I’ve been working this week on adapting some of the paper that I gave at Dumbarton Oaks last month into a section in a short article with Jody Gordon. The article considers globalization as a paradigm for understanding Roman and Late Roman Cyprus. In my short contribution, I’m arguing that, in some ways, Late Antique Cyprus was indistinguishable from its neighbors in the region and, in some regards, represented a kind of Late Antique “non place” where most manifestations of distinctly Cypriot ways of life became manifest in the material culture of the wider Late Roman world. To make this argument, which frankly is a kind of “strawperson,” I explore both ceramics and ecclesiastical architecture on the island and argue that many of the key forms present are common in the wider region.
The second part of the paper will complicate this perspective, by arguing that an emphasis on the global character of the Late Roman material culture of Cyprus obscures the variation across the island. If I can swing it, I want to suggest that our understanding of the global is, at least in the archaeology of the Roman and Late Roman world located at the intersection of issues of scale and the typologies through which we produce chronologically specific assemblages of material. I have more to do to get this contribution into shape, but if you’re interested in a draft, keep reading:
The Late Roman period on Cyprus shows so many of the hallmarks of globalization that it is tempting to read the Cypriot landscape as a series of premodern non places to appropriate the term that Marc Augé coined to describe the indistinguishable character of hotels, airports, and shopping malls in the globalized contemporary world (Augé xxxx). Indeed, G. Bowersock noted that the brilliant series of Late Roman mosaics from the House of Aion at Paphos depicting the life of Dionysos reflect a pan-Mediterranean fascination with Dionysos echoed in the 6th-century epic poem of Nonnos of Panopolis (Bowersock 1990, 49-53). In later Late Antiquity, Derek Kreuger has noted, the seventh century world that Leontios of Cyprus described in his lives of St. Symeon the Holy Fool and St. John the Almsgiver leveraged a range of features, economic and political realities, and landscapes that would be familiar to literate residents of Leontios’s native Neapolis on Cyprus, in St. Symeon’s Emesa, and St. John’s Alexandria where his lives were certainly read. The regular transit of bishops, pilgrims, and other Romans across the island ensured that Late Roman cities of Cyprus’s south coast formed part of a familiar landscape connecting the Egypt, North Africa, and the Levant with the Aegean. It is difficult to avoid the impression that whatever aspects of a distinctly Cypriot culture persisted into Roman period, by Late Antiquity, Cyprus emerged as a composite crossroads of Mediterranean influences.
The archaeological evidence from the island likewise reflects the global character of Cyprus during Late Antiquity. While there is no doubt that the basic settlement pattern that emerged over the course of the Cypriot Iron Age persisted into the 7th, 8th, and even 8th century, a new constellation of villages, ex-urban, and suburban settlements (e.g. Rupp 1997) came to complement densely urbanized southern coast of the island. Many of these settlements appear to have supported the place of Cyprus within the economy of the Late Roman Mediterranean. The ex-urban site of Ay. Georgios-Peyias near Paphos, for example, features warehouses that the excavator suspects to have supported the annona route from Egypt to Constantinope (Bakirtzis xxxx). The remarkable scatter of of Pyla-Koutsopetria may have emerged as an important harbor for the quaestura exercitus instituted in the mid-6th century (Caraher et al. 2014). The site a Dreamer’s Bay appears to be another significant entrepôt on the south coast of the island and recent work excavating warehouses promises to contribute to how we understand the island’s economic relationship with the wider region (GET CITE). The presence of kilns for Late Roman 1 amphora on the coast near the village of Ziyi provides more evidence for the role of ex-urban coastal sites in large scale agricultural produce from Cyprus during Late Antiquity. Even small sites like Kione on the Akamas Peninsula and the development of harbors Inland village sites such as Kalavassos-Kopetra situated in intermediate zones between the ore bearing Troodos mountains and coast also flourished in the 6th and 7th centuries (Rautman xxxx) and complemented ongoing extraction of copper from long-worked viens (Given et al. xxxx). A parallel development in the Karkotis valley documented by the Troodos Archaeological and Environmental Survey Project (TAESP) seems to have supported mine in the region of Skouriotissa (TAESP CITE; Rautman, Troodos xxxx). Rural settlement on Cyprus appears to have expanded in the Late Roman period leading Marcus Rautman to remark on the “busy countryside of Late Roman Cyprus” (Rautman xxxx) which appears to have prospered into the late 6th century. The intensity of settlement in the Cypriot landscape during Late Antiquity finds parallels across the Mediterranean world from the well-known “deserted village” of the limestone massif in Syria to the valleys of the Peloponnesus.
At a glance, the material culture of Cyprus tells a similar story. Cyprus saw a regular flow of imported fine or table wares particularly African Red Slip and Phocaean Ware (or Late Roman C ware). Archaeologists long thought that Cypriot Red Slip (Late Roman D ware) was manufactured on the Western side of the island perhaps near production sites of the earlier Cypriot Sigillata, but it now appears that most forms of Cypriot Red Slip were manufactured in Psidia (CITE). These fine wares, whatever their provenience, remain common in assemblages from across the Eastern Mediterranean, Egypt, and the Levant. It remains difficult to identify the provenience of the ubiquitous Late Roman 1 amphora on Cyprus, but it appears likely that a substantial percentage of this common form originated in the Aegean or Anatolia. The same can be said for its successor, the globular Late Roman 13 amphora, which also saw production on Cyprus, but appeared extensive in 7th and 8th century assemblages in the Aegean and most famously Constantinople (Hayes, Sarachane xxxx). Cooking pots, including the well-known Dhiorios type known from kilns excavated by Hector Catling at the site of Dhiorios from which these pots get their name. Paul Reynolds and his colleagues have noted that cooking pots both in fabrics common to Beirut and elsewhere in the Levant appeared in common ”Dhiorios“ forms as early as the mid-6th century and circulated widely. In sum, the standard components of Cypriot ceramic assemblages throughout Late Antiquity are common not just on Cyprus, but across the Eastern Mediterranean and Aegean at least through the end of the 7th century or the first decades of the 8th century. If the Cypriot landscape follows a pattern common to economic expansion across the Eastern Mediterranean at the end of antiquity, the ceramic assemblages suggest that the local economies were either integrated at a regional level or at least sufficiently related for common ceramic forms to appear form multiple, contemporary production sites in the Aegean, Asia Minor, and the Levant.