service, Andrew McCarthy, is stepping down to pursue new adventures. In his place, the CAARI board approved the appointment of Lindy Crewe, a prehistorian who has worked on the island for many years and has a reputation for being a thoughtful scholar and an elite excavator. You can get a sense for her accomplishments on her academia.edu page. It was a good choice and I look forward to her leadership at an institution that has contributed significantly to my work on this island and my career.

4. Digital Publishing and ASOR. As readers of this blog know, I’ve been working with Scott Moore to produce a digital version of Pyla-Koutsopetria I: The Archaeological Survey of an Ancient Coastal Town. Since we published our data with Open Context, we produced an unofficial digital edition that allows a reader to move from the text to our published data throughout. We learned at ASOR that we’ve been given approval to release a linked digital copy of the book (as a beta) this spring once we work some bugs out. The goal is to present this beta-draft for some feedback and to prepare a revised digital edition at a later date. 

We also discussed the possibility of preparing PKAP II as a digital release with links throughout to our excavation data in Open Context. There are number of technical and cultural challenges to overcome, but hopefully we can propose a series of steps toward making the Archaeological Report Series a significant outlet for innovative digital archaeological publications.

5. The ASOR Meeting Program. I serve on the ASOR program committee and one of the most interesting conversations in recent years in that committee concerns the number of times people can officially appear in the annual meeting. This year, we decided (and it was a mistake) to only list the first author (or presenter) in the schedule section of the program book and to list coauthors in the abstract section. The reasons for this are complex and involve both aesthetics (and a concern for clutter in the schedule) as well as a concern that some members of ASOR are appearing “too frequently” in the program. Most academic meetings have some kind of policy limiting the number of times someone can appear in the program designed to promote diversity in the program and to ensure that scholars of all ranks can participate. At ASOR we have fiddled with this policy numerous times over the last few years and not quite settled on a universally accepted formula.

To me this is interesting because it considers both the meetings, but more importantly, the academic program as a lens through which we can understand and shape the field. Limiting the number of times someone can appear in the program will promote the the appearance of diversity, but it leaves open the possibility that the program does not actually reflect the work of writing the paper. At the same time, appearances can change reality and making the program appear more diverse might actually change the nature of field.  

An Archaeology of Early Christian Cyprus

Over the last six months or so, Jody Gordon and I have been working on a survey article on the archaeology of Early Christian Cyprus for the Oxford Handbook of Early Christian Archaeology. I think the draft is more or less ready for sharing.

We’ve titled it “The Holy Island: An Archaeology of Early Christian Cyprus” and here’s the abstract:

The archaeology of Early Christian Cyprus represents one of the most significant case studies of how early Christianity developed because of the island’s unique geohistorical background and the diverse nature of its material remains. When combined with local hagiographical resources, Cyprus’ material culture illustrates the gradual development of a unique form of Early Christian society between the fourth and seventh centuries CE that drew on both local and imperial influences. This chapter contributes to such perspectives by offering an introduction to Early Christian Cyprus’ archaeological corpus vis-à-vis the island’s unique Late Antique eastern Mediterranean context. It examines basilicas, baptisteries, mosaics and church décor, funerary structures, coins and seals, metalwork, epigraphy, and ceramics to reveal the discipline’s main research foci and suggests topics for future investigation. 

I’ve uploaded a draft to my academia.edu page here.

It might be fun to read this paper with a unpublished paper that I wrote with R. Scott Moore on the history of settlement in Cyprus in the 7th and 8th centuries. I’ve posted that paper to academia.edu as well.

If I was ambitious and had time and energy, I could imagine these two papers being the start of an archaeological history of Early Christian Cyprus.

Data, Digital Archaeology, and Publishing

To short things this morning related to digital archaeology. 

First, abstracts were due last night for the Society of American Archaeology Annual Meeting next spring, so there was the predictable flurry of activity. I generally don’t do much with the SAA conference, but this year there was some interest in a panel on digital archaeology, I’ll contribute to a paper with Erin Walcek Averett, Derek Counts, and Jody Gordon.

