This fall has been a hectic and exciting one for The Digital Press. We not only published two books, Calobe Jackson, Jr., Katie Wingert McArdle, David Pettegrew’s, One Hundred Voices, Harrisburg’s Historic African American Community, 1850-1920 and Kyle Conway’s Sixty Years of Boom and Bust: The Impact of Oil in North Dakota, 1958-2018, but we have a busy production queue which promises an exciting winter.
The most exciting project simmering right now on The Digital Press’s stove is Derek Counts, Erin Averett, Kevin Garstki, and Michael Toumazou’s Visualizing Votive Practice. Yesterday while I took my mid-morning stroll, I received the marked up copy of the first page proofs from the books authorial trio. I now have weekend plans and we’re on target for a mid-November publication date.
To celebrate this milestone, it seems a good time to release the book’s cover (which we’ve been eager to do since mid September!). Dan Coslett is responsible for the outstanding cover design.
The bold colors and dynamic design challenges age old conventions that the appearance of catalogues should be staid and formal affairs of interest largely to specialists. For this volume, we tried to capture a bit of the interactive spirit of the 3D models contained in the book and the faceted sculptural face underscores the authors’ attention to practice, both in terms of the votive rituals explored by the book as well as their attention to the production of the 3D scans of the terracotta and limestone sculpture.
Momentum begets momentum or so it would appear. It may be that social distancing begets monument, if I’m to be honest. Whatever the case, the Digital Press was also happy enough to help out with a couple of other “Digital Press Adjacent” projects this fall.
Sometime in the next couple of weeks, the Western Argolid Research Project will upload its survey manual to the tDAR archive where it can be downloaded, modified, and referenced. I typeset the contents to give it just a tiny bit of polish and created a cover for it that probably benefits more from the nice photo than any graphic design acumen on my part.
We also learned that Patrick Henry, a colleague (and regular contributor to NDQ), will be teaching a course of World War I literature this spring semester. He had plans to use a little volume of NDQ Reprints that I put together to highlight some early 20th century content from the Quarterly and to typeset something in Doves Type. The book was initially meant as a digital download only, but for whatever reason never got much traffic (even as we commemorated the 100th anniversary of the Great War), and for a while the download link was broken. This was not a great look for us. Here’s the download link if you’re curious!
Patrick asked if we could perhaps produce a print version of the book, and I happily agreed! We’ll being making the little book available via Amazon heading into the Holiday Season and donating a little stack of copies to Patrick’s class. Stay tuned for more on this little project over the next month or so.