Summertime is a great time for ideas, problem solving, and field work, but it’s not a great time for blogging or any kind of long-form writing. I do keep a little notebook of ideas and keep notes in my phone using the irresistibly twee Vesper application for my iPhone.
So, I have a few idea, most of which I (subjected?) shared with Scott Moore over the last few days.
1. Polis: City of Work. This summer we’ve been working to understand an industrial area of the site of Polis-Chrysochous. It was an area that probably did not enjoy as much attention as the monumental remains of the city in the recent Polis: City of Gold exhibition and catalogue. This was a shame, because we have a ton of evidence for production both in the area where we’re working – including a ceramic kiln and some evidence for possible glass production, metal working, terra-cotta sculpture, and probably other activities that are not associated with the glamorous life of monumental buildings, well-appointed sanctuaries, and other elite manifestations of ancient urbanism.
2. Wall and Holes. This year, the small team at Polis right now has focused on an area laced with walls and deep trenches. Unfortunately, it has been difficult to associate the trenches with walls and walls with floors and surfaces with fills. The big problem is that many of the excavators struggled to see foundation cuts in the difficult soil. Compounding this (and probably the major reason that foundation cuts went undetected) is the numerous “later” burials in the area and the constant rebuilding and adaptation of the area.
The end result is that we have walls, we have fills, and we have surfaces, and it is very difficult to link any of these together. So we have to find a way to publish the site that recognizes the challenges associated with the excavations and the limits to our knowledge as well as the potential the site and excavation have to contribute to archaeological knowledge on the island.
4. Wall atop Walls. One of the coolest things about our corner of the Polis site is that it features walls atop wall over a span of nearly 1000 years. The basic grid plan of the area was probably established by the Hellenistic period and it persisted into Late Antiquity and probably beyond. As a result, the area of our current work has massive evidence for the reuse of architecture throughout.
While the use of spolia is fairly well studied for monumental architecture like fortification walls and churches, it is not as considered in its most banal and practical form. Our area provides a window into the everyday life of an “ordinary” neighborhood at Polis on Cyprus. The reuse of blocks, the cuts, fills, and reconstructions, and the collapses and debris are all preserved as the fabric of the area’s history.
3. Zombies and Ceramics. This summer, I’ve had the distinct pleasure of working alongside an expert on Roman and Late Roman ceramics and zombies: R. Scott Moore.
I’ve begun to prepare a treatment for a small-budget film that features Scott Moore as the only man who can save humanity from the onslaught of zombies propagated through contact with Late Roman ceramics. The first zombie, of course, was John Hayes whose work defined the field of ceramics in Late Antiquity. The disease soon spread to a group of scholars desperately trying to understand how to use his volume on the Roman ceramics from the site of Paphos. Others are stricken working their way through his volume on the Roman and Late Roman fine wares from the Agora or material from Saraçhane in Istanbul. Graduate students are particularly susceptible, but the cursed virus slowly begins to take down all the ceramicists in the Mediterranean, then excavators, then site directors, and finally tourists.
Only Scott Moore remains immune. No one knows why or how, but what is more important is that he is the only person who can read Late Roman pottery without becoming a zombie.