In general, I try to keep what I do in the classroom and what I do as a researcher (and as a member of the university community more broadly) loosely divided. It ensures that teaching, service, and research retain an element of freshness and my days don’t get too bogged down in doing the same kind of thing over and over. For example, I don’t teach archaeology or do much with Late Roman Cyprus in the classroom. And I rarely allow my work at NDQ or The Digital Press to cross pollinate too fully with what I do as a researcher or in the classroom. I like to think of it as keeping a healthy set of boundaries and diversifying my portfolio.
This semester, though, I let this division slip a bit and I’m teaching a class in editing and publishing which focuses mainly on working with various aspects of North Dakota Quarterly. As part of that, I asked my students to help me craft an “editor’s note” that celebrated their contribution to NDQ. Here it is:
This semester I’ve had the good fortune of being joined by five undergraduates from the University of North Dakota’s English Department’s program in a practicum in editing and publishing. Nicholas Ramos, Aubrey Roemmich, Emily Shank, Elena Uhlenkamp, and Karissa Wehri have talked with me about the content in the issue, put the articles in order, and have happily helped me organize NDQ‘s new office on campus.
As they organized the issue they discussed the themes in the poetry, stories, and essays. They observed how much of work embodied the power of everyday experiences where commonplace settings of offices, shops, schools, and homes give rise to religious, spiritual and even magical encounters. Parenthood, relationships, chance encounters, a book store, and even a cup of coffee create occasions for something special to occur.
In some ways, the work in this volume reflects the character of North Dakota. As Aubrey Roemmich noted: “Growing up a North Dakota native, I always thought that it was a boring place. It was not until I was much older that I started to appreciate its beauty and intrigue. Many of the poems in this issue perfectly capture the beauty that is inherent in these places.”