Here’s our abstract: 

“From Trench to Tablet: Field Recording, Interpreting, and Publishing in the Age of Digital Archaeology”

Since the arrival of robust mobile tablet devices in 2010, archaeological documentation has increasingly become born-digital. The adoption of digital tools and practices has not gone unnoticed, with reactions ranging from enthusiastic acceptance to outright skepticism. Significantly, scholars are beginning to offer more critical and reflexive views of the issues surrounding the use of mobile devices in archaeological fieldwork, interpretation, and dissemination. The ability to disseminate digital data directly from connected devices to a global audience threatens to destabilize traditional standards of archaeological documentation practices, which, in part, used media to define the stages of knowledge production: handmade, paper documents defined the provisional character of field documentation, and the printed, bound, publication marked definitive results. Digital media blurs these distinctions by making trench side data indistinguishable from its final form. By drawing on examples from current archaeological publication schemes, this paper will show how new digital tools and techniques can highlight the potential for mobile computing in archaeology, but also demonstrate how these new methods will challenge and transform institutions that shape archaeological knowledge.

~

On a related note, please check out the recently announced Open Context & Carleton Prize for Archaeological Visualization. Shawn Graham, one of the prizes co-sponsors, posted a snazzy video introduction to the prize. And like any good prize, it has some money behind it!

More importantly (and selfishly!), my survey project on Cyprus, the Pyla-Koutsopetria Archaeology Project, has data in Open Context that could be used for this prize. While we have been working to connect this data to our published monograph in preparation for a Digital Edition, we’d love to have someone approach the data from another perspective and for an innovative visualization of our data (especially in conjunction with other similar datasets in Open Context) to inform the analysis in our traditional paper book. 

Go check it out!

 

Movement and Empire in a Connected Mediterranean

I’ve finally found time to check out C. Concannon and L. Mazurka, Across the Corrupting Sea: Post-Braudelian Approaches to the Ancient Eastern Mediterranean. (Ashgate 2016). David Pettegrew and I were lucky enough to have an article in this volume which is joined by some find contributions from archaeologists working around the Mediterranean basin.

I was particularly excited to read Jody Gordon’s article, “To Obey by Land and Sea: Cultural Identity in Hellenistic and Roman Cyprus,” in part because it deals with issues that I’ve played with from time to time, and in part because I knew it to be a summary of some points in his massive dissertation from the University of Cincinnati. Gordon argues that the place of Cyprus in the Mediterranean situated its relations with various imperial states during the Hellenistic and Roman periods and fundamental inflected Cypriot culture. Gordon’s arguments, at their best, are nuanced and recognize that some elements of foreign influence on the island – like the Hellenistic style tombs from Paphos – are more likely to represent intrusions, whereas others – like the adoption of Roman style mosaic floors depicting games – are more likely to be hybrid expressions negotiated over centuries of sustained contact between Cypriots and the wider Roman world. What was particularly clever in Gordon’s piece is that he recognized that the Cypriots used their island status to negotiate its relationship between the various imperial forces in the Eastern Mediterranean. While he could not detail every opportunity for interaction, Gordon’s analysis could be extended both earlier and later than his article. For example, it is clear that Ptolemaic control over Cyprus in the Early Hellenistic period was not simply an expression of Ptolemy’s military and political superiority in the region, but a product of the  wrangling of the late Iron Age kingdoms on Cyprus which allied themselves with various external political powers (and here is clearly echoes of work being done on the contemporary Roman world). Cypriots on a smaller scale presumably negotiated similar understandings through their engagement with Hellenistic and Roman material culture, adopting expressions that served local and regional purposed while ignoring others. The assemblages that these relationships to larger imperial state and networks produced on the island – mitigated by economic, political, religious, and even vague social and cultural factors (taste? memory? internal rivalries between communities?) – created the complex tableaux of sites that constitute our understanding of Cypriot archaeology and history. Like a Foucauldian text, the very idea of Cypriot sites only appears in the relationships with others within the larger discourse of the Hellenistic and Roman world. Good stuff here!

