Speed and Practice in Digital Archaeology

I’ve always wanted to go to one of the Theoretical Archaeology Group (TAG) meetings. So I was chuffed to be invited to present at a panel at this years TAG meeting in Boulder, Colorado. Unfortunately, because of the financial situation at the University of North Dakota, we are currently prohibited from leaving the state for any reason. While I can’t complain too much, considering some of my colleagues who live in Minnesota have not been able to return home for weeks, it nevertheless put a crimp in my plan to attend.

Fortunately, UND has not banned us from using Skype or other electronic means to communicate with the outside world. I will be able (if the current policy stands) to Skype into the conference and present a paper titled “Speed and Practice for a Digital Archaeology.”

Here’s the abstract:

It has become cliche to observe that archaeologists now conduct their research in a connected world, but, as a discipline, we have continued to struggle with the implications of this routine observation. The speed with which archaeological descriptions and arguments disseminate across digital media presents new opportunities to observe and understand the practice of archaeological knowledge making. The differing generic expectations of these media, their fluidity, and the rapid pace of innovation offers ways to complicate the distinction between a provisional statement and a final publication, archaeological data and analysis, and real artifacts and digital representations. Speed of dissemination compresses distance, accelerates conversations, and transforms the appearance of the archaeological discourse.

The paper argues that the speed of digital publishing has transformed knowledge production in key ways. Speed has already challenged archaeology’s commitment to artifactual provenience by allowing the production and dissemination of highly accurate digital reproductions of artifacts, landscapes, and places. The speed with which archaeologists can update data sets, catalogues, and interpretation has threatened the generic integrity of the final publication. Finally, the speed with which social and new media provide highly visible outlets has begun to erode the authority of the disciplinary practices like peer review, traditional publishing outlets, and even layout, editing, and formatting standards. The relentless pressure and potential of speed in the digital era has introduced fundamentally new concepts to practice of archaeological inquiry.

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