It was wonderful to see the excitement surrounding Amanda Gorman’s remarkable poetry during yesterday’s inauguration. I wonder whether this will spur people to read more poetry – especially contemporary poetry – and support its publication?
Over the last few years, I’ve been reading much more poetry than ever before both for myself and as the editor of North Dakota Quarterly. I’m convinced that poetry speaks in unique ways to our contemporary situation. I has the capacity to be ambiguous, elusive, and shifting while also speaking significant and, at its best, profound truths to the world. It reminds me that being true shouldn’t be a watchword for a kind of desiccated empiricism or descriptive practices that value reportage over judgement, interpretation, and understanding. Despite recent calls to embrace “truth,” poetry makes clear that being true doesn’t mean being tidy or straightforward. Truth is messy and, in most cases, unclear.
Anyway, maybe we’re living in an age where poetry matters.
My colleagues and I post poetry regularly at the NDQ blog. You can check it out here.
If you like what you read in NDQ, it would be really great if you subscribed. Poets need venues for poetry to thrive and one way to make sure that the next generation of poets have places to publish, to be read, and to be discovered.
This week, I’ve be reading my way through the latest issue of Rattle, a poetry journal with an impressive circulation, some remarkable poetry, and an enviable track record. Check them out here.
I’m always excited to get a copy of the Beloit Poetry Journal and read through the remarkable collection of poets that it assembles each quarter. NDQ’s stablemate at the University of Nebraska Press is the wonderful Hotel Amerika, which always features provocative and new poetry.
Lately, I’ve been enjoying the poetry of Sun Ra (here’s a nice little essay on what they can be like) and I’m looking forward to getting a copy of Amiri Baraka and Larry Neal collection of Black poets published in 1968: Black Fire: An Anthology of Afro American Writing, which is currently published by a Black owned press, Black Classic Press. You can get a copy here. It’s worth remembering that Alain Locke’s classic anthology of African American literature, The New Negro: An Interpretation, that sought to capture the spirit of the Harlem Renaissance just as Baraka and Neal captured the anger and frustration of Blacks in New York though the Black Arts Movement.
In any event, I’m not trying to convince you to read any particular poetry or to subscribe or purchase any particular journal or collection. At the same time, I AM trying to encourage you to channel your admiration for Amanda Gorman into supporting poets and poetry more broadly. So please, at very least click on one of the links and maybe you’ll find something amazing to read.