Concannon and Mazurka volume does offer a bit more sweeping views of the Mediterranean. There is a timeliness to their revisiting of Braudel massive Mediterranean and his successors – particular Horden and Purcell’s equally monumental The Corrupting Sea. The notion of the Mediterranean as a place of interaction and in Horden and Purcell’s words, connectivity, is as visible in the contemporary European Union (or in the increasingly transnational economic agents who navigate both the physical and fiscal Mediterranean(s) of the contemporary world) and the current refugee crisis. The movement of refugees from Syria and Afghanistan to the coast of the Mediterranean reflects both the continuities that Braudel and others have described in the region as well as the breakdown of the national borders. In other words, the pre-national Mediterranean of Bruadel and Horden and Purcell does offer lessons and methods for understanding our increasingly post-national world present.

CAARI Monograph Series at the HathiTrust

Yesterday, I began messing around with sprucing up the venerable CAARI (Cyprus American Archaeological Research Institute) website. As part of that I thought I’d put together some links to the full and open digital texts of volumes in the CAARI monograph series published by the American Schools of Oriental Research.

A few years ago, the ASOR’s Committee on Publications under the leadership of Chuck Jones took steps to make out of print books published by ASOR open access through the HathiTrust. The most recent volume, Cyprus and the Balance of Empires, edited by Davis, Stewart, and Weyl Carr, is only a couple of years old, so it hasn’t been released yet (see my comments in this fine volume here). Oddly enough, the first volume, Res Maritimae, from 1994, was not picked up in The Googles scanning net, but I bet no one would object to a digitized copy of this book being made available. Maybe someone at CAARI can oblige! 

(As an aside, we hope that my volume with David Pettegrew and Scott Moore, Pyla-Koustopetria I: Archaeological Survey of An Ancient Coastal Town (2015) will be available in a linked, open format sometime quite soon!)

The only bummer about these volumes is that they are released under a CC-By-ND-NC license. This is a non-commercial license meaning that you can’t use these books for any commercial enterprise. Because this kind of license has been read pretty strictly, some (let’s say) benign commercial entities like universities and academic institutions have been reluctant to allow for the use of material released under non-commercial licenses in their classes, for example.

This is a quibble though because the books remain valuable contributions to our understanding of the island and they are now available for individual researchers to use for free. 

No. 1. Stuart Swiny, Robert L. Hohlfelder, and Helena Wylde Swiny (eds.). Res Maritimae: Cyprus and the Eastern Mediterranean from Prehistory to Late Antiquity, 1994.

No. 2. Stuart Swiny (ed.) The Earliest Prehistory of Cyprus from Colonization to Exploitation, 2001.

No. 3. Diane Bolger and Nancy Serwint (eds.). Engendering Aphrodite: Women and Society in Ancient Cyprus, 2002.

No. 4. Stuart Swiny, George Rapp, and Ellen Herscher (eds.). Sotira Kaminoudhia, An Early Bronze Age Site in Cyprus, 2003.

No. 5. Charles Antony Stewart; Thomas W Davis; Annemarie Weyl Carr (eds.) Cyprus and the Balance of Empires: Art and Archaeology from Justinian I to the Coeur de Lion, 2014.

Job Posting: Director of the Cyprus American Archaeological Research Institute

The Cyprus American Archaeological Research Institute has opened their search for a new director. For the past 15 years, CAARI has played an important part in my career as an archaeologist and historian, and the two directors of the institute played no small part in the success of my field project, the Pyla-Koutsopetria Archaeological Project. Both the current director, Andrew McCarthy, and the previous director, Andrew McCarthy, have helped us extract ourselves from sticky situations in archaeological politics on the island and provided perspective on the complexities of both the Cypriot and the American archaeological community on the island.

Over the past couple of years, they’ve completed construction of an expanded library which will, apparently, house paper books. CAARI has also supported a vibrant community of fellows, regular academic lectures and conferences, and the annual summer archaeological workshop which brings together many of the archaeologists active on the island to present their most recent findings. While I’ve not done too much research in the library nor availed myself to the hostel or other amenities that CAARI provides for scholars, we have sent students to the library there on a regular basis and the library’s collection (including runs of some local and rather obscure journals) is a nice “one stop shop” for focused research on the material culture of the island.

