This week, I’m shifting a bit of my attention to a paper that I hope to submit to a special section in Near Eastern Archaeology. It paper is tentatively titled “The Bakken and Babylon” or something like that. I’ve posted two other fragments of this article here and here.
Today’s fragment considers the concept of “Dustism” in Reza Negarestani’s Cyclonopedia (2008) and juxtaposes it with a few case studies from the Bakken that I developed in the previous section of this paper. I’m slowly coming to terms with this paper and looking to make it a bit more interesting than my usual dreck, but we’ll see. The dreck is strong in me…
For Parsani, “dustism” represented “the earth’s clandestine autonomy” which converts and subverts solar energy, or solar capitalism, into swirling, eddying, and irresistible clouds of matter that resist human control. Parsani notes that dust in Middle Eastern religions is pure and immaculate and its only when it begins to coalesce and clump that it becomes “an abomination.” This abomination in Parsani’s convoluted cosmology merges the autonomy of the earth with the fluidity of activism to produce a mess. This mess — mud, oil, foaming muck — fertilizes the world and supports production, growth, and creation even as the sun continuously seeks to dry it out and return it to inert purity of dust. In this formulation dustism provides a framework that Bradley Fest understands to support a system of hyperobjects including dust and oil which exist beyond the temporal and spatial scale of human existence (Fest 2016). In Parsani’s narrative, the viscosity of oil allows it to become the narrator as it binds the disparate power of dust which seeks to continuously revert to its primordial and timeless form.
This is obviously obscure, but dustism strikes me as crucial for understanding an archaeology of contemporary climate change. It embodies the “radical materialism” (Doherty 2014, 376) necessary for apprehending systems that operate in ways that remain unpredictable. The theory of dustism resonates in North Dakota and the Bakken. For Frank Junger, the North Dakota born Aramco executive, his journey to Saudi Arabia and his future career begins when his family departs his Regent, North Dakota farm amid the swirling dust storms of the 1930s dust storm. In his memoirs, he compares the dust that ended his North Dakota childhood and sent him west to Oregon to the dust of Arabian deserts that framed his career in the oil industry. As Parsani would say: from dust to dust. A parallel trajectory appears in Wallace Stegner’s early novel, The Big Rock Candy Mountain, which opens in North Dakota. The novel’s main character, Elsa, described the main street of the town of Hardanger as “a river of fine powder.” Dust punctuates the early pages of the novel and defines the forlorn town, the hard ground of the North Dakota prairie, and the footsteps of Elsa’s future husband, Bo Mason, at the baseball diamond. Whether Stegner deliberately sought to anticipate Parsani’s concept of “dustism” or not remains unclear, but the appearance of dust early in the novel when emphasizes Elsa purity and innocence. Dusts’ ability to transition from pure to toxic when in contact with liquid also shatters the stranger who paid for his drink in gold dust inspired Bo Mason to embark on his nomadic journey throughout the American West in search of wealth and status. Dust is more than a metaphor in Stegner’s fictional town or in Junger’s life, and is as ubiquitous a feature in the Bakken oil patch as in Negarestani’s Babylon.
For Parsani and Negarestani, the combination of dust and oil contribute to the formation of self-organizing assemblages. These assemblages are global in scale and draw both human and non-human actors into their orbits. They also accelerate a kind of persistent nomadism that both reflects the geopolitical instability created by global climate change and relies on the mobility of populations that coalesce around the tension between dust and oil. Parsani recognizes the petro-nomads who travel from oil well to oil well drawn by oil. Thomas Barger’s journey from North Dakota to the Arabian peninsula in the 1930s and then from desert outpost to desert outpost drawn forward by oil. In the 20th and 21st century Bakken the petro-nomads likewise coalesced around the sources of oil and sought to navigate the dust from rural byways, agricultural harvests, and droughts that seems constantly to escape control. It is worth noting that there has been an outpouring of recent scholarship on dust in the Bakken that seems to appear as if to resist or even challenge the flow of oil and the arrival of the petro-nomads.