I’m on the CAARI Board of Trustees, but I don’t know much about the job search or what the committee is “really” looking for. The list of responsibilities seem a bit out of sync with the qualifications. They seem to be looking for a building manager, event planner, administrator, and liaison who happens to also be an archaeologist. There is nothing, necessarily, that makes the responsibilities and qualification incompatible, but they seem to want two different things. 

In any event, CAARI is a good and valuable institution, they’re offering an attractive package of salary and benefits; here’s a link to the job announcement. Applications are due September 20th.

Pyla-Koustopetria Archaeology Project: Churning On

This blog began – back in 2005 or whenever – to share news from the Pyla-Koutsopetria Archaeological Project with our various friends, supporters, and colleagues. Since that time, I’ve written well over 100 posts on various PKAP related topics both on this blog and in the archive. It’s a bit sobering to realize that I haven’t posted about PKAP for so long, but since David Pettegrew, Scott Moore, and I have spent the last few weeks working on PKAP related materials, it seems like a fine time for an update.

J74701 Pyla Koutsopetria 1993 Ar I

We are working to prepare a complete draft of the excavations at the site. The PKAP team conducted three seasons of targeted excavation at the sites of Pyla-Vigla, Pyla-Koutsopetria, and (in a rather strange situation) at Pyla-Kokkinokremos. We are working to publish the results of our work at Pyla-Vigla and Pyla-Koutsopetria and the description of the stratigraphy and phases associated with our work is largely done. Pyla-Vigla is a Hellenistic fortified site with three very clear phases. Koutsopetria is an Early Christian basilica. 

We are also working to publish the results from two earlier campaigns of excavation at the site of Koutsopetria by Maria Hadjicosti and the Department of Antiquities in 1993 and 1999. During these campaigns an annex room (Room 1) and part of the apse of the basilica were exposed. This is a more complicated project since we do not have the excavation notebooks (if they ever existed) for the project, but have a record of inventoried finds and the context pottery from the various excavated context. Ordinarily this would be a massive challenge for anyone trying to reconstruct the stratigraphy and phases of the building, but we had two advantages. First, we had David Pettegrew’s meticulous patience and willingness to solve archaeological problems. He went through the all of the records that we do have – mainly elevations and horizontal grid coordinates. – and created a series of plausible levels and passes. The other advantage was that the excavations mostly removed collapse and encountered only very small lenses that can be associated with the site’s pre-collapse abandonment. Complementing David’s work is analysis of ceramic artifacts by R. Scott Moore and the analysis of the painted plaster, molded gypsum, and various architectural fragments by Sarah Lepinski. 

For my part, I’ve taken David’s careful analysis and combined it with the Scott Moore and Sarah Lepinski’s work to produce a narrative of the building excavated over 20 years ago. The results so far have been intriguing. Here are a few little things:

1. Abandonment. It seems almost certain that Room 1 was largely abandoned at the time of collapse, but the absence of material later than the first half of the 7th-century suggests that it wasn’t abandoned for very long. The presence of several almost complete artifacts – including an African Red Slip 105 plate – on the floor of Room 1 hint that some material remained scattered about the space. Graffiti incised on architectural features perhaps indicates that the room had acquired a more casual function toward the end of its life.

2. Collapse. Room 1 appears to have collapsed to the south. Roof tiles appear immediately above the floor on the southern third of the room suggesting that the roof and the second story slid fell onto the floor perhaps as the south wall of the room fell to the south. The northern part of the room has more debris above the floor and fewer tiles made it to the floor level, likewise suggesting that the north wall collapsed into the room toward the south pushing the roof into the southern part of the room.

3. Residual Sherds. One of the coolest things about the levels excavated in 1993 is that they produced not only some relatively well-preserved Late Roman artifacts, but also a significant quantity of earlier material. Most of this earlier material – including easily identifiable Early Roman and Hellenistic fine wares – appears only as tiny sherds, typically smaller than 10 grams in weight. It would appear that most of this earlier material came from the coarse mortar used in the walls of Room 1 and in the packing associated with the floor of the second story. As we appreciated this residual assemblage of pottery deriving from various construction contexts in the building, we got to wonder about the scatter of Early Roman and Hellenistic pottery identified in the survey of the region and how much of that material might come from similarly residual contexts.

There is obviously much more that we can say about the excavations and as we pull together the finds, the phases, and the architecture. So stay tuned!

From Cyprus to Greece

I head from Cyprus to Greece this morning and transition from our work at Polis (which is publishing an excavated site) to field work with the Western Argolid Regiona Project

IMG 4673  1

I haven’t quite finished the last bits of my season report for Polis and there are a few little database issues to resolved over the weekend. It was a good season overall, and I’ll miss spending time with artifacts and colleagues. More on my work at Polis in the next few days.

Onward to WARP!

Even More Early Christian Cyprus

I keep slowly hacking away on my contribution to the Oxford Handbook of Early Christian Archaeology which surveys the archaeology of Cyprus in the Early Christian period. My approach to the first draft of this contribution is highly modular with sections on the history of Early Christian archaeology, the textual sources for the period, churches, baptisteries, burials, and various small finds.

The modular approach to writing has allowed me to chip away at the project without the commitment to composing a single, complex, sustained argument. From a technical perspective, I suspect modular approaches to composition have contributed to the popularity of applications like Scrivener and, most recently, Manuscripts which break the long blank document of the traditional word processor into sections. Each section can have independent word counts and style sheet, and sections can move around easily in a document. For those of us who write reports as much as traditional scholarly articles, the value of software designed to accommodate documents composed in sections is a huge boon. For those of us who struggle to find time to write 2000 or 3000 words in a sitting or who tend to write articles that cohere through thematic unity rather than linear argument, this software facilitates this approach to composition.

Thematically, our chapter will consider the tension between local development of a Christianity material culture and influences from outside the island. Not only is this a useful way of understanding Cyprus as a “crossroads” in the Eastern Mediterranean, but it is also consistent with a generation of scholarship that sought to understand Cypriot culture as either a pale imitation of the capital or a thriving, generative (if provincial) center. Neither of these paradigms is completely satisfying; after all, culture – even material culture – does not have neatly defined limits and cannot be mapped like a genetic code from one variation to the next. (At the same time, I should note that individual objects, buildings, or even sites do not exist as discrete entities bounded spatially or physically, but produce meaning through their interaction with other places and objects). 

Here’s how some of these ideas play out in the section on Early Christian ceramics from Cyprus:

Fineware

Cyprus imported red-slipped table wares from across the Mediterranean with African Red Slip, Phocaean Ware (or LRC), and Cyprus Red Slip (or LRD) wares being the most common. John Hayes monumental efforts to develop a typology for these later Roman red-slipped, wares offers a convenient template for discussing and understanding the distribution and chronology of these common tablewares. These vessels were widely distributed on the island and appeared at both urban and rural sites suggesting that these red-slipped, fine fabric wares had a place on a wide range of tables in settlements and communities across the island. Certain forms of these vessels feature stamped cross decorations on the base of shallow bowls and dishes. These stamps do not, of course, indicate the the individuals who purchased, used, or discarded the plates were Christian or that they served a particular Christian function. At the same time, we can understand the appearance of table ware with Christian symbols as a broad indicator of the rise in a Christian culture on the island and the emergence of a Christianized material culture.

The earliest tableware vessels with Christian symbols appear in the fifth-century, on Form 2 of Late Roman D ware, also called Cypriot Red Slip. H. Meyza argues that these early LRD stamps which included a small cross inscribed in a circle, imitated those found on widely distributed African Red Slip vessels, although few examples of inscribed, fifth-century ARS vessels appear on the island. Hayes has tended to date LRD ware slightly than Meyza, but by the sixth and seventh-century inscribed variants of LRD wares had become rather more common appearing at Kopetra, Paphos, Kourion, Polis and the Kornos cave. later Recent excavations near the site of Gebiz in southern Asia Minor has revealed a kiln responsible for the production of LRD wares, numbers wasters and fragments of standard forms, and a tool designed to impress a cross stamp on the unbaked clay. This indicates that at least some LRD ware with cross stamps came onto the island from Asia Minor. Imported cross-stamped table ware likely represented one of the most common ways for Christian imagery to enter the home and the material culture of the island.